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Britpop 
#med332
Britpop 
as: 
Reac3on 
against 
grunge 
Reac3on 
against 
pop 
Reac3on 
against 
electronica
Nirvana 
– 
‘Smells 
Like 
Teen 
Spirit’ 
(1991)
‘If 
punk 
was 
about 
geIng 
rid 
of 
hippies, 
then 
I'm 
geIng 
rid 
of 
grunge’ 
Damon 
Albarn 
(Blur)
Right 
Said 
Fred 
-­‐ 
Deeply 
Dippy 
(1992)
Take 
That 
-­‐ 
Do 
What 
You 
Like 
(1992)
2 
Unlimited 
– 
‘No 
Limits’ 
(1993)
Won't 
someone 
give 
me 
a 
gun? 
Oh 
well 
it's 
for 
my 
brother 
Well 
he 
writes 
the 
line 
wrote 
down 
my 
spine 
It 
says 
"Oh 
do 
you 
believe 
in 
love 
there?" 
So 
slow 
down 
slow 
down 
you're 
taking 
me 
over 
And 
so 
we 
drown 
Sir 
we 
drown 
stop 
taking 
me 
over 
Won't 
someone 
give 
me 
some 
fun? 
(And 
the 
skin 
flies 
all 
around 
us) 
We 
kiss 
in 
his 
room 
to 
a 
popular 
tune 
Oh 
real 
drowners 
Slow 
down 
slow 
down 
you're 
taking 
me 
over 
And 
so 
we 
drown, 
Sir 
we 
drown, 
Stop 
taking 
me 
over! 
Suede 
– 
‘The 
Drowners’ 
(1992) 
"[I]f 
Britpop 
started 
anywhere, 
it 
was 
the 
deluge 
of 
acclaim 
that 
greeted 
Suede's 
first 
records: 
all 
of 
them 
audacious, 
successful 
and 
very, 
very 
Bri3sh” 
-­‐ 
John 
Harris
Suede 
– 
‘Animal 
Nitrate’ 
(1993) 
Like 
his 
dad 
you 
know 
that 
he's 
had 
Animal 
nitrate 
in 
mind 
Oh 
in 
your 
council 
home 
he 
jumped 
on 
your 
bones 
now 
you're 
taking 
it 
3me 
aaer 
3me 
oh 
it 
turns 
you 
on, 
on, 
on, 
now 
he 
has 
gone 
oh 
what 
turns 
you 
on, 
on, 
on, 
now 
your 
animal's 
gone? 
Well 
he 
said 
he'd 
show 
you 
his 
bed 
and 
the 
delights 
of 
his 
chemical 
smile 
so 
in 
your 
broken 
home 
he 
broke 
all 
of 
your 
bones 
now 
you're 
taking 
it 
3me 
aaer 
3me 
[Chorus] 
what 
does 
it 
take 
to 
turn 
you 
on, 
on 
now 
he 
has 
gone? 
now 
you're 
over 
21? 
now 
your 
animal's 
gone? 
animal, 
he 
was 
animal, 
an 
animal
1993
1991
Blur 
– 
‘There's 
No 
Other 
Way’ 
(1991)
1993
April 
1994
Blur 
– 
‘Park 
Life’ 
(1994)
Oasis 
-­‐ 
Roll 
With 
It
Blur 
-­‐ 
Country 
House
Brit 
Awards 
(1996) 
– 
Oasis 
win 
3 
Brits
“I 
hate 
that 
Alex 
and 
Damon. 
I 
hope 
they 
catch 
Aids 
and 
die.”
By 
rebelling 
against 
th[e] 
gradual 
dumbing 
down 
of 
a 
na3on, 
by 
openly 
championing 
a 
switched-­‐on, 
sophis3cated 
Britpop 
image 
[Blur 
have] 
defined 
a 
new 
Englishness. 
It’s 
an 
aItude 
based 
not 
on 
a 
nostalgic 
Carry 
On 
Mr 
Kipling 
Britain, 
but 
a 
Britain 
that 
you 
will 
recognise 
as 
the 
one 
you 
live 
in. 
A 
place 
where 
dressing 
well 
and 
having 
a 
good 
haircut 
maler. 
-­‐ 
Jones 
in 
Bennel 
& 
Stralon, 
2010: 
p42
Brit 
Awards 
(1996) 
– 
Jarvis 
vs 
Jackson
Blur 
– 
‘Song 
2’ 
(1997)
Oasis 
-­‐ 
D'You 
Know 
What 
I 
Mean 
(1997)
“the 
term 
banal 
na&onalism 
is 
introduced 
to 
cover 
the 
ideological 
habits 
which 
enable 
the 
established 
na3ons 
of 
the 
West 
to 
be 
reproduced. 
It 
is 
argued 
that 
these 
habits 
are 
not 
removed 
from 
everyday 
life, 
as 
some 
observers 
have 
supposed. 
Daily, 
the 
na3on 
is 
indicated, 
or 
‘flagged’, 
in 
the 
lives 
of 
its 
ci3zenry. 
Na3onalism, 
far 
from 
being 
an 
intermilent 
mood 
in 
established 
na3ons, 
is 
the 
endemic 
condi3on." 
-­‐ 
Michael 
Billig, 
1995 
p.6

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Med332 Britpop

  • 2. Britpop as: Reac3on against grunge Reac3on against pop Reac3on against electronica
  • 3. Nirvana – ‘Smells Like Teen Spirit’ (1991)
  • 4. ‘If punk was about geIng rid of hippies, then I'm geIng rid of grunge’ Damon Albarn (Blur)
  • 5. Right Said Fred -­‐ Deeply Dippy (1992)
  • 6. Take That -­‐ Do What You Like (1992)
  • 7. 2 Unlimited – ‘No Limits’ (1993)
  • 8. Won't someone give me a gun? Oh well it's for my brother Well he writes the line wrote down my spine It says "Oh do you believe in love there?" So slow down slow down you're taking me over And so we drown Sir we drown stop taking me over Won't someone give me some fun? (And the skin flies all around us) We kiss in his room to a popular tune Oh real drowners Slow down slow down you're taking me over And so we drown, Sir we drown, Stop taking me over! Suede – ‘The Drowners’ (1992) "[I]f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very Bri3sh” -­‐ John Harris
  • 9.
  • 10. Suede – ‘Animal Nitrate’ (1993) Like his dad you know that he's had Animal nitrate in mind Oh in your council home he jumped on your bones now you're taking it 3me aaer 3me oh it turns you on, on, on, now he has gone oh what turns you on, on, on, now your animal's gone? Well he said he'd show you his bed and the delights of his chemical smile so in your broken home he broke all of your bones now you're taking it 3me aaer 3me [Chorus] what does it take to turn you on, on now he has gone? now you're over 21? now your animal's gone? animal, he was animal, an animal
  • 11.
  • 12.
  • 13. 1993
  • 14. 1991
  • 15. Blur – ‘There's No Other Way’ (1991)
  • 16. 1993
  • 17.
  • 18.
  • 20.
  • 21.
  • 22. Blur – ‘Park Life’ (1994)
  • 23.
  • 24. Oasis -­‐ Roll With It
  • 26. Brit Awards (1996) – Oasis win 3 Brits
  • 27. “I hate that Alex and Damon. I hope they catch Aids and die.”
  • 28. By rebelling against th[e] gradual dumbing down of a na3on, by openly championing a switched-­‐on, sophis3cated Britpop image [Blur have] defined a new Englishness. It’s an aItude based not on a nostalgic Carry On Mr Kipling Britain, but a Britain that you will recognise as the one you live in. A place where dressing well and having a good haircut maler. -­‐ Jones in Bennel & Stralon, 2010: p42
  • 29. Brit Awards (1996) – Jarvis vs Jackson
  • 30.
  • 31.
  • 32. Blur – ‘Song 2’ (1997)
  • 33. Oasis -­‐ D'You Know What I Mean (1997)
  • 34.
  • 35.
  • 36. “the term banal na&onalism is introduced to cover the ideological habits which enable the established na3ons of the West to be reproduced. It is argued that these habits are not removed from everyday life, as some observers have supposed. Daily, the na3on is indicated, or ‘flagged’, in the lives of its ci3zenry. Na3onalism, far from being an intermilent mood in established na3ons, is the endemic condi3on." -­‐ Michael Billig, 1995 p.6