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ABC Sydney Sidetracks Exploring a city of lost sounds British Library Sound Archive Unlocking Audio 2 Connecting with Listeners   Sarah Barns
  abc.net.au/sidetracks Partners : ABC Archives, ABC Local Radio 702, National Film and Sound Archives, the Dictionary of Sydney, the City of Sydney, the State Library of NSW, the Powerhouse Museum and the Museum of Contemporary Art
Copy goes here for each slide ……………………………………… . Copy goes here for each slide ……………………………………… . put some more copy to ewxplain the slide here
  ‘ we’re all map-makers now’ Wired  June 2007 ,[object Object]
Sydney Sidetracks   abc.net.au/sidetracks
the ‘street as platform’  encounters with post-pc information technology “ In a sense, the entire street itself can now be thought of as having an API, conveying its overall behaviour to the world, each aspect of it increasingly beginning to generate and recombine data.”
  listening in… “ Who   could resist the invitation of those dainty headphones? They gleam in living rooms and entwine themselves around heads all by themselves”. Siegfried Kracauer 1929 “ By filtering out the natural and man made sounds of the city we are able to immerses ourselves in a alternative reality of our choosing.” - Digital Urban The iPod - a “sublime marriage between mobility, aesthetics and functionality, of sound and touch” that offers an auditory reprioritisation of urban experience Michael Bull,  Sound Moves
  listening in…the user experience ‘ Auditory looking’: Interaction with the visual present framed by its auditory past Martin Place, VP Day 1945 Martin Place, 2008
Top: Victoria St today  ……………………………………… . Bottom left: Mural of the BLF Green Bans in W’loo ……………………………………… . Bottom right: Plaque to Mick Fowler on Victoria St
city of  lost  sound   George St 1906. Reproduced courtesy of the National Film and Sound Archive
an archaeology of the invisible city  of recorded action… not surviving artefact   Clockwise from Left ……………………………………… . 212 Devonshire St ……………………………………… . Protesters gather outside 115 Victoria St in January 1973 ……………………………………… . Day of Mourning Conference 1938 St in January 1973 ……………………………………… . Juanita Nielsen outside 202 Victoria St ……………………………………… . Construction of the Sydney Opera House, 1964 ……………………………………… . The Pyrmont Incinerator 1977 ……………………………………… . The Pyrmont Incinerator c1938
  learning to get lost  “ Not to find oneself in a city may well be uninteresting and banal. It requires ignorance – nothing more. But to lose oneself in a city – as one loses oneself in a forest – that calls for quite a different schooling”. Walter Benjamin  Illuminations thank you sarah barns

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Unlocking Audio

  • 1. ABC Sydney Sidetracks Exploring a city of lost sounds British Library Sound Archive Unlocking Audio 2 Connecting with Listeners Sarah Barns
  • 2. abc.net.au/sidetracks Partners : ABC Archives, ABC Local Radio 702, National Film and Sound Archives, the Dictionary of Sydney, the City of Sydney, the State Library of NSW, the Powerhouse Museum and the Museum of Contemporary Art
  • 3. Copy goes here for each slide ……………………………………… . Copy goes here for each slide ……………………………………… . put some more copy to ewxplain the slide here
  • 4.
  • 5. Sydney Sidetracks abc.net.au/sidetracks
  • 6. the ‘street as platform’ encounters with post-pc information technology “ In a sense, the entire street itself can now be thought of as having an API, conveying its overall behaviour to the world, each aspect of it increasingly beginning to generate and recombine data.”
  • 7. listening in… “ Who could resist the invitation of those dainty headphones? They gleam in living rooms and entwine themselves around heads all by themselves”. Siegfried Kracauer 1929 “ By filtering out the natural and man made sounds of the city we are able to immerses ourselves in a alternative reality of our choosing.” - Digital Urban The iPod - a “sublime marriage between mobility, aesthetics and functionality, of sound and touch” that offers an auditory reprioritisation of urban experience Michael Bull, Sound Moves
  • 8. listening in…the user experience ‘ Auditory looking’: Interaction with the visual present framed by its auditory past Martin Place, VP Day 1945 Martin Place, 2008
  • 9. Top: Victoria St today ……………………………………… . Bottom left: Mural of the BLF Green Bans in W’loo ……………………………………… . Bottom right: Plaque to Mick Fowler on Victoria St
  • 10. city of lost sound George St 1906. Reproduced courtesy of the National Film and Sound Archive
  • 11. an archaeology of the invisible city of recorded action… not surviving artefact Clockwise from Left ……………………………………… . 212 Devonshire St ……………………………………… . Protesters gather outside 115 Victoria St in January 1973 ……………………………………… . Day of Mourning Conference 1938 St in January 1973 ……………………………………… . Juanita Nielsen outside 202 Victoria St ……………………………………… . Construction of the Sydney Opera House, 1964 ……………………………………… . The Pyrmont Incinerator 1977 ……………………………………… . The Pyrmont Incinerator c1938
  • 12. learning to get lost “ Not to find oneself in a city may well be uninteresting and banal. It requires ignorance – nothing more. But to lose oneself in a city – as one loses oneself in a forest – that calls for quite a different schooling”. Walter Benjamin Illuminations thank you sarah barns

Notes de l'éditeur

  1. I’ll be speaking today about an initiative I’ve established with the ABC – Australian Broadcasting Corporation. Australia’s oldest broadcaster recently celebrated its 75 th anniversary. Recently its MD Mark Scott outlined his ambition to make the ABC’s presence in Australia ubiquitous – everywhere, on every platform. Presence on Google Earth, mobile sites, Second Life, as well as digital radio, broadband, television. Sydney Sidetracks represents the ABC’s first foray into what is sometimes called ‘location-based media’. As you'd be aware, this is the kind of media that is specifically tailored to your location or context, often offered by GPS to handheld devices. London’s got the most advanced scene in the world, much more than in Oz. London phone calls.. While the project is a bit future oriented in terms of it the way it engages geo-aware interfaces and platforms, Sydney Sidetracks is very much about using these platforms to build new connections with the ABC’s archives, bringing its reportage over the past few decades into the reach of today’s digital and in particular mobile media users. Sidetracks also provides an example of how the introduction of a community or place based narrative context into the presentation of archives is in turn building new relationships with online users - some of them unintended.