5. • Work: Play
• Genre: Tragedy
• POV: Objective Third Person
(uses dialogue and without author’s commentary)
• Literary Period Written:
>Renaissance, Reign of Elizabeth I
• Literary devices Used: soliloquy
6. Historical Background:
Church:
> a widow is forbidden to marry her
deceased husband’s brother (incestuous)
> maimed rites are given to those who
committed suicide
> burial should be near the parish
church
7. Society:
> daughters should be obedient
> Scandinavian Territorial Wars
> Advantages of being a royalty, or in a
high social rank
> Public trial
>Loquacious courtier (scholars are coining
words from Greek and Latin)
8. Succession:
> Chief Men (Council) elect the
successor from the immediate male relatives
of the late ruler. The interested party may
present himself before the assembly.
10. Act I:
>The ghost of King Hamlet
showed up and asked his son
to avenge his death.
11. Act II:
>Hamlet feigned insanity.
>He invited the king and Queen
to watch ‘ The Mouse-Trap’ Play
which is intended to invoke the
guilt of the King.
12. Act III:
>Hamlet and Horatio succeeded in
invoking the guilt of the King.
>The Queen broke down under her son’s
indictment.
> Hamlet accidentally killed the
eavesdropper Polonius.
13. Act IV:
>Ophelia went insane and died by
drowning.
>Laertes returns and attempted
revolution.
>Hamlet is ‘exiled’ to London.
> The evil plot of Laertes and the King.
14. Act V:
>Death of the main characters.
>Horatio is tasked to tell the truth.
>Fortinbras summons the great
Council.
15. Conflicts:
> Man vs Man (Hamlet vs the King)
(Hamlet vs Laertes)
> Man vs Self (Hamlet vs his conscience)
(Ophelia vs her feelings)
> Man vs Fate (the King vs Death)
> Man vs Society (the King vs the Mob)
17. HAMLET:
>is a complex character
>astute
>he lacks the necessary power to overthrow
his Uncle Claudius
>a loyal son who used deception to achieve
justice
>wants to avenge his father’s death just like
Laertes and Fortinbras
18. CLAUDIUS:
>poisoned his own brother for the crown.
>strong, gracious and dignified, astute
and knows how to manage men.
>not entirely evil for he considers the
love of Gertrude for Hamlet.
19. HORATIO:
>poor, loyal, fellow student and friend of
Hamlet
>one of the finest minor characters in
Shakespearean plays.
>the balancing character since Hamlet is
rather impulsive
>displays composure and uses his
intelligence in a much calmer way.
20. GERTRUDE:
>Unsuspicious queen
>obviously in love and proud of Claudius.
>can be suspected as a conspirator in the
death of her husband
>does nothing to stop Claudius from
sending Hamlet to England
>she was able to warn Hamlet of the
poisoned cup of wine.
21. POLONIUS:
>an advisor to the King
>this Lord Chamberlain is a selfish fool
who loves to be in the center of the stage
>crafted three espionage throughout the
play in which the last one got him killed.
22. OPHELIA:
>submissive daughter of Polonius, the
sister of Laertes
>major dilemma is whether to follow her
heart or to obey her father’s orders
>her choice sealed her fate when she lied
to Hamlet
23. LAERTES:
>man with low moral standards who
warns her sister about Hamlet
>like Hamlet was driven by hatred and
thirst for justice thus was compelled to
jeopardy.
24. THE GHOST:
>is King Hamlet
>appeared several times in the play but
only to certain people
>The soul is condemned to walk on the
earth until his soul is cleansed of its sins.
25. ROSENCRANTZ & GUILDERNSTERN:
>the boyhood friends turned into spies of
Hamlet
>conventionally treacherous
>their excessive obedience to the crown
to execute Hamlet earned them death.
26.
27. Theme:
Hamlet’s duty to avenge King
Hamlet’s death. (p. 100, Shakespeare Hamlet quotes)
Death eliminates differences among
people.
(https://www.cliffsnotes.com/literature/h/hamlet/critical-essays/yoricks-skull-as-a-major-symbol)
Morals:
What goes around, comes around.