Between the clouds
The piece is for string quartet, and its inspiration came from daily stargazing. The main materials are designed from the natural night scenery, such as stars, clouds, and moon. Using harmonic and vibrato changes to describe the clouds moving and somehow the starlights go through the clouds. The glissando is the wind which moves the clouds and makes it to any kinds of shape and turn it into a different mood. The double repetitive short notes are the subtle twinkling.
'Barwick Green' (pronounced "Barrick", after Barwick-in-Elmet, Yorkshire) from the suite "My Native Heath" is probably the oldest signature tune, or theme, from a soap opera in the world.
'Barwick Green' (pronounced "Barrick", after Barwick-in-Elmet, Yorkshire) from the suite "My Native Heath" is probably the oldest signature tune, or theme, from a soap opera in the world.
For large ensemble and electronics.
2 fl/pic, Bb cla, bcla, hrn, trp, trb, prc, pno, 2 vln, vla, vlc and electronics.
Commissioned by Fonds voor de Scheppende Toonkunst.
Instrumentation :
Flute 1 tuned +20 cents / Piccolo 1 tuned +30 cents Flute 2 tuned -20 cents / Piccolo 2 tuned -30 cents Clarinet in Bb
Bas Clarinet
Horn in F Trumpet in C Trombone
Percussion:
• Bongo
• Wood Blocks 3X [low, middle, and high tuned] • Almglocken 3X [low, middle, and high tuned]
• Plate Tamtam 2X [low and high tuned]
• Chinese Cymbal
• Wind Gong
• Floor Tom [low tuned]
• Crotales 2 okt.
• Steel Drums
• Turbular Chimes
Piano lid 1/2 open
Violin 1 Violin 2 Viola Cello Contrabass
Electronics 3 tracks on CD
Jagat (2006)
'30 For large ensemble and electronics. 2 fl/pic, Bb cla, bcla, hrn, trp, trb, prc, pno, 2 vln, vla, vlc and electronics. Commissioned by Fonds voor de Scheppende Toonkunst.
With inspirations from Gospel and Broadway music, “The Moon Has A Face” is the result of fusing elements from both genres with my own style of composition. After reading Stevenson’s poem, I had to evoke this image I had of a singer in a golden dress walking out into an empty street at night akin to the streets of New Orleans with the bright, encompassing moon above her. Then, in typical Broadway-style, she would sing her heart out to the moon as it watched back and listened to her serenade, forever being a witness to her testament of adoration and gratitude.
Samuel D. Loveless: NOTES FROM AN OLD NOTEBOOK IN A NEW NOTEBOOK; FOR ALL YOU...SignumQuartet
NOTES FROM AN OLD NOTEBOOK IN A NEW NOTEBOOK; FOR ALL YOUR NOTEBOOK NEEDS & SO MUCH MORE
is structured as a flip-notebook in 3 segments, and is taken from his notebooks of the last years.
Here are Sam's performance instruction videos
Full-length performers' description video: https://youtu.be/xXGKb2xpSQM
Brief performers' description video: https://youtu.be/GFX2GXpguKs
The piece is constructed with precise time-brackets. The durations of these time-brackets vary through the piece. Hence, the use of a stopwatch is recommended. The time-brackets of the different strings parts are generally asynchronous and only coincide at the indicated rehearsal marks and on the final note that is indicated with a fermata.
In the parts (Vl. 1, 2, and Vla.), the upper staff indicates the sounding pitches, while the lower staff indicates the fingered notes. The piece is played entirely with either natural harmonics or open strings. Microtones as small as twelfth-tones are indicated in the score in order to precisely determine the position of the node (natural harmonic) and to describe how the sounding tone deviates from twelve-tone equal temperament. Further performance notes are provided in the parts.
Ellis Howarth: "Remnants" #quartweet
The idea behind this piece was born out of my tutor’s suggestion that I return to my musical roots, to address a growing writer’s block. My musical life began as a chorister, singing music of the medieval and renaissance periods. These three movements are based on fond yet distant memories of those experiences. Hence the piece’s title - Remnants.
To the performers, I ask that this piece be played sempre senza vibrato, and with a purity of tone. All players must play from the full score.
I dedicate this piece to the Signum Quartet. And to Guus, for reminding me of ‘the little English choir boy’, whom I had almost forgotten.
Duration - 4 mins approx.
This document contains a musical score titled "140 Notes" composed by Kevin Volans and published in 2016 by Chester Music Ltd. in London. The score is for string quartet (2 violins, viola, cello) and contains musical notation across 44 measures. It includes performance markings such as glissando, pizzicato, sul ponticello, and more. The copyright is held by Chester Music Ltd.
Oscar Bettison:
Described as possessing "an unconventional lyricism and a menacing beauty" and a “unique voice”, British/American composer Oscar Bettison's music has been commissioned and performed by leading ensembles and soloists around the world. His work demonstrates a willingness to work within and outside the confines of concert music. He likes to work with what he calls "Cinderella instruments", either by making percussion instruments or by re-imagining other instruments as well as writing for instruments more common in rock music and the inclusion of electro-acoustic elements. More recent pieces have been concerned with bringing these strands together. His music as been featured and reviewed in the LA Times, the New York Times, the British, Dutch and Italian press as well as having been played on radio throughout the US, Australia, Britain, The Netherlands and Brazil and on British and Dutch Television. His latest work has been described as “pulsating with an irrepressible energy and vitality, as well as brilliant craftsmanship.”
www.oscarbettison.com
Maako Fangajei "The Race Car Dance" #quartweetSignumQuartet
Maako Fangajei (3rd Grade, LAWRENCEVILLE ELEMENTARY)
The Racecar Dance is about 2 racecars that share a fierce rivalry. The two cars tie every race but, they are not done yet! So, who will win?
Caleb Anderson "Soaring High" #quartweetSignumQuartet
Caleb Anderson (3rd Grade, ELDRIDGE PARK ELEMENTARY)
Soaring High is about the invention of a flying machine. The inventor of the machine failed at first, but kept trying until it finally flew
one touch
op. 58 (2015) for String Quartet
Jeder Ton hat ein Bild, jede Farbe hat einen Ton.
Die Komposition one touch ist musikalisch mit dem Bild Nike der Künstlerin Antje Tesche-Mentzen eng verbunden.
Every tone is a picture, every color has its tone.
The composition one touch is musically in close connection to the painting Nike of the artist Antje Tesche-Mentzen.
Konstantia Gourzi
John Prokop Ditty 1 "140 notes seem plenty"SignumQuartet
The document is illegible and contains no discernible words or meaningful information. It appears to be random characters with no context or substance.
2. Between the clouds
The piece is for string quartet, and its inspiration came from daily stargazing. The main
materials are designed from the natural night scenery, such as stars, clouds, and moon.
Using harmonic and vibrato changes to describe the clouds moving and somehow the
starlights go through the clouds. The glissando is the wind which moves the clouds and
makes it to any kinds of shape and turn it into a different mood. The double repetitive
short notes are the subtle twinkling.
Note.
* All the glissando are with vibrato.
* Bar 31_33: alternate with B and the persistent notes, and try to count
exactly the given times in pianissimo.
5. &
&
B
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8
12
8
12
8
12
8
12
Vln. I
Vln. II
Vla.
Vc.
25
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25
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senza vib.
senza vib.
senza vib.
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π
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Vln. I
Vln. II
Vla.
Vc.
28
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Vln. I
Vln. II
Vla.
Vc.
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Change to "B" 7 times in random rhythm within 3 bars
Change to "B" 3 times in random rhythm within 3 bars
Change to "B" 5 times in random rhythm within 3 bars
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senza vib.
senza vib.
senza vib.
senza vib.
∑
∑
∑
∑
3
Between the Clouds