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Never Mind, I’ll Just Buy It: Why Library Users Won’t Jump Through Your Hoops
Joelle Thomas  &  Galadriel Chilton
joelle.thomas@lib.uconn.edu  galadriel.chilton@lib.uconn.edu
Abstract
Via an entertaining compare and contrast, presenters will explore disconnects between e­books and 
streaming video available via library resources compared to “real world” resources such as Netflix and Kindle 
e­books. The purpose is to illustrate how library resources and commercial resources aim to meet user 
needs in radically different ways.
Image Talking Points
Intro 
#erl14nevermind
 For example...
 You don't need instructions, usually, but in case 
you do: three steps!
Anecdotes with Joelle: Options for Video!
● Response #1 Is it YouTube?
● * Response #2 ­ Pay Options?
 Galadriel
 Galadriel
 Galadriel
Galadriel
Here’s another example of how library access to 
e­books is absurd and inflicts significant pain…
Note that this video assumes that one already 
has an EBSCO account.
Galadriel
A couple of things to highlight about this awful 
experience include…
That you must authorize your computer to be 
able to share an EBSCO e­book amongst 
multiple devices. If you skip this tiny print, the 
e­book is only available one computer and going 
back to authorize a machine is complicated.
Galadriel
 And then it gets even better….
Once your e­book expires, even if you remove it 
from Adobe Digital Editions, it still takes up 
space on your hard drive.
How does this make your feel? 
Galadriel
Here’s another example of complicated 
instructions required due to the interfaces we 
offer users.
Why is this?
Galadriel
It results in telling our users “No” and results in 
inconvenience at a most spectacular level and 
utterly defies expectation.
A faculty member’s response when being shown 
how to use Ebrary was why is the library even 
paying for stuff that is so hard to use>
Joelle’s student story
● Buy it instead of e­book
Galadriel
 The reality is that…
...and we haven’t even mentioned the poor MARC 
records provided that inhibit discovery and 
access to e­books.
< Joelle enter stage left >
 Ok, next up...
I teach ARTstor, and students do not use it, ever. 
Why?
 Google Images...
 <play video showing ArtStor access>
Anecdotes with Joelle! Students do not want to 
use ArtSTOR if they can possibly help it.
Clicks in defiance of all expectation. Why 
double­clicks? Why? :(
 What do users expect vs. what we offer ­ it’s a 
problem.
Vendors who sell to end users work with very 
different assumptions from vendors who sell to 
libraries
 1998 ­ 2012
From 2004 onward, consistently something with 
an electronic user interface.
 Yet, we not only give poor interfaces, but a hefty 
user guide to go with it.
 And it's not just because these commercial 
products are simpler. Netflix is not a simple 
product. Amazon ebooks are not simple 
products. 
One way to reduce complexity is to reduce 
choices and offer smart defaults. We seem to 
prefer offering complex guidelines for navigating 
an interface rather than streamlining the interface; 
we put all options up front rather than creating a 
useful hierarchy. We are trying to meet all needs 
equally and not meeting any of them very well. 
We need to know our users and their aspirations 
better.
Galadriel
Yet people want e­books and they wouldn’t mind 
getting e­books from libraries, but...
 Galadriel
 Galadriel
Joelle 
"Clayton Christiansen had a theory and he called it 
disruptive innovation. What this theory states is that 
disruption happens from the low end. New products 
come on the marketplace and even though they’re 
not better, even though they don’t work as well as 
their high­end predecessors, even though they are 
made of cheaper materials  and they are, pound for 
pound, more expensive in a sense for what you get, 
they do one thing and they do that one thing really 
well. They do that one thing better than anything else 
on the marketplace. They create an entirely new 
market for that technology, for people who could 
never have had access to it before. Because there 
are so many more of these people who now have 
access to this technology, eventually, the technology 
gets good enough, and it disrupts the market for the 
higher­end products. It wipes away their larger 
competitors." ­Karen McGrane
tl;dr Perfect is the enemy of good, your perfect, 
complex product is not going to win.
 Joelle 
Interview about doing business in Russia­­now 
Steam's second­largest European market
 Joelle 
If it's convenient and cheap, people will pay for 
it­­where restrictions fail, added value and being 
easier than piracy prevails.
 Joelle 
DRM reduces value, makes buying inherently 
less attractive.
 Galadriel
Galadriel
Joelle
We're trying! Just not very well.
So, what do we do?
Here’s what we’re doing...DDA 2.0
What are you doing, what do you think we should 
do?
 
 
 
March 18, 2014
This work is licensed by Joelle Thomas and Galadriel Chilton under a
Creative Commons Attribution­Non Commercial­Share Alike 4.0 International License.
 

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