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Nicholas Socrates

                                                                      2008
Frank Gehry

Frank Gehry was born Frank Owen Goldberg in 1992. As a child, Gehry
was a shy dreamer, the victim of local anti-Semitic Bullies. Eventually,
those dreams blossomed into a remarkable career as an internationally
renowned architect.
Gehry, founded his own architectural firm in Los Angeles in 1962, and
since the building of the Guggenheim Museum in Bilbao, he is among the
ranks of international architecture superstars

His buildings are complex constructions, with
curves and distortions, skilful plastic shapes
which never cease to surprise with their
breath-taking spatial effects.
To create these daring designs, Gehry makes
extensive use of the latest electronic tools,
physical models are transformed into digital
models using software and hardware which has
been adapted from the space industry and
medical research.

Gehry has become the most innovative architect in the world.

Before Frank Gehry acquired international prestige of a star architect, he
designed his own house in Santa Monica (1977 - 78). The story starts
when his wife, Berta, bought a small pink bungalow in a bourgeois
neighbourhood. Gehry decided to redesign what he considered "a dumb
little house with charm", to build around it and try "to make it more
important."
The design was revolutionary and so delightful.

The sweeping curves Le Corbusier used for the Notre-Dame-du-Haut chapel
influenced Gehry’s later designs.

Le Corbusier, who was also a sculptor, used graceful, sculpted forms in his
architecture.
This freedom of using new shapes and forms, in his architecture and paintings
inspired Frank Gehry to explore his own daring ides regarding design and
materials.
The sweeping curves Le Corbusier used for the Notre – Dame – du –Haut and
Ronchamp chapel influenced and convinced Gehry that not every structure had
to have straight angels or look “mechanistic”.




                      Le Corbusier’s Ronchamp Chapel
Le Corbusier’s Paintings




Le Corbusier’s Architecture
Philips Pavilion

                                 ‘Poème électronique’, is the first,
                                 electronic-spatial environment to
                                 combine architecture, film, light and
                                 music to a total experience made to
                                 function in time and space. Under the
                                 direction of Le Corbusier, Iannis
                                 Xenaki’s concept and geometry
                                 designed the World’s Fair exhibition
                                 space adhering to mathematical
                                 functions. Edgard Varèse composed the
                                 both concrete and vocal music which
                                 enhanced dynamic, light and image
                                 projections conceived by Le Corbusier.




The Experience Music Project


                       The Experience Music Project, designed by Frank
                       O. Gehry & Associates, is an exciting blend of
                       exhibititions, technology, media, and hands-on
                       activities that combines the interpretive aspects
                       of a traditional museum, educational role of a
                       school, state-of-the-art research facilities of a
                       specialized library, and audience-drawing
                       qualities of performance venues and popular
                       attractions.

                          Located on 5th
                          Avenue adjacent
                          to     the    Space
Needle at Seattle Center, the 140,000-
square-foot      facility   celebrates     the
creativity and innovation of American
popular music and culture.
The EMP presents opportunities to explore
its history and traditions, participate in the
music making process, experience great
music, and learn the secrets of composition and performance.
It places a special emphasis on music-
                                  related   traditions    in    the    Pacific
                                  Northwest,         and           specifically
                                  commemorates Jimi Hendrix, one of
                                  America's a most creative, innovative,
                                  and influential musical artists.

                                 The building itself consists of a cluster of
                                 colourful curving elements clad in a
                                 variety of materials. The fragmented and
undulating forms are inspired in part by the image of Jimi Hendrix’s
shattered Fender Stratocaster.

                     The Ed. House functions as an educational public
                     outreach program, offering opportunities to learn
                     more about the themes explored in the exhibit
                     areas, experience and participate in a variety of
                     musical activities, and further explore and develop
                     creative abilities and music-related skills.
                     The Sky Church, a concept inspired by Jimi Hendrix,
                     represents the coming together of all types of people
                     united by the power and joy of music and music
                     making, and is physically embodied in the building's
                     central public gathering area. Through a series of
                       exhibition            spaces;
                       presenting the collision of
                       multiple viewpoints and
                       traditions, of American
                       popular music.

                         The Sound Lab offers
                         hands-on opportunities to
                         create and illustrate some
                         of the relationships
                         between music, science,
                         and technology. The
                         Artist's Journey is a
compelling history of the life and times of artists, illuminating the human
aspect of their artistry and revealing the unexpected events and formative
experiences that contributed to their creative development.
The Walt Disney Concert Hall in Los Angeles, California, by Frank Gehry;
The Guggenheim Museum, Bilbao:
is a modern and contemporary art
museum designed by Frank Gehry,
built by Ferrovial and located in
Bilbao, Basque Country, Spain. It is
built alongside the Nervion River,
which runs through the city of
Bilbao to the Atlantic Coast. The
Guggenheim is one of several
museums      belonging      to  the
Solomon        R.        Guggenheim
Foundation.
The     museum      features   both
permanent and visiting exhibits
featuring works of both Spanish
and international artists.




                                    The curves on the building have been
                                    designed to appear random. Gehry says
                                    that "the randomness of the curves are
                                    designed to catch the light".
                                    Opened to the public in 1997, it was
                                    immediately vaulted to prominence as
                                    one of the world's most spectacular
                                    buildings in the style of
                                    Deconstructivism. Architect Philip
                                    Johnson called it "the greatest building of
                                    our time".

                                       The museum's design and construction
                                       serve as an object lesson in Gehry's style
                                       and method. Like much of Gehry's other
                                       works, the structure consists of radically
                                       sculpted, organic contours. Sited as it is
                                       in a port town, it is intended to resemble
a ship. Its brilliantly reflective titanium panels resemble fish scales,
echoing the other organic life (and, in particular, fish-like) forms that
recur commonly in Gehry's designs, as well as the river Nervión upon
which the museum sits.
Also in typical Gehry fashion, the building is uniquely a product of the
period's technology. Computer Aided Three Dimensional Interactive
Application (CATIA) and visualizations were used heavily in the structure's
design.

Computer simulations of the building's structure made it feasible to build
shapes that architects of earlier eras would have found nearly impossible
to construct. It is also important to note that while the museum is a
spectacular monument from the river, at street level it is quite modest
and does not overwhelm its traditional surroundings. The museum was
opened as part of a revitalization effort for the city of Bilbao and for the
Basque Country. Almost immediately after its opening, the Guggenheim
Bilbao became a popular tourist attraction, drawing visitors from around
the globe.
It was widely credited with "putting Bilbao on the map" and subsequently
inspired other structures of similar design across the globe, such as the
Cerritos Millennium Library in Cerritos, California.




The building was constructed on time and budget, which is rare for
architecture of this type. In an interview in Harvard Design Magazine.
Frank Gehry: Study & Research

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Frank Gehry: Study & Research

  • 1. Nicholas Socrates 2008 Frank Gehry Frank Gehry was born Frank Owen Goldberg in 1992. As a child, Gehry was a shy dreamer, the victim of local anti-Semitic Bullies. Eventually, those dreams blossomed into a remarkable career as an internationally renowned architect. Gehry, founded his own architectural firm in Los Angeles in 1962, and since the building of the Guggenheim Museum in Bilbao, he is among the ranks of international architecture superstars His buildings are complex constructions, with curves and distortions, skilful plastic shapes which never cease to surprise with their breath-taking spatial effects. To create these daring designs, Gehry makes extensive use of the latest electronic tools, physical models are transformed into digital models using software and hardware which has been adapted from the space industry and medical research. Gehry has become the most innovative architect in the world. Before Frank Gehry acquired international prestige of a star architect, he designed his own house in Santa Monica (1977 - 78). The story starts when his wife, Berta, bought a small pink bungalow in a bourgeois neighbourhood. Gehry decided to redesign what he considered "a dumb little house with charm", to build around it and try "to make it more important."
  • 2. The design was revolutionary and so delightful. The sweeping curves Le Corbusier used for the Notre-Dame-du-Haut chapel influenced Gehry’s later designs. Le Corbusier, who was also a sculptor, used graceful, sculpted forms in his architecture. This freedom of using new shapes and forms, in his architecture and paintings inspired Frank Gehry to explore his own daring ides regarding design and materials. The sweeping curves Le Corbusier used for the Notre – Dame – du –Haut and Ronchamp chapel influenced and convinced Gehry that not every structure had to have straight angels or look “mechanistic”. Le Corbusier’s Ronchamp Chapel
  • 3. Le Corbusier’s Paintings Le Corbusier’s Architecture
  • 4. Philips Pavilion ‘Poème électronique’, is the first, electronic-spatial environment to combine architecture, film, light and music to a total experience made to function in time and space. Under the direction of Le Corbusier, Iannis Xenaki’s concept and geometry designed the World’s Fair exhibition space adhering to mathematical functions. Edgard Varèse composed the both concrete and vocal music which enhanced dynamic, light and image projections conceived by Le Corbusier. The Experience Music Project The Experience Music Project, designed by Frank O. Gehry & Associates, is an exciting blend of exhibititions, technology, media, and hands-on activities that combines the interpretive aspects of a traditional museum, educational role of a school, state-of-the-art research facilities of a specialized library, and audience-drawing qualities of performance venues and popular attractions. Located on 5th Avenue adjacent to the Space Needle at Seattle Center, the 140,000- square-foot facility celebrates the creativity and innovation of American popular music and culture. The EMP presents opportunities to explore its history and traditions, participate in the music making process, experience great music, and learn the secrets of composition and performance.
  • 5. It places a special emphasis on music- related traditions in the Pacific Northwest, and specifically commemorates Jimi Hendrix, one of America's a most creative, innovative, and influential musical artists. The building itself consists of a cluster of colourful curving elements clad in a variety of materials. The fragmented and undulating forms are inspired in part by the image of Jimi Hendrix’s shattered Fender Stratocaster. The Ed. House functions as an educational public outreach program, offering opportunities to learn more about the themes explored in the exhibit areas, experience and participate in a variety of musical activities, and further explore and develop creative abilities and music-related skills. The Sky Church, a concept inspired by Jimi Hendrix, represents the coming together of all types of people united by the power and joy of music and music making, and is physically embodied in the building's central public gathering area. Through a series of exhibition spaces; presenting the collision of multiple viewpoints and traditions, of American popular music. The Sound Lab offers hands-on opportunities to create and illustrate some of the relationships between music, science, and technology. The Artist's Journey is a compelling history of the life and times of artists, illuminating the human aspect of their artistry and revealing the unexpected events and formative experiences that contributed to their creative development.
  • 6. The Walt Disney Concert Hall in Los Angeles, California, by Frank Gehry;
  • 7. The Guggenheim Museum, Bilbao: is a modern and contemporary art museum designed by Frank Gehry, built by Ferrovial and located in Bilbao, Basque Country, Spain. It is built alongside the Nervion River, which runs through the city of Bilbao to the Atlantic Coast. The Guggenheim is one of several museums belonging to the Solomon R. Guggenheim Foundation. The museum features both permanent and visiting exhibits featuring works of both Spanish and international artists. The curves on the building have been designed to appear random. Gehry says that "the randomness of the curves are designed to catch the light". Opened to the public in 1997, it was immediately vaulted to prominence as one of the world's most spectacular buildings in the style of Deconstructivism. Architect Philip Johnson called it "the greatest building of our time". The museum's design and construction serve as an object lesson in Gehry's style and method. Like much of Gehry's other works, the structure consists of radically sculpted, organic contours. Sited as it is in a port town, it is intended to resemble a ship. Its brilliantly reflective titanium panels resemble fish scales, echoing the other organic life (and, in particular, fish-like) forms that recur commonly in Gehry's designs, as well as the river Nervión upon which the museum sits.
  • 8. Also in typical Gehry fashion, the building is uniquely a product of the period's technology. Computer Aided Three Dimensional Interactive Application (CATIA) and visualizations were used heavily in the structure's design. Computer simulations of the building's structure made it feasible to build shapes that architects of earlier eras would have found nearly impossible to construct. It is also important to note that while the museum is a spectacular monument from the river, at street level it is quite modest and does not overwhelm its traditional surroundings. The museum was opened as part of a revitalization effort for the city of Bilbao and for the Basque Country. Almost immediately after its opening, the Guggenheim Bilbao became a popular tourist attraction, drawing visitors from around the globe. It was widely credited with "putting Bilbao on the map" and subsequently inspired other structures of similar design across the globe, such as the Cerritos Millennium Library in Cerritos, California. The building was constructed on time and budget, which is rare for architecture of this type. In an interview in Harvard Design Magazine.