Orientation of Critical Theories by M. H. Abrams

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Sarah Abdussalam

The first chapter of "The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1953)"

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Orientation of Critical Theories by M. H. Abrams

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CONTENTS: Introduction Seamus Heaney Heaney: a Follower of Romanticism The Personal and the General The Trilogy Several Connotative Meanings to Digging Heaney’s Poetic Theory Post-colonial Theory Psychoanalytical Approach Eco-critical Theory The Pen/Spade Analogy Techniques Frost Bogland Words Language The Sense of Place “Digging” “Follower” “Gravities” “Personal Helicon” “Midnight”

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CONTENTS Pirandello 1 The Context of Six Characters in Search of an Author 2 Character Analysis 3 Play-within- a- play; theatre about theatre 5 Theatricality 6 raison d’etre 8 Improvisation 9 Death of the author 11 Commedia dell’arte 13 Brecht 14 The Context of Mother Courage and her Children 15 Character Analysis 15 Themes 17 Epic Theatre 19 Alienation Effect 21 Brecht as a revolutionist in stage technique: Gestus 22 Brecht’s Political Theatre 23 Beckett 25 The Context of Waiting for Godot 26 Character analysis 28 Theatre of the Absurd 37 Theory of Semiotics 45 Time 47 Existentialism 53 Nihilism 55 Habituation 55 Structure of the play (Repetitiveness, Circular development) 57 Vaudeville 60 Visual effect 60

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