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JAPANESE
THEATER
MR. CARLO JUSTINO J. LUNA
Malabanias Integrated School
Angeles City
MUSIC
Unit 4 – Musical Theater and Festivals of Asia
Japanese
Theater
Japan is rich in culture and
tradition.
Ikebana Sakura
Noh Kabuki
Japanese
Theater
• is one of the traditions that is very
popular until today
• is the traditional form of theater
which began at the end of the 16th
century
• became the most successful
theater entertainment in the red
light districts of the great cities
KABUKI
Japanese
Theater
• is considered the most important
Japanese contribution to World
Theater
KABUKI
Japanese
Theater
• Both noh and kabuki are unique
and genuine expressions of the
Japanese spirit and culture.
• However, they mirror taste and
ideals of different social classes, in
profoundly different environments
and periods.
NOH & KABUKI
• is one of the popular traditional
songs of Japan
• is a traditional song that produces
distinct characteristics used in the
Asian style of making melodies also
known as the pentatonic scale
SAKURA
Sakura
“Cherry Blossoms”
Japanese
Theater
• The pattern is mainly developed by
using the pentatonic style adopted
mainly from China.
• This style is mostly used in the
performance of noh and kabuki.
PENTATONIC SCALE
Vocal
Pattern &
Techniques
Vocal
Pattern &
Techniques
• or the continuous pattern
• used in speeches building up to an
explosive climax in the aragoto
(oversized, supernatural, rough
hero) style
• requires an extraordinary breath
control that only few experts
succeed in achieving
1. Ipponchōshi
Vocal
Pattern &
Techniques
• adapted from the chanting of jōruri (a
traditional Japanese narrative music in
which a tayū (太夫) sings to the
accompaniment of a shamisen)
• implies a very sensitive capacity of
riding the rhythms of the shamisen
(string instrument), declaiming each
accompaniment
2. Nori
Vocal
Pattern &
Techniques
• the subtle delivery of poetical text
written in the Japanese metrical
form of alternating seven and five
syllables
3. Yakuharai
Vocal &
Instrumental
Features
Vocal &
Instrumental
Features
• are accompanied by shamisen
music collected and popularized a
number of aspects from all
previous forms of Japanese music
Dances and Movements
Vocal &
Instrumental
Features
• Gagaku – classic court music
imported from China during the
18th century
• Kagura – performed in Shinto
shrines
• Nō – chant derives from shōmyō,
the sophisticated and rich tradition
of Buddhist chanting
Japanese Shamisen Music
Vocal &
Instrumental
Features
Nagauta
• is a love song which reached a
golden age in the first half of the
19th century as dance music for
the henge mono (quick-change
piece)
Japanese Shamisen Music
Vocal &
Instrumental
Features
Nagauta
• is very flexible, can be performed by one
shamisen or by an entire orchestra of 20
musicians
 10 are shamisen players
 while other play flutes
a. fue taken from the nō
b. drums (small drum-kotsuzumi; waist
drum-ōtsuzumi; stick drum-taiko)
Japanese Shamisen Music
JAPANESE
THEATER
MR. CARLO JUSTINO J. LUNA
Malabanias Integrated School
Angeles City
MUSIC
Unit 4 – Musical Theater and Festivals of Asia
THANKS!

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Japanese Theater - MAPEH 8 (Music 4th Quarter)

  • 1. JAPANESE THEATER MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia
  • 2. Japanese Theater Japan is rich in culture and tradition. Ikebana Sakura Noh Kabuki
  • 3. Japanese Theater • is one of the traditions that is very popular until today • is the traditional form of theater which began at the end of the 16th century • became the most successful theater entertainment in the red light districts of the great cities KABUKI
  • 4. Japanese Theater • is considered the most important Japanese contribution to World Theater KABUKI
  • 5. Japanese Theater • Both noh and kabuki are unique and genuine expressions of the Japanese spirit and culture. • However, they mirror taste and ideals of different social classes, in profoundly different environments and periods. NOH & KABUKI
  • 6. • is one of the popular traditional songs of Japan • is a traditional song that produces distinct characteristics used in the Asian style of making melodies also known as the pentatonic scale SAKURA
  • 8. Japanese Theater • The pattern is mainly developed by using the pentatonic style adopted mainly from China. • This style is mostly used in the performance of noh and kabuki. PENTATONIC SCALE
  • 10. Vocal Pattern & Techniques • or the continuous pattern • used in speeches building up to an explosive climax in the aragoto (oversized, supernatural, rough hero) style • requires an extraordinary breath control that only few experts succeed in achieving 1. Ipponchōshi
  • 11. Vocal Pattern & Techniques • adapted from the chanting of jōruri (a traditional Japanese narrative music in which a tayū (太夫) sings to the accompaniment of a shamisen) • implies a very sensitive capacity of riding the rhythms of the shamisen (string instrument), declaiming each accompaniment 2. Nori
  • 12. Vocal Pattern & Techniques • the subtle delivery of poetical text written in the Japanese metrical form of alternating seven and five syllables 3. Yakuharai
  • 14. Vocal & Instrumental Features • are accompanied by shamisen music collected and popularized a number of aspects from all previous forms of Japanese music Dances and Movements
  • 15. Vocal & Instrumental Features • Gagaku – classic court music imported from China during the 18th century • Kagura – performed in Shinto shrines • Nō – chant derives from shōmyō, the sophisticated and rich tradition of Buddhist chanting Japanese Shamisen Music
  • 16. Vocal & Instrumental Features Nagauta • is a love song which reached a golden age in the first half of the 19th century as dance music for the henge mono (quick-change piece) Japanese Shamisen Music
  • 17. Vocal & Instrumental Features Nagauta • is very flexible, can be performed by one shamisen or by an entire orchestra of 20 musicians  10 are shamisen players  while other play flutes a. fue taken from the nō b. drums (small drum-kotsuzumi; waist drum-ōtsuzumi; stick drum-taiko) Japanese Shamisen Music
  • 18. JAPANESE THEATER MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia THANKS!

Notes de l'éditeur

  1. JORURI – a form of storytelling
  2. Henge-mono(変化もの)is a quick-change piece in which the leading actor plays a number of roles and undergoes many on-stage changes of costume.