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The Postcolonial
Theory and Literature
PostColonial Theory
• Focuses on the reading and writing of literature written in previously
or currently colonized countries. The literature is composed of
colonizing countries that deals with colonization or colonized
peoples.
• The Postcolonial theory is a term that refers the theoretical and
critical observations of former colonies of the Western powers and
how they relate to, and interact with, the rest of the world.
• Greatly interested in the cultures of the colonizer and the colonized,
postcolonial theory seeks to critically investigate what happens
when two cultures clash and one of them ideologically fashions itself
as superior and assumes dominance and control over the other.
• The field of postcolonial studies has itself been hotly contested ever
since its rise in the 1970s.
The 3 Pillars of Postcolonial
Theory
1. Edward W. Said
2. Gayatri Chakravorty Spivak
3. Homi K. Bhabha
Edward Said
• Probably the most important figure for the rise
of postcolonial studies and theory.
• Born in 1935 in Jerusalem and dies 2003
• Palestinian-American scholar, critic, and writer
• Said, raised as an Anglican, attended a British
school in Cairo then at Princeton and Harvard, he
became an academic literary critic.
• From 1963 until his death he was a professor of
English and comparative literature at Columbia
University in New York.
Edward Said continued
• He soon became the best-known American
advocate for the Palestinian cause.
• His 1978 book Orientalism reevaluated an entire
historical tradition of European-American
thought, examining the relation of political
power to the representation of the world, and
generated an entire field of cultural and
postcolonial studies as well as informing the
thinking of scholars in every area of cultural,
social and historical work.
Edward Said continued
• Other significant books include The Question of Palestine
(1979), Covering Islam (1981), The World, the Text and the
Critic (1983), Culture and Imperialism (1993), The Politics of
Dispossession (1994), Representations of the Intellectual
(1994), Peace and Its Discontents (1995), The End of the Peace
Process (2000), Reflections on Exile (2000) and Humanism and
Democratic Criticism (2004).
Orientalism
• Illustrates Asian and Islamic Cultures during European
imperialism and Europe’s goals of maintaining power and
domination of non-Europeans
• He argued that Europe used the Orient and imperialism as a
symbol of its strength and superiority.
• “Said suggested that Orientalists are treated as others—in this
case, Muslims and Asians—and as objects defined not in
terms of their own discourses, but solely in terms of standards
and definitions imposed on them from outside. Among the
influences underlying these definitions was, in Said's view, a
long-standing Western concern with presenting Islam as
opposed to Christianity.
Gayatri Chakravorty Spivak
• Gayatri Chakravorty Spivak was born in 1942
• Is thought of as one of the three co-founders of
postcolonial theory.
• Her main work on the postcolonial theory was
her Critique of Postcolonial Reason: Toward a
History of the Vanishing Present (1999)
• Her work combines Marxism, feminism, and
deconstruction.
Gayatri Chakravorty Spivak
continued
• She introduced many to this type of postcolonial theory when
she published three pieces in the 1980s: "Three Women's
Texts and a Critique of Imperialism," "Can the Subaltern
Speak?," and "'Draupadi' by Mahasweta Devi."
• She also translated the novels of Mahasweta Devi, a fiction-
writer in Bengali, which have been influential in establishing
the parameters of the literature of postcolonialism; these
include Imaginary Maps (1995), Old Women (1999), and Chotti
Munda and His Arrow (2002).
• In Mahasweta Devi fictional novels, she presents the native in
her otherness and singularity.
Homi K. Bhabha
• He wrote the Nation and Narration (1990)
• This considers how to conceptualize the nation
under colonialism and, by default, in
postcoloniality.
• Here he takes issue with the anthropologist
Benedict Anderson's view of the relationship
between imperialism and its resistance in
Imagined Communities (1991).
Places of Postcolonialism
• Latin America
• Africa
• East and Southeast Asia
• South Asia
• Carrabin
• Polynesia
• United States
Latin America
• Alejo Carpentier, The Lost Steps (1956);
• Carlos Fuentes, The Death of Artemio Cruz (1964);
• Julio Cortázar, Hopscotch (1966);
• Mario Vargas Llosa, The Green House (1968);
• Gabriel García Márquez, One Hundred Years of Solitude (1970);
• Manuel Puig, Betrayed by Rita Hayworth (1971);
• Marta Traba, Mothers and Shadows (1983);
• Severo Sarduy, Colibri (1984);
• Isabel Allende, House of the Spirits (1985);
• Silviano Santiago, Stella Manhattan (1985);
• Diamela Eltit, The Fourth World (1995);
• João Gilberto Noll, Hotel Atlantico (1989);
• César Aira, The Hare (1998);
• Ricardo Piglia, The Absent City (2000);
• Pedro Lemebel, My Tender Matador (2003)
Africa
• Amos Tutuola, The Palm-Wine Drinkard and His Dead Palm-Wine Tapster in
the Dead's Town (1953);
• Naguib Mahfouz, Palace Walk (1956–1957);
• Chinua Achebe, Things Fall Apart (1958);
• Ousmane Sembène, God's Bits of Wood (1962);
• Bloke Modisane, Blame Me on History (1963);
• Tayeb Salih, Season of Migration to the North (1969);
• Wole Soyinka, Death and the King's Horseman (1975);
• Ngugi wa Thiong'o, Petals of Blood (1977);
• Mariama Bâ, So Long A Letter (1980);
• Nadine Gordimer, July's People (1981);
• Buchi Emecheta, The Rape of Shavi (1983);
• Nuruddin Farah, Maps (1986);
• Assia Djebar, Fantasia: An Algerian Cavalcade (1989);
• Abdelkebir Khatibi, Love in Two Languages (1990);
• J. M. Coetzee, Disgrace (1999);
• Tsitsi Dangarembga, Nervous Conditions (1988);
• Zoë Wycombe, David's Story (2001);
• Tahar Ben Jelloun, This Blinding Absence of Light (2002)
East and Southeast Asia
• Eileen Chang, The Rouge of the North (1967);
• Pramoedya Ananta Toer, The Fugitive (1975);
• John Okada, No-No Boy (1975);
• Theresa Hak Kyung Cha, Dictée (1982);
• Wendy Law-Yone, The Coffin Tree (1983);
• Amy Tan, The Joy Luck Club (1989);
• Jessica Tarahata Hagedorn, Dogeaters (1990);
• Pak Won-so, The Naked Tree (1995);
• Yu Miri, Family Cinema (1996);
• Lan Cao, Monkey Bridge (1997);
• Cho Chong-Rae, Playing with Fire (1997);
• Murakami Haruki, The Wind-up Bird Chronicle (1997);
• Wu Zhuoliu, The Fig Tree: Memoirs of a Taiwanese Patriot (2002);
• Monique Truong, The Book of Salt (2003)
South Asia
• R. K. Narayan, Swami and Friends (1944)
• Kamala Markandaya, Nectar in a Sieve (1954)
• Raja Rao, Serpent and the Rope (1960)
• Bharati Mukherjee, The Tiger's Daughter (1972)
• Salman Rushdie, Midnight's Children (1981)
• Hanif Kureishi, The Buddha of Suburbia (1990)
• Meena Alexander, Fault Lines: A Memoir (1993)
• Mahasweta Devi, Imaginary Maps (1994)
• Jhumpa Lahiri, Interpreter of Maladies (1999)
• Amitav Ghosh, The Glass Palace (2001)
• Rohinton Mistry, Family Matters (2001)
Caribbean
• George Lamming, In the Castle of My Skin (1953);
• V. S. Naipaul, Mystic Masseur (1959);
• Kamau Brathwaite, Rights of Passage (1967);
• Aimé Césaire, Tempest (1986);
• Maryse Condé, Heremakhonon (1976);
• Wilson Harris, Guyana Quartet (1985);
• Derek Walcott, Omeros (1990);
• Jamaica Kincaid, Lucy (1990);
• Erna Brodber, Louisiana (1994),
Polynesia
• Albert Wendt, Sons for the Return Home (1973);
• Keri Hulme, The Bone People (1985);
• Epeli Hau'ofa, Tales of the Tikongs (1983);
• Witi Tami Ihimaera, Bulibasha: King of the Gypsies (1994);
• Haunani-Kay Trask, Light in the Crevice Never Seen (1994);
• Sia Figiel, Where We Once Belonged (1996);
• Patricia Grace, Baby No-Eyes (1998
United States
• Toni Morrison, Beloved (1987);
• Américo Paredes, George Washington Gomez (1990);
• Leslie Marmon Silko, Almanac of the Dead (1991);
• Sandra Cisneros, Caramelo, or, Puro cuento (2002)
Work Cited
1. Chakravorty Spivak, Gayatri. New Dictionary of the History
of Ideas, Postcolonial Theory and Literature. Detroit. Ed.
Maryanne Cline Horowitz. Vol. 5. Charles Scribner's Sons,
2005. p1859-1867.
2. Dictionary of the Israeli-Palestinian Conflict; Said, Edward
(1935–2003). Vol. 2. Detroit: Macmillan Reference USA,
2005. p413-414.
3. Huda, Qamar-ul. Encyclopedia of Islam and the Muslim
World; Orientalism. Ed. Richard C. Martin. Vol. 2. New York:
Macmillan Reference USA, 2004. p515-516.
4. Encyclopedia of Activism and Social Justice; Postcolonial
Theory. Ed. Gary L. Anderson and Kathryn G. Herr. Vol. 3.
Thousand Oaks, CA: Sage Reference, 2007. p1149-1151.

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Postcolonial theory-and-litearature

  • 2. PostColonial Theory • Focuses on the reading and writing of literature written in previously or currently colonized countries. The literature is composed of colonizing countries that deals with colonization or colonized peoples. • The Postcolonial theory is a term that refers the theoretical and critical observations of former colonies of the Western powers and how they relate to, and interact with, the rest of the world. • Greatly interested in the cultures of the colonizer and the colonized, postcolonial theory seeks to critically investigate what happens when two cultures clash and one of them ideologically fashions itself as superior and assumes dominance and control over the other. • The field of postcolonial studies has itself been hotly contested ever since its rise in the 1970s.
  • 3. The 3 Pillars of Postcolonial Theory 1. Edward W. Said 2. Gayatri Chakravorty Spivak 3. Homi K. Bhabha
  • 4. Edward Said • Probably the most important figure for the rise of postcolonial studies and theory. • Born in 1935 in Jerusalem and dies 2003 • Palestinian-American scholar, critic, and writer • Said, raised as an Anglican, attended a British school in Cairo then at Princeton and Harvard, he became an academic literary critic. • From 1963 until his death he was a professor of English and comparative literature at Columbia University in New York.
  • 5. Edward Said continued • He soon became the best-known American advocate for the Palestinian cause. • His 1978 book Orientalism reevaluated an entire historical tradition of European-American thought, examining the relation of political power to the representation of the world, and generated an entire field of cultural and postcolonial studies as well as informing the thinking of scholars in every area of cultural, social and historical work.
  • 6. Edward Said continued • Other significant books include The Question of Palestine (1979), Covering Islam (1981), The World, the Text and the Critic (1983), Culture and Imperialism (1993), The Politics of Dispossession (1994), Representations of the Intellectual (1994), Peace and Its Discontents (1995), The End of the Peace Process (2000), Reflections on Exile (2000) and Humanism and Democratic Criticism (2004).
  • 7. Orientalism • Illustrates Asian and Islamic Cultures during European imperialism and Europe’s goals of maintaining power and domination of non-Europeans • He argued that Europe used the Orient and imperialism as a symbol of its strength and superiority. • “Said suggested that Orientalists are treated as others—in this case, Muslims and Asians—and as objects defined not in terms of their own discourses, but solely in terms of standards and definitions imposed on them from outside. Among the influences underlying these definitions was, in Said's view, a long-standing Western concern with presenting Islam as opposed to Christianity.
  • 8. Gayatri Chakravorty Spivak • Gayatri Chakravorty Spivak was born in 1942 • Is thought of as one of the three co-founders of postcolonial theory. • Her main work on the postcolonial theory was her Critique of Postcolonial Reason: Toward a History of the Vanishing Present (1999) • Her work combines Marxism, feminism, and deconstruction.
  • 9. Gayatri Chakravorty Spivak continued • She introduced many to this type of postcolonial theory when she published three pieces in the 1980s: "Three Women's Texts and a Critique of Imperialism," "Can the Subaltern Speak?," and "'Draupadi' by Mahasweta Devi." • She also translated the novels of Mahasweta Devi, a fiction- writer in Bengali, which have been influential in establishing the parameters of the literature of postcolonialism; these include Imaginary Maps (1995), Old Women (1999), and Chotti Munda and His Arrow (2002). • In Mahasweta Devi fictional novels, she presents the native in her otherness and singularity.
  • 10. Homi K. Bhabha • He wrote the Nation and Narration (1990) • This considers how to conceptualize the nation under colonialism and, by default, in postcoloniality. • Here he takes issue with the anthropologist Benedict Anderson's view of the relationship between imperialism and its resistance in Imagined Communities (1991).
  • 11. Places of Postcolonialism • Latin America • Africa • East and Southeast Asia • South Asia • Carrabin • Polynesia • United States
  • 12. Latin America • Alejo Carpentier, The Lost Steps (1956); • Carlos Fuentes, The Death of Artemio Cruz (1964); • Julio Cortázar, Hopscotch (1966); • Mario Vargas Llosa, The Green House (1968); • Gabriel García Márquez, One Hundred Years of Solitude (1970); • Manuel Puig, Betrayed by Rita Hayworth (1971); • Marta Traba, Mothers and Shadows (1983); • Severo Sarduy, Colibri (1984); • Isabel Allende, House of the Spirits (1985); • Silviano Santiago, Stella Manhattan (1985); • Diamela Eltit, The Fourth World (1995); • João Gilberto Noll, Hotel Atlantico (1989); • César Aira, The Hare (1998); • Ricardo Piglia, The Absent City (2000); • Pedro Lemebel, My Tender Matador (2003)
  • 13. Africa • Amos Tutuola, The Palm-Wine Drinkard and His Dead Palm-Wine Tapster in the Dead's Town (1953); • Naguib Mahfouz, Palace Walk (1956–1957); • Chinua Achebe, Things Fall Apart (1958); • Ousmane Sembène, God's Bits of Wood (1962); • Bloke Modisane, Blame Me on History (1963); • Tayeb Salih, Season of Migration to the North (1969); • Wole Soyinka, Death and the King's Horseman (1975); • Ngugi wa Thiong'o, Petals of Blood (1977); • Mariama Bâ, So Long A Letter (1980); • Nadine Gordimer, July's People (1981); • Buchi Emecheta, The Rape of Shavi (1983); • Nuruddin Farah, Maps (1986); • Assia Djebar, Fantasia: An Algerian Cavalcade (1989); • Abdelkebir Khatibi, Love in Two Languages (1990); • J. M. Coetzee, Disgrace (1999); • Tsitsi Dangarembga, Nervous Conditions (1988); • Zoë Wycombe, David's Story (2001); • Tahar Ben Jelloun, This Blinding Absence of Light (2002)
  • 14. East and Southeast Asia • Eileen Chang, The Rouge of the North (1967); • Pramoedya Ananta Toer, The Fugitive (1975); • John Okada, No-No Boy (1975); • Theresa Hak Kyung Cha, Dictée (1982); • Wendy Law-Yone, The Coffin Tree (1983); • Amy Tan, The Joy Luck Club (1989); • Jessica Tarahata Hagedorn, Dogeaters (1990); • Pak Won-so, The Naked Tree (1995); • Yu Miri, Family Cinema (1996); • Lan Cao, Monkey Bridge (1997); • Cho Chong-Rae, Playing with Fire (1997); • Murakami Haruki, The Wind-up Bird Chronicle (1997); • Wu Zhuoliu, The Fig Tree: Memoirs of a Taiwanese Patriot (2002); • Monique Truong, The Book of Salt (2003)
  • 15. South Asia • R. K. Narayan, Swami and Friends (1944) • Kamala Markandaya, Nectar in a Sieve (1954) • Raja Rao, Serpent and the Rope (1960) • Bharati Mukherjee, The Tiger's Daughter (1972) • Salman Rushdie, Midnight's Children (1981) • Hanif Kureishi, The Buddha of Suburbia (1990) • Meena Alexander, Fault Lines: A Memoir (1993) • Mahasweta Devi, Imaginary Maps (1994) • Jhumpa Lahiri, Interpreter of Maladies (1999) • Amitav Ghosh, The Glass Palace (2001) • Rohinton Mistry, Family Matters (2001)
  • 16. Caribbean • George Lamming, In the Castle of My Skin (1953); • V. S. Naipaul, Mystic Masseur (1959); • Kamau Brathwaite, Rights of Passage (1967); • Aimé Césaire, Tempest (1986); • Maryse Condé, Heremakhonon (1976); • Wilson Harris, Guyana Quartet (1985); • Derek Walcott, Omeros (1990); • Jamaica Kincaid, Lucy (1990); • Erna Brodber, Louisiana (1994),
  • 17. Polynesia • Albert Wendt, Sons for the Return Home (1973); • Keri Hulme, The Bone People (1985); • Epeli Hau'ofa, Tales of the Tikongs (1983); • Witi Tami Ihimaera, Bulibasha: King of the Gypsies (1994); • Haunani-Kay Trask, Light in the Crevice Never Seen (1994); • Sia Figiel, Where We Once Belonged (1996); • Patricia Grace, Baby No-Eyes (1998
  • 18. United States • Toni Morrison, Beloved (1987); • Américo Paredes, George Washington Gomez (1990); • Leslie Marmon Silko, Almanac of the Dead (1991); • Sandra Cisneros, Caramelo, or, Puro cuento (2002)
  • 19. Work Cited 1. Chakravorty Spivak, Gayatri. New Dictionary of the History of Ideas, Postcolonial Theory and Literature. Detroit. Ed. Maryanne Cline Horowitz. Vol. 5. Charles Scribner's Sons, 2005. p1859-1867. 2. Dictionary of the Israeli-Palestinian Conflict; Said, Edward (1935–2003). Vol. 2. Detroit: Macmillan Reference USA, 2005. p413-414. 3. Huda, Qamar-ul. Encyclopedia of Islam and the Muslim World; Orientalism. Ed. Richard C. Martin. Vol. 2. New York: Macmillan Reference USA, 2004. p515-516. 4. Encyclopedia of Activism and Social Justice; Postcolonial Theory. Ed. Gary L. Anderson and Kathryn G. Herr. Vol. 3. Thousand Oaks, CA: Sage Reference, 2007. p1149-1151.