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Horkheimer & Adorno
“The Culture Industry”
Colin Rolfe & Tamatha Williams
“To Write Poetry
  After Auschwitz
“TO WRITE POETRY AFTER
          is
AUSCHWITZ IS BARBARIC”
      Barbaric”
       (ADORNO)
       (Adorno)
Max Horkheimer
     Theodor Adorno




Both born in Germany around the turn of the century

Both were Marxist scholars & philosophers
Max Horkheimer
Theodor Adorno
Horkheimer fled Nazi Germany to Los Angeles

Adorno was denied a teaching position at a university
because he was Jewish.

Dialectic of the Enlightenment written 1944, published
1947
The Culture
               Industry
“Movies and radio need no longer pretend to be art. The truth that they
are just business is made into an ideology in order to justify the rubbish
they deliberately produce. They call themselves industries; and when
their directors’ incomes are published, any doubts about the social utility
of the finished products is removed” (1111)

   Product of capitalism

   Art no longer exists for the purpose of the connection on an individual
   level, its purpose is to connect with as wide an audience as possible

      Andy Warhol

   The original Toy Story grossed $361,958,736
“People know what they want
  because they know what
other people want” (Adorno)
“It is alleged that because millions participate in it,
certain reproduction processes are necessary that
inevitably require identical needs in innumerable places
to be satisfied with identical goods” (1111)

  “Needs” implies a strong, pre-determined response

  The culture industry plays on insider/ outsider
  dynamic

  De-individualization
...But can it
         deliver?
“The culture industry does not sublimate; it represses. By
repeatedly exposing the objects of desire, breasts in a
clinging sweater or the naked torso of the athletic hero, it
only sublimates the unsublimated forepleasure which
habitual deprivation has long since reduced to masochistic
semblance” (1117-8).
  The culture industry hooks and maintains control over
  the consumer by stimulating desire
     It is a desire that does not exist within reality, so it can
     never truly satiate the needs of the consumer
Gesamptkunstwerk
“The sound film, far surpassing the theater of illusion, leaves no room for
imagination or reflection on the part of the audience, who is unable to
respond within the structure of the film, yet deviate from its precise detail
without losing the thread of the story; hence the film forces its victims to
equate it directly with reality” (1113)

   Blend of visual and audio medium leaves no space for imagination by
   the viewer

   The culture industry tells us how we should feel about a product by
   blending seamlessly with reality

      Product placement

   Recoding of reality; turning life into a big shopping mall
The Illusion of
     Individuality
“The ruthless unity in the culture industry is evidence of
what will happen in politics. Marked differentiations
such as those of A and B films, or of stories in
magazines in different price ranges, depend no so much
on subject matter as on classifying, organizing, and
labeling consumers” (1112)

  We desire to see our reflection in the goods we
  purchase, but these are arbitrarily predetermined
  distinctions made by the culture industry itself
Toy Story 2


Scene at 41:00

  Buzz encounters hundreds of reproductions of himself
  at Al’s Toy Barn
Futility of the
     Utility Belt
Buzz considers himself to be above the influence of
the culture industry, he knows he is a toy, but is drawn
in by the utility belt; it is a product he did not know he
wanted until he saw it on the others just like him

  Buzz cannot tell the difference between
  representation perpetuated by the culture industry
  and the real

The utility belt does nothing, it is a mere marker of
differences by the culture to bring in higher profit
De-
Individualization
The “other” Buzz uses the same rhetoric as the
“real” Buzz from the first film

  Both voiced by Tim Allen

  Anything can be replaced because it is mass
  produced resulting in a loss of sentimentality

    We don’t expect meaning to be in anything
Barbie
Varieties of Barbie; distinction only in clothes/ hair
color

  Demonstrates the manipulation of the consumer
Merchandizing

“Back in 1995 short sighted retailers did not order
enough dolls to meet demand”

  Commerce based on the film is incredibly popular in
  toys, games, costumes, etc.

  The blending of film and real life as indistinguishable
  is seen here

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Culture industry powerpoint

  • 1. Horkheimer & Adorno “The Culture Industry” Colin Rolfe & Tamatha Williams
  • 2. “To Write Poetry After Auschwitz “TO WRITE POETRY AFTER is AUSCHWITZ IS BARBARIC” Barbaric” (ADORNO) (Adorno)
  • 3. Max Horkheimer Theodor Adorno Both born in Germany around the turn of the century Both were Marxist scholars & philosophers
  • 4. Max Horkheimer Theodor Adorno Horkheimer fled Nazi Germany to Los Angeles Adorno was denied a teaching position at a university because he was Jewish. Dialectic of the Enlightenment written 1944, published 1947
  • 5. The Culture Industry “Movies and radio need no longer pretend to be art. The truth that they are just business is made into an ideology in order to justify the rubbish they deliberately produce. They call themselves industries; and when their directors’ incomes are published, any doubts about the social utility of the finished products is removed” (1111) Product of capitalism Art no longer exists for the purpose of the connection on an individual level, its purpose is to connect with as wide an audience as possible Andy Warhol The original Toy Story grossed $361,958,736
  • 6. “People know what they want because they know what other people want” (Adorno) “It is alleged that because millions participate in it, certain reproduction processes are necessary that inevitably require identical needs in innumerable places to be satisfied with identical goods” (1111) “Needs” implies a strong, pre-determined response The culture industry plays on insider/ outsider dynamic De-individualization
  • 7. ...But can it deliver? “The culture industry does not sublimate; it represses. By repeatedly exposing the objects of desire, breasts in a clinging sweater or the naked torso of the athletic hero, it only sublimates the unsublimated forepleasure which habitual deprivation has long since reduced to masochistic semblance” (1117-8). The culture industry hooks and maintains control over the consumer by stimulating desire It is a desire that does not exist within reality, so it can never truly satiate the needs of the consumer
  • 8. Gesamptkunstwerk “The sound film, far surpassing the theater of illusion, leaves no room for imagination or reflection on the part of the audience, who is unable to respond within the structure of the film, yet deviate from its precise detail without losing the thread of the story; hence the film forces its victims to equate it directly with reality” (1113) Blend of visual and audio medium leaves no space for imagination by the viewer The culture industry tells us how we should feel about a product by blending seamlessly with reality Product placement Recoding of reality; turning life into a big shopping mall
  • 9. The Illusion of Individuality “The ruthless unity in the culture industry is evidence of what will happen in politics. Marked differentiations such as those of A and B films, or of stories in magazines in different price ranges, depend no so much on subject matter as on classifying, organizing, and labeling consumers” (1112) We desire to see our reflection in the goods we purchase, but these are arbitrarily predetermined distinctions made by the culture industry itself
  • 10. Toy Story 2 Scene at 41:00 Buzz encounters hundreds of reproductions of himself at Al’s Toy Barn
  • 11. Futility of the Utility Belt Buzz considers himself to be above the influence of the culture industry, he knows he is a toy, but is drawn in by the utility belt; it is a product he did not know he wanted until he saw it on the others just like him Buzz cannot tell the difference between representation perpetuated by the culture industry and the real The utility belt does nothing, it is a mere marker of differences by the culture to bring in higher profit
  • 12. De- Individualization The “other” Buzz uses the same rhetoric as the “real” Buzz from the first film Both voiced by Tim Allen Anything can be replaced because it is mass produced resulting in a loss of sentimentality We don’t expect meaning to be in anything
  • 13. Barbie Varieties of Barbie; distinction only in clothes/ hair color Demonstrates the manipulation of the consumer
  • 14. Merchandizing “Back in 1995 short sighted retailers did not order enough dolls to meet demand” Commerce based on the film is incredibly popular in toys, games, costumes, etc. The blending of film and real life as indistinguishable is seen here