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ACTING IN A FORMAL PLAY
    Understanding the Script

    Auditioning and Rehearsing

    Analyzing a Character

    Understanding Relationships
    Among Characters

    Developing a Character’s Voice
UNDERSTANDING THE SCRIPT

 The theme, or meaning of the play
 The relationships among characters

 The mood or atmosphere of the play

 The setting of each scene and act

 The sequence of events

 The climax, or highest point of interest
AUDITIONING AND REHEARSING
Participating in Auditions:

 Practice  reading the part aloud, not silently.
 Think about how the character should look
  and how you can make yourself look more
  like the character.
 Think about how the character would sound,
  and practice reading his or her voice.
ATTENDING REHEARSALS
ANALYZING A CHARACTER
An author may reveal the motivations and
 personality of a character through:

 Stage directions that say what the character
  looks and sounds like
 What the character says and does

 What other character say
UNDERSTANDING RELATIONSHIPS AMONG
CHARACTERS
 What  is your character’s place in the total
  play? Is he or she the protagonist, the
  main character, in the play? Or is he or
  she the antagonist, the main opponent of
  the protagonist?

 Ifyour character is neither the
  protagonist nor the antagonist, what is
  his or her relationship to these
  characters?
UNDERSTANDING RELATIONSHIPS AMONG
CHARACTERS
 What   is your character’s relationship to
  minor characters in the play?
 If there are family relationships, what are
  they like? Are they tense and distrustful?
  Supportive?
 What is the background of these
  characters’ relationship? Why do they like
  or dislike one another?
DEVELOPING A
CHARACTER’S VOICE

         Projection


           Rate


           Pitch
-.xxf.-

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Formal Play

  • 1.
  • 2. ACTING IN A FORMAL PLAY Understanding the Script Auditioning and Rehearsing Analyzing a Character Understanding Relationships Among Characters Developing a Character’s Voice
  • 3. UNDERSTANDING THE SCRIPT  The theme, or meaning of the play  The relationships among characters  The mood or atmosphere of the play  The setting of each scene and act  The sequence of events  The climax, or highest point of interest
  • 4. AUDITIONING AND REHEARSING Participating in Auditions:  Practice reading the part aloud, not silently.  Think about how the character should look and how you can make yourself look more like the character.  Think about how the character would sound, and practice reading his or her voice.
  • 6. ANALYZING A CHARACTER An author may reveal the motivations and personality of a character through:  Stage directions that say what the character looks and sounds like  What the character says and does  What other character say
  • 7. UNDERSTANDING RELATIONSHIPS AMONG CHARACTERS  What is your character’s place in the total play? Is he or she the protagonist, the main character, in the play? Or is he or she the antagonist, the main opponent of the protagonist?  Ifyour character is neither the protagonist nor the antagonist, what is his or her relationship to these characters?
  • 8. UNDERSTANDING RELATIONSHIPS AMONG CHARACTERS  What is your character’s relationship to minor characters in the play?  If there are family relationships, what are they like? Are they tense and distrustful? Supportive?  What is the background of these characters’ relationship? Why do they like or dislike one another?
  • 9. DEVELOPING A CHARACTER’S VOICE Projection Rate Pitch