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G-EN270 INTRO TO FICTION




The Elements of Fiction

Style
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style ::
Can be loosely conceived as applying to
everything in a story—for everything in it
involves the writer’s use of language—but…for
our purposes, we’ll say…
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style is a writer’s technical handling
of all aspects of language
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style includes diction ::

The kinds of words a writer uses
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style includes syntax ::

How a writer combines words into sentences
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style includes organization ::

How a writer groups sentences and passages (into
paragraphs, for example) and makes them cohere
more or cohere less
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Style also includes

• Rhythm and sound—the writer’s use of
   language’s auditory appeals, i.e., its “music,” or
   poetry

• Tone—the author’s attitude toward his or her
   subject matter
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




Diction, syntax, organization, rhythm and sound,
and tone constitute the author’s voice, which
Charters defines as “the total effect of the author’s
rhetorical and stylistic choices.”
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN



Style also embraces those aspects of language that
extend and magnify the impact and significance of
language

• Imagery—the use of words that give a concrete
   representation of a sensory experience or an
   object that is perceived by the senses

• Symbolism—the use of an image, plot event, or
   character to suggest an abstract meaning in
   addition to its literal significance
G-EN270 INTRO TO ICTION
AR340 WEB-BASEDFDESIGN




A final note ::

Point of view and dialogue can radically alter a
writer’s style: S/he may be creating a narrative
voice that reflects the style of the speaker.
Style

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Style

  • 1. G-EN270 INTRO TO FICTION The Elements of Fiction Style
  • 2. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style :: Can be loosely conceived as applying to everything in a story—for everything in it involves the writer’s use of language—but…for our purposes, we’ll say…
  • 3. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style is a writer’s technical handling of all aspects of language
  • 4. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style includes diction :: The kinds of words a writer uses
  • 5. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style includes syntax :: How a writer combines words into sentences
  • 6. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style includes organization :: How a writer groups sentences and passages (into paragraphs, for example) and makes them cohere more or cohere less
  • 7. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style also includes • Rhythm and sound—the writer’s use of language’s auditory appeals, i.e., its “music,” or poetry • Tone—the author’s attitude toward his or her subject matter
  • 8. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Diction, syntax, organization, rhythm and sound, and tone constitute the author’s voice, which Charters defines as “the total effect of the author’s rhetorical and stylistic choices.”
  • 9. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN Style also embraces those aspects of language that extend and magnify the impact and significance of language • Imagery—the use of words that give a concrete representation of a sensory experience or an object that is perceived by the senses • Symbolism—the use of an image, plot event, or character to suggest an abstract meaning in addition to its literal significance
  • 10. G-EN270 INTRO TO ICTION AR340 WEB-BASEDFDESIGN A final note :: Point of view and dialogue can radically alter a writer’s style: S/he may be creating a narrative voice that reflects the style of the speaker.