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EXPRESSIONISM 3 Individual approaches to Expressionism: Paula Modherson Becker Katthe Kollwitz  Max Beckmann Gustav Klimt  Egon Schiele
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
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[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],From the  Eve and the Future  1880
[object Object],[object Object],[object Object],[object Object],[object Object],Kathe Kollwitz - Final Notes
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Max Beckmann Self-Portrait Woodcut, 1922 230 x 153 mm
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[object Object],[object Object],[object Object],[object Object],[object Object]
Paul Klee   1879-1940 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],Hammamet with Its Mosque , 1914 Watercolor and pencil on paper (20.6 x 19.4 cm)
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PAUL KLEE Lacks the intense feeling of  Pablo Picasso ’s work. Or the formal mastery of  Matisse . Klee’s ideas about pictorial space derive from  Delaunay ’s work, notably his windows series. Like  Kandinsky , Klee valued the “primitive” and especially  the art of children . He admired the freedom, innocence and directness of their work. Both  Kandinsky  and Klee saw a connection between painting and music – seeking a visual art that could communicate emotion as clearly as music.  Klee’s spidery exact line and scratching around the edges of his fantasy is full of post cubist overlaps.
[object Object],[object Object],Gustav Klimt  1862-1918
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[object Object],[object Object],[object Object],Egon Schiele   (1890-1918)  Austrian Painter

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Expressionism Individuals Overview

  • 1. EXPRESSIONISM 3 Individual approaches to Expressionism: Paula Modherson Becker Katthe Kollwitz Max Beckmann Gustav Klimt Egon Schiele
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  • 12. PAUL KLEE Lacks the intense feeling of Pablo Picasso ’s work. Or the formal mastery of Matisse . Klee’s ideas about pictorial space derive from Delaunay ’s work, notably his windows series. Like Kandinsky , Klee valued the “primitive” and especially the art of children . He admired the freedom, innocence and directness of their work. Both Kandinsky and Klee saw a connection between painting and music – seeking a visual art that could communicate emotion as clearly as music. Klee’s spidery exact line and scratching around the edges of his fantasy is full of post cubist overlaps.
  • 13.
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  • 15.