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Digital storytelling
at CPUT
Daniela Gachago
1. Context
2. Content vs experiencebased digital stories
3. Challenges

Why digital narratives?
What Happens When You Turn Your
Back In A 21st Century Classroom…

http://www.teachthought.com/technology/what-happens-when-you-turn-your-back-in-a-21st-century-classroom/

Context / background
• My computer is the nucleus of my workspace
• When I need information I go online
• Besides IM or email my cell phone is my primary method of
communication
• I’m usually juggling five things at once
• My attention span is very small
• I want instant gratification
• I get bored very easily
Oblinger 2008

New generation of students
Oblinger
Challenges
Digital storytelling at CPUT
Definition – digital stories / narratives
•
•
•
•
•

Stories of Metal
Stories of Timber
Digital children books
FoodTech stories
Environmental
management stories
• Youth employment tax
breaks
• English language
lessons
• Dental technology

Content-based
stories

Hybrid stories
• Caring for patients
with disabilities
• Role of community
nurses/social issues
• GIS / mapping stories
• Stories of sustainability
and architecture
• A response to Penny
Siopis

• My ECP Design journey
• My teacher identity
• Social issues in Education
• Stories of transformation
• A day in my life…

Experiencebased stories
Digital narratives – content based
•
•
•
•
•

Flexibility / Adaptability
Digital literacies (Ohler 2006)
Authentic acquisition of content
Alternative assessment tool
Link to communities – bridging
academic content and personal
lives
• Engaging 21st century students
(Robin 2008)

• Multimodality (Brushwood 2014, Hull
2005, Vaseduvan 2010), learning with all
senses
• Development of local content

Why digital narratives?
Thembani: I feel like the video it’s kind of good way of
learning like I will prefer the video like in anything.

Interviewer:

Why?

If you’re reading something and you get to watch it , so
you’re absorbing it, hearing it and you’re doing it
especially because part of you were doing the whole
thingy. So as you’re doing it, you’re learning from it and
it was fun like most videos it was fun.
So you kind of want to play the video over and over and
you know… it was the fun part like apply what you learnt
into the movie …

Student feedback
Multimedia skills
Intro

Photostory/
iMovie/
Moviemaker

Narration

Performance
Information literacy
Research /
brainstorming

Academic literacy,
Planning &
sequencing
Scripting

Images

Background
sounds &
Music

Visual literacy
Media literacy
Copyright etc
Storyboarding

Planning of DST projects

Screening
Work in progress
• Focus on open source /
freely available software
on the web
• Audacity & MovieMaker
• Photostory

Software & media used
Creative commons
Digital stories – experience based
Digital Storytelling
Digital storytelling
We listen to stories in order to be
changed (Krog, Mpolweni, Ratele 2009)

Focus on social justice
Storytelling and social change
Hearing your story

Intro

Photostory

Narration

Seeing your story
Assembling your story

Owning your insights
River of Life /
Storycircle

Images

Background
sounds

Owning your emotions
Sharing your story
Finding the moment
Scripting

Storyboarding

Screening

Planning of DST projects (7 steps of DST)
Visit to Kirstenbosch, reflect on the experience
DST Workshop 1
DST introduction, community map, title and statement of intent
Participatory Learning and Action Techniques
Mobile learning and digital stories
• Aim: establishing needs of various groups in
communities in order to develop some form of action
on this need
• Important: critical self-consciousness on the part of the
researchers as well as a concern with social justice
• Characterized as process, not a one-off event which is
interactive, uses visual methods, is aimed at action and
reflection and is usually practiced in a group setting.
• Good for students with diverse academic literacy skills
• Examples: Community Mapping or River of Life

Participatory Learning & Action Techniques
Community mapping - urban
Community map - rural
River of Life
River of Life
•
•
•
•

Critical reflection (Long 2011, Ivala et al 2013)
Student identity / agency (Hull and Katz 2006)
Social cohesion / social pedagogy (Benmayor 2008)
Interplay of emotional and cognitive labour
(Coventry 2008, Opperman 2008)

• Social justice education (Simsek 2012; Condy et al
2013, Gachago et al 2013)

• Engagement with diversity (Koyabashi 2012; Condy et al 2011)
• Pedagogy of discomfort (Gachago et al 2013)
• Counterstorytelling / alternative captital (Vaseduvan
2010, Gachago et al. in press, Yosso 2005)

Benefits of digital storytelling
Everybody has their own story to tell. So digital
story allows you to tell your specific story and
share it amongst everybody in your classroom.
So yes, if you get exposed to
another person’s
culture, surely you will
respect that culture
eventually and you will learn
about that person and you
see that person with more
respect and in a better light.

Sharing and respect
When my story was played along
with everyone’s story, I could not
help but get emotional, for the
first time in four years I cried and
felt very proud and less ashamed
of my background…and another
thing that made me feel very
proud was when some colleagues
of mine were touched and
inspired by my story. I will never
forget that Wednesday, because I
got to know my fellow students
more, they got to know me
more…

Human connection
•
•
•
•
•
•
•
•
•
•

Technology
Assessment
Time
Quiet recording space
Diverse literacy skills – importance of team teaching
Support – peer facilitators
Adapting model to specific discipline
Process vs product
Dissemination of stories (access, copyright)
Ethical issues (counselling etc)

Challenges of DST projects
Authentic Task
Reflection
Collaboration
Constructionism
Structure
Responsiveness
Access to Technology
Digital literacy skills
Content –based stories

Experience –based stories
Any questions?
• ETU blog:
– www.cput.ac.za/blogs/edutech
– http://www.cput.ac.za/blogs/edutech/digitalstorytelling-resources/

• YouTube channel:
– http://www.youtube.com/user/CPUTstories

• Contact: gachagod@cput.ac.za, 460 3795

Contact us
•
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Benmayor, R. 2008. “Digital storytelling as a signature pedagoy for the new humanities,” Arts and Humanities in Higher Education (7), pp. 188–204.
Bruns, A. 2008. “The Future Is User-Led  The Path towards Widespread Produsage,” (8).
:
Condy, J., Chigona, A., Gachago, D., and Ivala, E. 2013. “Paradoxes of social inclusion reflected in a digital story-telling project,” in Proceedings of the
15th annual conference on world wide web application, A. Koch and P. A. van Brakel (eds.), Cape Town.
Condy, J., Chigona, A., Gachago, D., and Ivala, E. 2012. “Preservice students’ perceptions and experiences of digital storytelling in diverse classrooms,”
Turkish Online Journal of Educational Technology (TOJET) (11:3), pp. 278–285.
Brushwood Rose, C., and Low, B. 2014. “Exploring the ‘craftedness’ of multimedia narratives: from creation to interpretation,” Visual Studies
(29:1), pp. 30–39.
Coventry, M. 2008. “Engaging gender: student application of theory through digital storytelling,” Arts and Humanities in Higher Education (7:2), pp.
205–219.
Gachago, D., Ivala, E., Condy, J. and Chigona, A. 2014 forthcoming 'Using Digital Counterstories as Multimodal Pedagogy among South African Preservice Student Educators to produce Stories of Resistance' , Electronic Journal for eLearning.
Gachago, D., Ivala, E., Barnes, V., Gill, P., Felix-Minnaar, J., Morkel, J., & Vajat, N 2014 forthcoming. Towards the development of digital storytelling
practices for use in resource-poor environments, across disciplines and with students from diverse backgrounds. South African Journal for Higher
Education (SAJHE).
Gachago, D., Ivala, E., Condy, J., and Chigona, A. 2013. “Journeys across Difference: Pre- Service Teacher Education Students’ Perceptions of a
Pedagogy of Discomfort in a Digital Storytelling Project in South Africa Daniela Gachago 1 , Eunice Ivala, Janet Condy and Agnes Chigona,” Critical
Studies in Teaching and Learning (1:1), pp. 22–52.
Ivala, E., Gachago, D., Condy, J., and Chigona, A. 2013. “Digital Storytelling and Reflection in Higher Education: A Case of Pre-service Student Teachers
and Their Lecturers at a University of Technology,” Journal of Education and Training Studies (2:1), pp. 217–227.
Hull, G. A., and Nelson, M. E. 2005. “Locating the Semiotic Power of Multimodality,” Written Communication (22), pp. 224–261.
Hull, G. A., and James, M. A. 2007. “Geographies of hope: A study of urban landscapes and a university-community collaborative.,” in Blurring
boundaries: Developing writers, researchers, and teachers: A tribute to William L. Smith, P. O’Neill (ed.), Cresskill, NJ: Hampton Press, pp. 250–289.
Kobayashi, M. 2012. “A digital storytelling project in a multicultural education class for pre- service teachers,” Journal of Education for Teaching
(38:2), pp. 215–219.
Lambert, J. 2013. Digital storytelling: capturing lives, creating communities, (4th ed.) New York: Routledge.
Long, B. 2011. “Digital Storytelling and Meaning Making: Critical Reflection , Creativity and Technology in Pre-service Teacher Education,” in
Proceedings of the Digital storytelling conference, pp. 1–27.
Oblinger, D. G. 2008. “Growing up with Google - What it means to education,” .
Ohler, J. 2006. “The World of Digital Storytelling,” Educational Leadership (63:4), pp. 44–47.
Oppermann, M. 2008. “Digital storytelling and American Studies: critical trajectories from the emotional to the epistemological,” Arts and Humanities
in Higher Education (7:2), pp. 171–187
Robin, B. R. 2008. “Digital Storytelling  A Powerful Technology Tool for the 21st Century Classroom,” Theory Into Practice (47:3), pp. 220–228.
:
Simsek, B. 2012. “Enhancing Women’ s Participation in Turkey through Digital Storytelling,” Journal of Cultural Science (5:2), pp. 28–46.
Vasudevan, L., Schultz, K., and Bateman, J. 2010. “Rethinking Composing in a Digital Age: Authoring Literate Identities Through Multimodal
Storytelling,” Written Communication (27:4), pp. 442–468.
Yosso, T.J. 2005. Whose culture has capital? A critical race theory discussion of community cultural wealth. Race Ethnicity and Education, 8(1): 69–91.
Available at: http://www.tandfonline.com/doi/abs/10.1080/1361332052000341006 [Accessed March 10, 2012].

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Digital storytelling at CPUT

  • 2. 1. Context 2. Content vs experiencebased digital stories 3. Challenges Why digital narratives?
  • 3. What Happens When You Turn Your Back In A 21st Century Classroom… http://www.teachthought.com/technology/what-happens-when-you-turn-your-back-in-a-21st-century-classroom/ Context / background
  • 4. • My computer is the nucleus of my workspace • When I need information I go online • Besides IM or email my cell phone is my primary method of communication • I’m usually juggling five things at once • My attention span is very small • I want instant gratification • I get bored very easily Oblinger 2008 New generation of students
  • 8. Definition – digital stories / narratives
  • 9. • • • • • Stories of Metal Stories of Timber Digital children books FoodTech stories Environmental management stories • Youth employment tax breaks • English language lessons • Dental technology Content-based stories Hybrid stories • Caring for patients with disabilities • Role of community nurses/social issues • GIS / mapping stories • Stories of sustainability and architecture • A response to Penny Siopis • My ECP Design journey • My teacher identity • Social issues in Education • Stories of transformation • A day in my life… Experiencebased stories
  • 10. Digital narratives – content based
  • 11. • • • • • Flexibility / Adaptability Digital literacies (Ohler 2006) Authentic acquisition of content Alternative assessment tool Link to communities – bridging academic content and personal lives • Engaging 21st century students (Robin 2008) • Multimodality (Brushwood 2014, Hull 2005, Vaseduvan 2010), learning with all senses • Development of local content Why digital narratives?
  • 12.
  • 13. Thembani: I feel like the video it’s kind of good way of learning like I will prefer the video like in anything. Interviewer: Why? If you’re reading something and you get to watch it , so you’re absorbing it, hearing it and you’re doing it especially because part of you were doing the whole thingy. So as you’re doing it, you’re learning from it and it was fun like most videos it was fun. So you kind of want to play the video over and over and you know… it was the fun part like apply what you learnt into the movie … Student feedback
  • 14.
  • 15.
  • 16. Multimedia skills Intro Photostory/ iMovie/ Moviemaker Narration Performance Information literacy Research / brainstorming Academic literacy, Planning & sequencing Scripting Images Background sounds & Music Visual literacy Media literacy Copyright etc Storyboarding Planning of DST projects Screening
  • 18. • Focus on open source / freely available software on the web • Audacity & MovieMaker • Photostory Software & media used
  • 20. Digital stories – experience based
  • 23. We listen to stories in order to be changed (Krog, Mpolweni, Ratele 2009) Focus on social justice
  • 25. Hearing your story Intro Photostory Narration Seeing your story Assembling your story Owning your insights River of Life / Storycircle Images Background sounds Owning your emotions Sharing your story Finding the moment Scripting Storyboarding Screening Planning of DST projects (7 steps of DST)
  • 26. Visit to Kirstenbosch, reflect on the experience
  • 27.
  • 28. DST Workshop 1 DST introduction, community map, title and statement of intent
  • 29. Participatory Learning and Action Techniques Mobile learning and digital stories
  • 30. • Aim: establishing needs of various groups in communities in order to develop some form of action on this need • Important: critical self-consciousness on the part of the researchers as well as a concern with social justice • Characterized as process, not a one-off event which is interactive, uses visual methods, is aimed at action and reflection and is usually practiced in a group setting. • Good for students with diverse academic literacy skills • Examples: Community Mapping or River of Life Participatory Learning & Action Techniques
  • 35. • • • • Critical reflection (Long 2011, Ivala et al 2013) Student identity / agency (Hull and Katz 2006) Social cohesion / social pedagogy (Benmayor 2008) Interplay of emotional and cognitive labour (Coventry 2008, Opperman 2008) • Social justice education (Simsek 2012; Condy et al 2013, Gachago et al 2013) • Engagement with diversity (Koyabashi 2012; Condy et al 2011) • Pedagogy of discomfort (Gachago et al 2013) • Counterstorytelling / alternative captital (Vaseduvan 2010, Gachago et al. in press, Yosso 2005) Benefits of digital storytelling
  • 36. Everybody has their own story to tell. So digital story allows you to tell your specific story and share it amongst everybody in your classroom. So yes, if you get exposed to another person’s culture, surely you will respect that culture eventually and you will learn about that person and you see that person with more respect and in a better light. Sharing and respect
  • 37. When my story was played along with everyone’s story, I could not help but get emotional, for the first time in four years I cried and felt very proud and less ashamed of my background…and another thing that made me feel very proud was when some colleagues of mine were touched and inspired by my story. I will never forget that Wednesday, because I got to know my fellow students more, they got to know me more… Human connection
  • 38. • • • • • • • • • • Technology Assessment Time Quiet recording space Diverse literacy skills – importance of team teaching Support – peer facilitators Adapting model to specific discipline Process vs product Dissemination of stories (access, copyright) Ethical issues (counselling etc) Challenges of DST projects
  • 39. Authentic Task Reflection Collaboration Constructionism Structure Responsiveness Access to Technology Digital literacy skills Content –based stories Experience –based stories
  • 40. Any questions? • ETU blog: – www.cput.ac.za/blogs/edutech – http://www.cput.ac.za/blogs/edutech/digitalstorytelling-resources/ • YouTube channel: – http://www.youtube.com/user/CPUTstories • Contact: gachagod@cput.ac.za, 460 3795 Contact us
  • 41. • • • • • • • • • • • • • • • • • • • • • • Benmayor, R. 2008. “Digital storytelling as a signature pedagoy for the new humanities,” Arts and Humanities in Higher Education (7), pp. 188–204. Bruns, A. 2008. “The Future Is User-Led  The Path towards Widespread Produsage,” (8). : Condy, J., Chigona, A., Gachago, D., and Ivala, E. 2013. “Paradoxes of social inclusion reflected in a digital story-telling project,” in Proceedings of the 15th annual conference on world wide web application, A. Koch and P. A. van Brakel (eds.), Cape Town. Condy, J., Chigona, A., Gachago, D., and Ivala, E. 2012. “Preservice students’ perceptions and experiences of digital storytelling in diverse classrooms,” Turkish Online Journal of Educational Technology (TOJET) (11:3), pp. 278–285. Brushwood Rose, C., and Low, B. 2014. “Exploring the ‘craftedness’ of multimedia narratives: from creation to interpretation,” Visual Studies (29:1), pp. 30–39. Coventry, M. 2008. “Engaging gender: student application of theory through digital storytelling,” Arts and Humanities in Higher Education (7:2), pp. 205–219. Gachago, D., Ivala, E., Condy, J. and Chigona, A. 2014 forthcoming 'Using Digital Counterstories as Multimodal Pedagogy among South African Preservice Student Educators to produce Stories of Resistance' , Electronic Journal for eLearning. Gachago, D., Ivala, E., Barnes, V., Gill, P., Felix-Minnaar, J., Morkel, J., & Vajat, N 2014 forthcoming. Towards the development of digital storytelling practices for use in resource-poor environments, across disciplines and with students from diverse backgrounds. South African Journal for Higher Education (SAJHE). Gachago, D., Ivala, E., Condy, J., and Chigona, A. 2013. “Journeys across Difference: Pre- Service Teacher Education Students’ Perceptions of a Pedagogy of Discomfort in a Digital Storytelling Project in South Africa Daniela Gachago 1 , Eunice Ivala, Janet Condy and Agnes Chigona,” Critical Studies in Teaching and Learning (1:1), pp. 22–52. Ivala, E., Gachago, D., Condy, J., and Chigona, A. 2013. “Digital Storytelling and Reflection in Higher Education: A Case of Pre-service Student Teachers and Their Lecturers at a University of Technology,” Journal of Education and Training Studies (2:1), pp. 217–227. Hull, G. A., and Nelson, M. E. 2005. “Locating the Semiotic Power of Multimodality,” Written Communication (22), pp. 224–261. Hull, G. A., and James, M. A. 2007. “Geographies of hope: A study of urban landscapes and a university-community collaborative.,” in Blurring boundaries: Developing writers, researchers, and teachers: A tribute to William L. Smith, P. O’Neill (ed.), Cresskill, NJ: Hampton Press, pp. 250–289. Kobayashi, M. 2012. “A digital storytelling project in a multicultural education class for pre- service teachers,” Journal of Education for Teaching (38:2), pp. 215–219. Lambert, J. 2013. Digital storytelling: capturing lives, creating communities, (4th ed.) New York: Routledge. Long, B. 2011. “Digital Storytelling and Meaning Making: Critical Reflection , Creativity and Technology in Pre-service Teacher Education,” in Proceedings of the Digital storytelling conference, pp. 1–27. Oblinger, D. G. 2008. “Growing up with Google - What it means to education,” . Ohler, J. 2006. “The World of Digital Storytelling,” Educational Leadership (63:4), pp. 44–47. Oppermann, M. 2008. “Digital storytelling and American Studies: critical trajectories from the emotional to the epistemological,” Arts and Humanities in Higher Education (7:2), pp. 171–187 Robin, B. R. 2008. “Digital Storytelling  A Powerful Technology Tool for the 21st Century Classroom,” Theory Into Practice (47:3), pp. 220–228. : Simsek, B. 2012. “Enhancing Women’ s Participation in Turkey through Digital Storytelling,” Journal of Cultural Science (5:2), pp. 28–46. Vasudevan, L., Schultz, K., and Bateman, J. 2010. “Rethinking Composing in a Digital Age: Authoring Literate Identities Through Multimodal Storytelling,” Written Communication (27:4), pp. 442–468. Yosso, T.J. 2005. Whose culture has capital? A critical race theory discussion of community cultural wealth. Race Ethnicity and Education, 8(1): 69–91. Available at: http://www.tandfonline.com/doi/abs/10.1080/1361332052000341006 [Accessed March 10, 2012]. References

Notes de l'éditeur

  1. Jolanda