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SHOT LIST &
shooting schedule
Shots list:
Wedding:
1. Establishing shot(1) of the church, to show the audience where its taking place. Moves
to a point of view shot (2)from the brides eyes showing her husband waiting for her at
the end of her walk. This shot has everyone else out of focus, showing that she hasn’t
got eyes for anyone else. The rest of the scene is from her POV(2.5) and fades to black
as she opens her eyes.
Wakes up:
2. The shot begins with her opening her eyes to him right in her face, he’ll be above her so it’ll be a low
angle POV (3). We’re using this shot to empower him. We want to continue using POV’s(4,5) as we want the
film to be from her eyes and keeping her identify semi-hidden from the viewer. We then move on to a POV mid
shot(6,7,8) of her in the mirror and continue to use this angle when he approaches her and when he's on the
phone. After he's left we use a high angle shot(9) showing her as a lesser character on the floor as she begins
to break down. When the lady is knocking on the door we will be using a POV(10) again to show the whole
door.

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Shooting schedule

  • 2. Shots list: Wedding: 1. Establishing shot(1) of the church, to show the audience where its taking place. Moves to a point of view shot (2)from the brides eyes showing her husband waiting for her at the end of her walk. This shot has everyone else out of focus, showing that she hasn’t got eyes for anyone else. The rest of the scene is from her POV(2.5) and fades to black as she opens her eyes. Wakes up: 2. The shot begins with her opening her eyes to him right in her face, he’ll be above her so it’ll be a low angle POV (3). We’re using this shot to empower him. We want to continue using POV’s(4,5) as we want the film to be from her eyes and keeping her identify semi-hidden from the viewer. We then move on to a POV mid shot(6,7,8) of her in the mirror and continue to use this angle when he approaches her and when he's on the phone. After he's left we use a high angle shot(9) showing her as a lesser character on the floor as she begins to break down. When the lady is knocking on the door we will be using a POV(10) again to show the whole door.