DSLR and PS Parts
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ARTV-108 (Introduction to Photography) Friday; 3:00PM-6:00PM
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DSLR and PS Parts
- 15. SAMSUNG ACE LUMIX LX5 CANON 550 D S 5830
- 16. WHEN do you use your CAMERA? WHAT camera you have today? And INTRODUCE yourself.
- 21. DSLR POINT AND SHOOT
- 42. CANON NIKON
- 47. M Manual AV Aperture Priority TV Shutter Speed Priority P Program
- 49. Exposure Mode How it works Auto □ Camera automatically selects all exposure settings. Camera automatically selects aperture & shutter speed; you can choose Program (P) corresponding ISO & exposure compensation. With some cameras, P can also acts as hybrid of the AV & TV modes. Aperture Priority You specify the aperture & ISO, the camera’s metering determines the (AV) corresponding camera shutter speed You specify the shutter speed & ISO, the camera’s metering determines the Shutter Speed corresponding camera aperture Priority (TV) You specify the aperture, shutter speed & ISO, regardless of whether these values Manual (M) will lead to correct exposure Useful for exposure longer than 30 seconds, you specify the aperture & ISO and Bulb (B) shutter speed will be manually determined through a release switch or re-pressing of shutter release button
- 50. Basic Zones / AUTO Modes Portrait Mode - A side (profile) view of a HEAD. - This mode brings subjects in the foreground into sharp focus, and may enlist the use of a larger aperture to blur the background. Landscape Mode - Icon: MOUNTAINS. - This mode is for taking shots of distant objects, or wide-angle shots, and will bring background objects more clearly into focus by setting a smaller aperture. Night Scene Mode - Icon containing a STAR- This mode uses flash and a slower shutter speed to illuminate the subject and allow more light to enter the camera Macro Mode - Icon: FLOWER- Used for extreme close-up shots where the camera may have trouble focusing in other modes. Sports / Action Mode - Icon: RUNNING PERSON- Use this mode for shots in which there is a good amount of motion which you want to capture without blurring. Movie Mode: Many cameras let you record MPEG or QuickTime videos to the same memory card storing your photos
- 55. Absence of additional dial, we need to press a button to change the aperture
- 59. * Focusing points can be manually change to various positions
- 63. Information Shutter Speed Aperture ISO Setting White Balance Meter Indicator Drive Option Compression Focus indicator Battery Indicator Sound Number of Shots
- 64. Shutter Speed Battery Indicator Aperture Image Quality White Balance ISO speed Metering Mode Exposure Compensation Shot Counter
- 68. NOON Bluish or white in cast during mid of the day, its cooler in terms of color temperature
- 69. AM & PM Red/Orange Color casting during early in the morning and late in the afternoon
- 70. tungsten tungsten Studio light firelight fluorescent daylight
- 73. METER BUTTON
- 75. -2 -1 0 +1 +2
- 78. Most common with a 1.5 to 1.6 crop factor. APS C - Advanced Photo System type-C (APS-C) is in an image sensor format approximately equivalent size to the Advance Photo System "classic" size negatives. These negatives were 25.1 × 16.7 mm and had an aspect ratio 3:2. 4:3 format has a crop factor of 2.0 (Olympus) Full Frame same as 36 x 24 size
- 79. SENSOR COVERAGE
- 80. COMPRESSION RAW HIGH JPEG Fine, Normal & Basic MEDIUM JPEG Fine, Normal & Basic SMALL JPEG Fine, Normal & Basic
- 83. Optical Zoom vs. Digital Zoom
- 85. Normal Lenses Wide Angle Lenses Telephoto Lenses Special Lenses Macro Lenses Tilt & Shift Lenses Fish Eye Lenses
- 86. FIXED LENS ZOOM LENS
- 87. Optical aberrations occur when points of the image do not translate back onto single points after passing through the lens, causing image blurring, reduced contrast or misalignment of colors (chromatic aberration). Lenses may also suffer from uneven, radially decreasing image brightness (vignette) or distortion.
- 88. Chromatic Loss of Vignette Blurring Distortion Aberrations Contrast
- 89. Wide Angle Lenses Super Wide Angle Lenses Normal Lenses Telephoto Lenses Super Telephoto Lenses
- 90. WIDE ANGLE LENS Super Wide Wide Angle Angle • 6 to 24 mm • 28 to 35 mm
- 91. NORMAL LENS Normal Lens • 50 mm
- 92. Telephoto Lens Super Telephoto Telephoto • 300 mm • 70 to 200 mm upward
- 93. 14 mm TICAO ISLAND, PHILIPPINES
- 94. 14 mm MACAU, CHINA
- 95. 15 mm Fish eye BOHOL, PHILIPPINES
- 96. 16 mm BANGKOK,THAILAND
- 97. 18 mm AMSTERDAM f/ 5.6 1/1000 sec. ISO 100
- 98. 18 mm BERN, SWITZERLAND f/ 8.0 1/320 sec. ISO 100
- 99. 27 mm ROME, ITALY f/ 5.0 1/320 sec. ISO 200
- 100. 37 mm LINZ AUSTRIA f/ 5.6 1/500 ISO 100 sec.
- 101. 50 mm PARIS , FRANCE f/ 8.0 1/320 sec. ISO 100
- 102. 90 mm PARIS, FRANCE f/ 5.6 1/1000 sec. ISO 100
- 103. 135 mm NETHERLANDS f/ 8.0 1/1000 sec. ISO 100
- 104. 200 mm BENGUET f/ 8.0
- 105. 70 -135 MM PORTRAIT LENS RANGE
- 106. MACRO LENS
- 107. MACRO LENS
- 108. Lens opening 3.5 – 5.6, as 3.5 maximum opening at its shortest focal length and 5.6 on its longest. 2.8 only – means maximum opening all length . Minimum Focusing distance – wide angle lens has a greater minimum focusing distance than a telephoto. Macro lenses – has the most, in terms of minimum focusing distance