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A Brief Look at Jazz
     A unit plan by Kyle Lambert
Warm up and extra
Slide Whistle

‘Oh my, No More Pie’

Salami game
Lesson 1
Students will be able to keep a steady beat and know the difference
between straight and swing feels.
Essential foundation to understanding Jazz
Finding the beat on their own
‘ta’ and ‘ti’ become ‘doo’ and ‘doo-bah’ ( horse gallop)
Use of clapping, snapping, rhythm sticks
Singing/playing ‘A-Tisket, A-Tasket’, and seeing Ella Fitzgerald perform
it
Ella Fitzgerald
Lesson 2
Students will be able to read and sing syncopated rhythms in tune with
one another/the teacher.
Syncopation = the core of swing
Skip in the beat
Add pitch to syncopation, becomes ostinato
Sing ‘Apples and Bananas’ to new ostinato, played on glocks/xylos
Listen for syncopation in big band recordings
  Groove Merchant – Thad Jones/Mel Lewis Big Band
  Concerto For Cootie – Duke Ellington - LCJO
Lesson 3
Students will be able to show how Jazz evolved from Blues, and be able to describe
why jazz was important in the early development of America

Listen to early African American spirituals

Paul Robeson, Swing Low

How music today would be without jazz

Explain blues

Louis Armstrong, West End Blues

Freddie Hubbard, Birdlike

Compose own blues
Lesson 4
Students will be able to name some early jazz
composers/performers, and be able to draw/describe how
they think the players feel when they play.

Buddy Bolden

Louis Armstrong

Sidney Bechet

Duke Ellington
Lesson 5
Students will be able to improvise with one another or to a
recording at some level, and also be able to name the
instruments/instrument families that belong in a classic
Dixie Land jazz band

Improvise on xylos over ostinato pattern

Good for assessment

Name instruments/families
The End!

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K lambert ppt_jazz_lesson

  • 1. A Brief Look at Jazz A unit plan by Kyle Lambert
  • 2. Warm up and extra Slide Whistle ‘Oh my, No More Pie’ Salami game
  • 3. Lesson 1 Students will be able to keep a steady beat and know the difference between straight and swing feels. Essential foundation to understanding Jazz Finding the beat on their own ‘ta’ and ‘ti’ become ‘doo’ and ‘doo-bah’ ( horse gallop) Use of clapping, snapping, rhythm sticks Singing/playing ‘A-Tisket, A-Tasket’, and seeing Ella Fitzgerald perform it Ella Fitzgerald
  • 4. Lesson 2 Students will be able to read and sing syncopated rhythms in tune with one another/the teacher. Syncopation = the core of swing Skip in the beat Add pitch to syncopation, becomes ostinato Sing ‘Apples and Bananas’ to new ostinato, played on glocks/xylos Listen for syncopation in big band recordings Groove Merchant – Thad Jones/Mel Lewis Big Band Concerto For Cootie – Duke Ellington - LCJO
  • 5. Lesson 3 Students will be able to show how Jazz evolved from Blues, and be able to describe why jazz was important in the early development of America Listen to early African American spirituals Paul Robeson, Swing Low How music today would be without jazz Explain blues Louis Armstrong, West End Blues Freddie Hubbard, Birdlike Compose own blues
  • 6. Lesson 4 Students will be able to name some early jazz composers/performers, and be able to draw/describe how they think the players feel when they play. Buddy Bolden Louis Armstrong Sidney Bechet Duke Ellington
  • 7. Lesson 5 Students will be able to improvise with one another or to a recording at some level, and also be able to name the instruments/instrument families that belong in a classic Dixie Land jazz band Improvise on xylos over ostinato pattern Good for assessment Name instruments/families

Notes de l'éditeur

  1. This unit should be taught to children for a number of reasons. The most important reason is that Jazz is America's original art form, and children should be made aware of its help in the making of today's popular music. It teaches students things such as improvisation, syncopated rhythms, and swing styles of music. Once students grasp the concept of jazz, it will be easier for them to understand all other forms of music that come after it. Some of the main ideas that should stick are: steady tempo, improvisation, swing style, early American history, syncopated rhythms, instrumental communication, learning the different instrument families, learning about the blues and its role in making Jazz music, intonation, singing with feeling, and telling a story by playing and singing, and knowing some early Jazz performers/composers.