24. Kinshasa, Belgium PavilionVenice Biennale of Architecture 2004 (Filip de Boeck and Marie-Françoise Plissart, Kinshasa: Tales of the Invisible City.
42. Authenticity
Source:Timothy & Boyd, Heritage Tourism, 2003, p. 238-
Typology of authenticity (Bruner 1994)
1. Authentic reproduction
2. Replication historically accurate
3. Original instead of copied
4. Authority of legal recognition
NO!
43. Authenticity
Source:Timothy & Boyd, Heritage Tourism, 2003, p. 241
Typology of authenticity - dynamic (Cohen 1979)
1. Truly authentic experiences (objectively real and accepted by the tourists as real)
2. Staged authenticity (staged or made up for the tourists but the tourists are unable
to distinguish this from reality) - covert tourist space
3. Denial of authenticity: the scene is presented as genuine but the tourists question
its authenticity.
4. Contrived authenticity. Overly inauthentic and preened as such by the tourist
establishment and perceived as such by the tourist - overt tourist space.
NO!
44. Authenticity
Source:Timothy & Boyd, Heritage Tourism, 2003, p. 242-
1. Authentic people in authentic environments
2. Authentic people in inauthentic environments
3. Inauthentic people in inauthentic environments
4. Inauthentic people in authentic environments
NO!
47. Do NOT use the word authentic
and the concept of authenticity
(unless you are analyzing it from a historiographic perspective)
Iolanda Pensa, Heritage Management, 2018.
48. I'm no longer your bloody object in the British Museum.
Rasheed Araeen
Rasheed Araeen, From Primitivism to Ethnic Arts in "Third Text", n. 1, 1987, p. 18. La stessa frase è pubblicata anche in Primitivism andTwentieth-
Century Art, (dir.) Jack Flam with Miriam Deutch, University of California Press, Barkeley et Los Angeles et London, 2003, p. 432.
49. Douala. Photo Emiliano Gandolfi, 2007, cc by-sa.
Analyze the message and identify the gapsCritical analysis
What is the common image of this place?
How people think it is?
What is the image sold to the tourists?
It is based on what kind of heritage?
What is its present situation?
Are there other “richnesses”?
Is there heritage which can document differently this
place?
Am I satisfied with the current image?
What image of this place I want to highlight?
Is there something I want to change?
Is there something missing?
Current situation Potentialities
Critical analysis