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Cinematography and Light
Georges De La Tour
( The Dream of St. Joseph)
Single Source
• Oh yes, the paintings. Georges de la Tour was
  born in 1593 in the duchy of Lorraine in north-
  eastern France.
• He travelled to Italy and Netherlands early in
  his career, where he may have been
  influenced by Caravaggio and Rembrandt.
Caravaggio
( Calling of St. Matthew)
Rembrandt
   ()
• The glow of single source, practical, in-shot
  candlelight sets his work apart from
  Caravaggio, whose hard, directional lighting is
  similar, but comes from out of frame.
• De la Tour was able to imagine and paint
  scenes illuminated by one candle, one foot
  from the subject: something that would take
  more than another 300 years to photograph.
• He instinctively understood how the flame
  was the brightest point in the frame, and
  often covered the actual source of light with a
  hand or arm to draw attention to faces and
  expressions where needed.
Rembrandt
   ( )
Side Key Light
Side Key- Single Source Light
Top- Lighting

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Single source

  • 2. Georges De La Tour ( The Dream of St. Joseph)
  • 3. Single Source • Oh yes, the paintings. Georges de la Tour was born in 1593 in the duchy of Lorraine in north- eastern France. • He travelled to Italy and Netherlands early in his career, where he may have been influenced by Caravaggio and Rembrandt.
  • 4. Caravaggio ( Calling of St. Matthew)
  • 6. • The glow of single source, practical, in-shot candlelight sets his work apart from Caravaggio, whose hard, directional lighting is similar, but comes from out of frame.
  • 7. • De la Tour was able to imagine and paint scenes illuminated by one candle, one foot from the subject: something that would take more than another 300 years to photograph.
  • 8. • He instinctively understood how the flame was the brightest point in the frame, and often covered the actual source of light with a hand or arm to draw attention to faces and expressions where needed.
  • 9. Rembrandt ( )
  • 11. Side Key- Single Source Light