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Vigan
considered as the
“Intramuros of the
North” retains the
Spanish Colonial
Architecture along
its narrow and
cobble-stoned
streets known as
Calle Crisologo.
Inabel
Is a hand weaving
technique of the Ilocanos
that is produced using
traditional wooden
looms. The different
designs represent
different meanings. The
Inabel designs are
inspired by natural
elements:patterns that
depicts different
landforms,colors of the
flowers and vegetation.
Burnay
is unglazed earthen
jar with small opening. It is
used for storage for water
and rice grains and as
container for salt, brown
sugar, basi (local wine) and
bagoong (fermented fish).
The potters mixed
fine gravel sand and ashes
and fire the clay to make
burnay heavy and sturdy.
The arts and crafts
of Pangasinan
include the
smoothly woven
Bolinao mats
made from Buri or
Raffia leaves and
the Bamboo crafts
(baskets,
furnitures)of San
Carlos.
The natives of
Kalinga are skilled
weavers. One of
their finest
products is their
textile, which is
characterized by
red stripes, white,
yellow and black
geometrical
pattern.
Kain – A rap-around
skirt or tapis worn by
Kalinga women which
reaches below the
knee. The colors used
in their textiles have
cultural meanings:
Red- bravery; Black –
for the soil or land;
white - for the flowers
of the coffee trees;
Yellow – for the sand;
Green - for the
mountains.
It shows the
Kalinga’s fine
craftmanship.
The labba is a
bowl-shaped
basket made
from rattan, with
sizes from 20 to
150 cm.in
diameter.
another form of
art of the Kalinga. It also
signifies a rite of passage
from youth to adulthood,
a mark of heroism and
bravery of one’s status in
the community.
Whang-od is the
last “mambabatok” or
traditional Kalinga tattoo
artist. She uses a mixture
of charcoal and water
that is tapped on the skin
using the thorn end.
Ifugao -means “natives of
Cordillera”.
Bul’ul wooden sculpture
that represents the rice
granary spirit. It is used
in rituals that are
performed to call the
ancestors to protect
their rice fields. These
are dipped in the blood
of pigs during a ritual
called tunod means
“planting the seedlings in
the soil”.
Lingling-o or
dinumug – made
from jade, gold,
copper, bronze,
stone and other
materials. These
are fertility
symbols worn
around the neck.
Textile
The province known for
their burial cloth,
Kadangyan, woven by
the female elders.
Kabayan mummies
declared as the
National Cultural
Treasure of the
Philippines.
People of Bontoc also a
skilled weavers. Men’s
traditional attire called
wanes.
Lufid- short and narrow
wrap-around skirt worn
by women. Motifs include
the geometric shape of
humans, lizard,
mountains, rains and
flowers.Ginaspala wanes
belt worn by married
women of Bontoc and
Kankanaey.
Native of Bontoc create
their textile patterns
through the ikat-a
weaving method.
Process of tying and
dyeing the threads to
prepare the patterns
before they are woven
into textile.
Abra
The Tingguians
weave textiles for
cloths and blankets.
They are noted for
their white textiles
and horizontal stripes
found in the edges. Or
vertical stripes in the
center.
Identify the difference
and similarities of the
following textiles based
on the materials and
designs used. Write your
observation on a Venn
Diagram
Cordillera textile pattern
Ilocos textile pattern
Ilocos
textile
Cordillera
textile
Similarities and
idfferences

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ART AND CRAFTS OF HIGHLANDS AND LOWLANDS MAPEH 7 1ST QUARTER

  • 1.
  • 2. Vigan considered as the “Intramuros of the North” retains the Spanish Colonial Architecture along its narrow and cobble-stoned streets known as Calle Crisologo.
  • 3. Inabel Is a hand weaving technique of the Ilocanos that is produced using traditional wooden looms. The different designs represent different meanings. The Inabel designs are inspired by natural elements:patterns that depicts different landforms,colors of the flowers and vegetation.
  • 4. Burnay is unglazed earthen jar with small opening. It is used for storage for water and rice grains and as container for salt, brown sugar, basi (local wine) and bagoong (fermented fish). The potters mixed fine gravel sand and ashes and fire the clay to make burnay heavy and sturdy.
  • 5. The arts and crafts of Pangasinan include the smoothly woven Bolinao mats made from Buri or Raffia leaves and the Bamboo crafts (baskets, furnitures)of San Carlos.
  • 6. The natives of Kalinga are skilled weavers. One of their finest products is their textile, which is characterized by red stripes, white, yellow and black geometrical pattern.
  • 7. Kain – A rap-around skirt or tapis worn by Kalinga women which reaches below the knee. The colors used in their textiles have cultural meanings: Red- bravery; Black – for the soil or land; white - for the flowers of the coffee trees; Yellow – for the sand; Green - for the mountains.
  • 8. It shows the Kalinga’s fine craftmanship. The labba is a bowl-shaped basket made from rattan, with sizes from 20 to 150 cm.in diameter.
  • 9. another form of art of the Kalinga. It also signifies a rite of passage from youth to adulthood, a mark of heroism and bravery of one’s status in the community. Whang-od is the last “mambabatok” or traditional Kalinga tattoo artist. She uses a mixture of charcoal and water that is tapped on the skin using the thorn end.
  • 10. Ifugao -means “natives of Cordillera”. Bul’ul wooden sculpture that represents the rice granary spirit. It is used in rituals that are performed to call the ancestors to protect their rice fields. These are dipped in the blood of pigs during a ritual called tunod means “planting the seedlings in the soil”.
  • 11. Lingling-o or dinumug – made from jade, gold, copper, bronze, stone and other materials. These are fertility symbols worn around the neck.
  • 12. Textile The province known for their burial cloth, Kadangyan, woven by the female elders. Kabayan mummies declared as the National Cultural Treasure of the Philippines.
  • 13. People of Bontoc also a skilled weavers. Men’s traditional attire called wanes. Lufid- short and narrow wrap-around skirt worn by women. Motifs include the geometric shape of humans, lizard, mountains, rains and flowers.Ginaspala wanes belt worn by married women of Bontoc and Kankanaey.
  • 14. Native of Bontoc create their textile patterns through the ikat-a weaving method. Process of tying and dyeing the threads to prepare the patterns before they are woven into textile.
  • 15. Abra The Tingguians weave textiles for cloths and blankets. They are noted for their white textiles and horizontal stripes found in the edges. Or vertical stripes in the center.
  • 16. Identify the difference and similarities of the following textiles based on the materials and designs used. Write your observation on a Venn Diagram Cordillera textile pattern Ilocos textile pattern Ilocos textile Cordillera textile Similarities and idfferences