Tomorrowland es un festival de música electrónica que se celebra anualmente en Bélgica desde 2005. Comenzó con 50.000 asistentes en 2008 y ha ido creciendo hasta alcanzar los 180.000 en 2011, con 400 DJs tocando en 3 días de festival. Es actualmente el festival de música electrónica más grande del mundo.
La historia detrás del festival: TomorrowlandItzelBonillaa
El documento describe la historia del festival de música electrónica Tomorrowland, incluyendo su origen en 2005, sus logros como el festival más grande del mundo, y detalles sobre sus escenarios, zona de acampado Dreamville, y estrategia de marketing a través de redes sociales.
This document summarizes the history and growth of Tomorrowland festival from 2005 to 2014. It discusses how the festival evolved from initially attracting 10,000 visitors through word-of-mouth promotion to selling out two weekends with 360,000 total visitors in just one hour in 2014. It also outlines how Tomorrowland has expanded its global fan base through increasingly sophisticated digital marketing strategies and fostering a sense of community and shared values among its "People of Tomorrow." The challenges of maintaining quality, innovation, and security at such a large scale globally are also addressed.
The document is a short phrase in Spanish that translates to "See you in Tomorrowland". It conveys plans to meet up at an event called Tomorrowland without providing any other context or details about the event, location, people involved, or time.
Este documento describe Tomorrowland, el mayor festival de música house del mundo que se celebra anualmente en Bélgica durante dos días. El festival atrae a jóvenes de todo el mundo para disfrutar de la mejor música electrónica y DJs como Armin Van Buuren, David Guetta y Swedish House Mafia. Tomorrowland ha sido votado el mejor festival de música electrónica del mundo.
Tomorrowland es un festival de música electrónica que se celebra anualmente en Bélgica desde 2005. Comenzó con 50.000 asistentes en 2008 y ha ido creciendo hasta alcanzar los 180.000 en 2011, con 400 DJs tocando en 3 días de festival. Es actualmente el festival de música electrónica más grande del mundo.
La historia detrás del festival: TomorrowlandItzelBonillaa
El documento describe la historia del festival de música electrónica Tomorrowland, incluyendo su origen en 2005, sus logros como el festival más grande del mundo, y detalles sobre sus escenarios, zona de acampado Dreamville, y estrategia de marketing a través de redes sociales.
This document summarizes the history and growth of Tomorrowland festival from 2005 to 2014. It discusses how the festival evolved from initially attracting 10,000 visitors through word-of-mouth promotion to selling out two weekends with 360,000 total visitors in just one hour in 2014. It also outlines how Tomorrowland has expanded its global fan base through increasingly sophisticated digital marketing strategies and fostering a sense of community and shared values among its "People of Tomorrow." The challenges of maintaining quality, innovation, and security at such a large scale globally are also addressed.
The document is a short phrase in Spanish that translates to "See you in Tomorrowland". It conveys plans to meet up at an event called Tomorrowland without providing any other context or details about the event, location, people involved, or time.
Este documento describe Tomorrowland, el mayor festival de música house del mundo que se celebra anualmente en Bélgica durante dos días. El festival atrae a jóvenes de todo el mundo para disfrutar de la mejor música electrónica y DJs como Armin Van Buuren, David Guetta y Swedish House Mafia. Tomorrowland ha sido votado el mejor festival de música electrónica del mundo.
El documento describe la historia del festival de música electrónica Tomorrowland, que se celebra anualmente en Bélgica desde 2005. Con los años, el festival ha ido creciendo en tamaño y popularidad, atrayendo a más de 80,000 asistentes en 2010 y agregando días adicionales al evento. El festival también ha lanzado versiones internacionales como TomorrowWorld en Estados Unidos y Tomorrowland Brasil.
The document provides information about Tomorrowland, a electronic music festival held in Belgium over two weekends in July 2014. It details the dates and locations of the main festival from July 18-20 and July 25-27, as well as the Dreamville camping and accommodation areas available from July 17-21. A variety of tent, room and lodge accommodations are listed along with prices. The lineup for each day of the main festival is also outlined, featuring artists like Carl Cox, Alesso, Hardwell, Armin Van Buuren and more. Additionally, it shares a sample trip itinerary visiting cities in the Netherlands and Belgium before and after the festival, as well as estimated costs for flight, accommodation and festival passes.
Webinar with Eventbrite, Festival Awards, Virtual Festivals and Festivals.ie on Feb 26, 2014. Recording can be found here: http://www.youtube.com/watch?v=YdZUoz5ASJk
MUSIC FESTIVALS: A CHANGING WORLD. An international comparative researchLluís Bonet
The presentation in Lille (France) of a research coordinated by Emmanuel Négrier, Michel Guerin and Lluís Bonet on Music Festivals. This result book is published in both English and French by Michel de Maule (Paris 2013). This work presents the first study undertaken using a single, unique method on a sample of 390 music festival (from 15 different countries). They represent a wide variety of genres, musical styles, scope and seasonal programmes. All major aspects are explored, from the purpose of the festivals to human resources and business models adopted.
The first part reviews this analytical journey through the world of festivals. The second part contains several chapters on different countries festival landscapes, enabling the impact of the cultural, economic and political setting in which these events are created and developed to be measured. Whereas artists themselves have long since gone beyond national borders, this twofold international comparison allows the differences between country-specific models to be transcended
This document outlines the 7 key steps in planning an event:
1. Develop clear objectives and understand the audience.
2. Create a budget that determines the type of event.
3. Develop a schedule including planning, staging, and production times.
4. Choose an appropriate format based on objectives and audience.
5. Select a venue that matches the purpose, theme, and anticipated attendance.
6. Inspect and book the venue by signing a contract and paying a deposit.
7. Plan the event details and program elements to carry out the concept.
The Effect of Music Festival Tourism on the Image and Community of Budapest -...Experience Salzburg
This document provides an overview of a bachelor thesis submitted to the University of Applied Sciences Salzburg. The thesis examines the effect of music festival tourism on the image and community of Budapest. It begins with an introduction and literature review on festival tourism and how events can impact a destination's image. It then focuses on two case studies, the Sziget Festival and CAFe Budapest Contemporary Arts Festival, analyzing data collected through an online questionnaire. The thesis tests several hypotheses about how these festivals impact visitors' and non-visitors' perceptions of Budapest. It finds that events can positively influence a destination's image when planned and organized properly, but may also have negative effects on the local community if not.
This document discusses the key stages in event management: developing the concept, analyzing the concept, designing the event, logistics, and keys to success. It provides details on developing the concept, including determining the purpose and theme of the event, selecting a venue that matches the audience and available resources, and considering financial factors. The document also discusses budgeting, with steps to estimate costs for site rental, catering, transportation, decor, entertainment, printing, gifts, and activities.
The document discusses the key elements that go into developing an event concept, including the event vision, objectives, audience, budget, and metrics. It covers determining the event format, tone, theme, title, and venue. The event manager uses the vision and audience profile to draft the event concept, which includes creative elements like the format, experience, and activities to achieve the objectives and engage the audience. Developing the scope involves gathering information needed to start planning and define what will deliver a successful event meeting stakeholder requirements.
Pre planning to organize a music festival - Barrett WissmanBarrett Wissman
Whether it's a music gig, a celebration, a gathering or an open address: all occasions require bunches of diligent work and individuals power. Here are some essential points shared by Barrett Wissman which one should have in his mind before organizing a music concert or festival.
Music Tourism in UK: $3.5 Billion Spent Every YearRafat Ali
According to a very interesting new report by UKMusic and VisitBritain released today, the headline number is this: 6.5 million music loving tourists attended a festival or gig in UK last year, generating spend of £2.2 billion ($3.5 billion) in the process.
The Impact of Festivals in promoting cultural tourismGeorge Diamandis
The document discusses the impact of festivals in promoting cultural tourism, using the Ganesh Utsav festival in Pune, Maharashtra as a case study. It notes that festivals give people peace and break monotony, and are now being used to promote tourism and boost economies. Festivals encourage visitors to interact with local culture and customs. The Ganesh Utsav festival sees participation from people of all occupations and education levels. It contributes economically by attracting tourists who spend money supporting local businesses like restaurants, hotels, and shops. The number of visitors increases yearly, positively impacting the local economy. Infrastructure is improved for the festivals, and security and safety measures are implemented.
The document outlines the details of an event to create awareness of a partnership and promote core expertise. The objective is to attract talented executives. Guests will include CEOs and business leaders who will participate in a panel discussion on executive search and key findings from a study. The event will be held at a luxury hotel and include a reception, presentations, panel discussion, and guest speaker.
FESTIVAL INTERRUPTUS: The future of music festivals and what it means for hum...sparks & honey
Today we are seeing a rapid growth in music festivals, both in size and number.
In 2014 alone there were 874 festivals in North America, with festival capacity growing from 475,000 attendees in 2010, to 1.8 million in 2014. What’s apparent is that Millennials seek a more complete music experience, and Gen Z, we anticipate, even more so.
To develop a point of view on the festival of the future, sparks & honey partnered with PepsiCo’s Creator team to identify the defining characteristics and present our vision of the music festival of the future.
The Future of Humanity
Through our interaction with machines, we develop emotional, human expectations of them. Alexa, for example, comes alive when we speak with it. AI is and will be a representation of its cultural context, the values and ethics we apply to one another as humans.
This machinery is eerily familiar as it mirrors us, and eventually becomes even smarter than us mere mortals. We’re programming its advantages based on how we see ourselves and the world around us, and we’re doing this at an incredible pace. This shift is pervading culture from our perceptions of beauty and aesthetics to how we interact with one another – and our AI.
Infused with technology, we’re asking: what does it means to be human?
Our report examines:
• The evolution of our empathy from humans to animals and robots
• How we treat AI in its infancy like we do a child, allowing it space to grow
• The spectrum of our emotional comfort in a world embracing AI
• The cultural contexts fueling AI biases, such as gender stereotypes, that drive the direction of AI
• How we place an innate trust in machines, more than we do one another
Methodology
For this report, sparks & honey conducted US-focused research on the future of AI. Together with Heartbeat AI Technologies, we examined the emotional sentiment (feeling and emotions) around artificial intelligence in a Heartbeat AI Pulse Survey of 150 people in the US. Tapping into our Influencer Advisory Board and proprietary cultural intelligence system, we combed through thousands of signals to build a vision of the future of AI. We also interviewed leading experts in the field of artificial intelligence.
Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
This is the first presentation in a series exploring what makes ideas stick.
Concept Development for Event Experience: Emotional Bond & Strategic Messagekileozier
This document outlines principles for developing compelling experiences for events using five tenets: exploration of assumptions, liberation of preconceptions, comfortable disorientation, successive revelation, and subliminal engagement. It emphasizes creating an emotional bond and strategically conveying a message by getting to know the client's vision and motivations beyond facts. Proper production values and timing are also important to ensure the message is effectively communicated.
you want to know more about: google, marketing, business growth, digital marketing, startup, brand image, marketing 4.0
we will find everything you want to know about all that.
your support encourages me to work hard.
KFC focuses on 7 key elements known as the 7Ps of marketing. The core products are pressure fried chicken, chicken burgers, wraps, finger foods and sides. KFC has over 18,875 outlets in 118 countries serving these products. Promotion strategies include ads, coupons and promotions. Employees are trained to provide good customer service. Efficient processes and a welcoming physical environment aim to enhance the customer experience.
This document provides an overview of call centers and their components. It discusses automatic call distributors that route calls and collect data, interactive voice responses that provide automated prompts and menus, and computer telephony integration that connects phone and computer systems. It also describes intelligent call routing software that identifies callers and routes them to agents. Finally, it discusses types of call centers including inbound, outbound, web-enabled, and telemarketing, as well as logging and monitoring functions.
El documento describe la historia del festival de música electrónica Tomorrowland, que se celebra anualmente en Bélgica desde 2005. Con los años, el festival ha ido creciendo en tamaño y popularidad, atrayendo a más de 80,000 asistentes en 2010 y agregando días adicionales al evento. El festival también ha lanzado versiones internacionales como TomorrowWorld en Estados Unidos y Tomorrowland Brasil.
The document provides information about Tomorrowland, a electronic music festival held in Belgium over two weekends in July 2014. It details the dates and locations of the main festival from July 18-20 and July 25-27, as well as the Dreamville camping and accommodation areas available from July 17-21. A variety of tent, room and lodge accommodations are listed along with prices. The lineup for each day of the main festival is also outlined, featuring artists like Carl Cox, Alesso, Hardwell, Armin Van Buuren and more. Additionally, it shares a sample trip itinerary visiting cities in the Netherlands and Belgium before and after the festival, as well as estimated costs for flight, accommodation and festival passes.
Webinar with Eventbrite, Festival Awards, Virtual Festivals and Festivals.ie on Feb 26, 2014. Recording can be found here: http://www.youtube.com/watch?v=YdZUoz5ASJk
MUSIC FESTIVALS: A CHANGING WORLD. An international comparative researchLluís Bonet
The presentation in Lille (France) of a research coordinated by Emmanuel Négrier, Michel Guerin and Lluís Bonet on Music Festivals. This result book is published in both English and French by Michel de Maule (Paris 2013). This work presents the first study undertaken using a single, unique method on a sample of 390 music festival (from 15 different countries). They represent a wide variety of genres, musical styles, scope and seasonal programmes. All major aspects are explored, from the purpose of the festivals to human resources and business models adopted.
The first part reviews this analytical journey through the world of festivals. The second part contains several chapters on different countries festival landscapes, enabling the impact of the cultural, economic and political setting in which these events are created and developed to be measured. Whereas artists themselves have long since gone beyond national borders, this twofold international comparison allows the differences between country-specific models to be transcended
This document outlines the 7 key steps in planning an event:
1. Develop clear objectives and understand the audience.
2. Create a budget that determines the type of event.
3. Develop a schedule including planning, staging, and production times.
4. Choose an appropriate format based on objectives and audience.
5. Select a venue that matches the purpose, theme, and anticipated attendance.
6. Inspect and book the venue by signing a contract and paying a deposit.
7. Plan the event details and program elements to carry out the concept.
The Effect of Music Festival Tourism on the Image and Community of Budapest -...Experience Salzburg
This document provides an overview of a bachelor thesis submitted to the University of Applied Sciences Salzburg. The thesis examines the effect of music festival tourism on the image and community of Budapest. It begins with an introduction and literature review on festival tourism and how events can impact a destination's image. It then focuses on two case studies, the Sziget Festival and CAFe Budapest Contemporary Arts Festival, analyzing data collected through an online questionnaire. The thesis tests several hypotheses about how these festivals impact visitors' and non-visitors' perceptions of Budapest. It finds that events can positively influence a destination's image when planned and organized properly, but may also have negative effects on the local community if not.
This document discusses the key stages in event management: developing the concept, analyzing the concept, designing the event, logistics, and keys to success. It provides details on developing the concept, including determining the purpose and theme of the event, selecting a venue that matches the audience and available resources, and considering financial factors. The document also discusses budgeting, with steps to estimate costs for site rental, catering, transportation, decor, entertainment, printing, gifts, and activities.
The document discusses the key elements that go into developing an event concept, including the event vision, objectives, audience, budget, and metrics. It covers determining the event format, tone, theme, title, and venue. The event manager uses the vision and audience profile to draft the event concept, which includes creative elements like the format, experience, and activities to achieve the objectives and engage the audience. Developing the scope involves gathering information needed to start planning and define what will deliver a successful event meeting stakeholder requirements.
Pre planning to organize a music festival - Barrett WissmanBarrett Wissman
Whether it's a music gig, a celebration, a gathering or an open address: all occasions require bunches of diligent work and individuals power. Here are some essential points shared by Barrett Wissman which one should have in his mind before organizing a music concert or festival.
Music Tourism in UK: $3.5 Billion Spent Every YearRafat Ali
According to a very interesting new report by UKMusic and VisitBritain released today, the headline number is this: 6.5 million music loving tourists attended a festival or gig in UK last year, generating spend of £2.2 billion ($3.5 billion) in the process.
The Impact of Festivals in promoting cultural tourismGeorge Diamandis
The document discusses the impact of festivals in promoting cultural tourism, using the Ganesh Utsav festival in Pune, Maharashtra as a case study. It notes that festivals give people peace and break monotony, and are now being used to promote tourism and boost economies. Festivals encourage visitors to interact with local culture and customs. The Ganesh Utsav festival sees participation from people of all occupations and education levels. It contributes economically by attracting tourists who spend money supporting local businesses like restaurants, hotels, and shops. The number of visitors increases yearly, positively impacting the local economy. Infrastructure is improved for the festivals, and security and safety measures are implemented.
The document outlines the details of an event to create awareness of a partnership and promote core expertise. The objective is to attract talented executives. Guests will include CEOs and business leaders who will participate in a panel discussion on executive search and key findings from a study. The event will be held at a luxury hotel and include a reception, presentations, panel discussion, and guest speaker.
FESTIVAL INTERRUPTUS: The future of music festivals and what it means for hum...sparks & honey
Today we are seeing a rapid growth in music festivals, both in size and number.
In 2014 alone there were 874 festivals in North America, with festival capacity growing from 475,000 attendees in 2010, to 1.8 million in 2014. What’s apparent is that Millennials seek a more complete music experience, and Gen Z, we anticipate, even more so.
To develop a point of view on the festival of the future, sparks & honey partnered with PepsiCo’s Creator team to identify the defining characteristics and present our vision of the music festival of the future.
The Future of Humanity
Through our interaction with machines, we develop emotional, human expectations of them. Alexa, for example, comes alive when we speak with it. AI is and will be a representation of its cultural context, the values and ethics we apply to one another as humans.
This machinery is eerily familiar as it mirrors us, and eventually becomes even smarter than us mere mortals. We’re programming its advantages based on how we see ourselves and the world around us, and we’re doing this at an incredible pace. This shift is pervading culture from our perceptions of beauty and aesthetics to how we interact with one another – and our AI.
Infused with technology, we’re asking: what does it means to be human?
Our report examines:
• The evolution of our empathy from humans to animals and robots
• How we treat AI in its infancy like we do a child, allowing it space to grow
• The spectrum of our emotional comfort in a world embracing AI
• The cultural contexts fueling AI biases, such as gender stereotypes, that drive the direction of AI
• How we place an innate trust in machines, more than we do one another
Methodology
For this report, sparks & honey conducted US-focused research on the future of AI. Together with Heartbeat AI Technologies, we examined the emotional sentiment (feeling and emotions) around artificial intelligence in a Heartbeat AI Pulse Survey of 150 people in the US. Tapping into our Influencer Advisory Board and proprietary cultural intelligence system, we combed through thousands of signals to build a vision of the future of AI. We also interviewed leading experts in the field of artificial intelligence.
Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
This is the first presentation in a series exploring what makes ideas stick.
Concept Development for Event Experience: Emotional Bond & Strategic Messagekileozier
This document outlines principles for developing compelling experiences for events using five tenets: exploration of assumptions, liberation of preconceptions, comfortable disorientation, successive revelation, and subliminal engagement. It emphasizes creating an emotional bond and strategically conveying a message by getting to know the client's vision and motivations beyond facts. Proper production values and timing are also important to ensure the message is effectively communicated.
you want to know more about: google, marketing, business growth, digital marketing, startup, brand image, marketing 4.0
we will find everything you want to know about all that.
your support encourages me to work hard.
KFC focuses on 7 key elements known as the 7Ps of marketing. The core products are pressure fried chicken, chicken burgers, wraps, finger foods and sides. KFC has over 18,875 outlets in 118 countries serving these products. Promotion strategies include ads, coupons and promotions. Employees are trained to provide good customer service. Efficient processes and a welcoming physical environment aim to enhance the customer experience.
This document provides an overview of call centers and their components. It discusses automatic call distributors that route calls and collect data, interactive voice responses that provide automated prompts and menus, and computer telephony integration that connects phone and computer systems. It also describes intelligent call routing software that identifies callers and routes them to agents. Finally, it discusses types of call centers including inbound, outbound, web-enabled, and telemarketing, as well as logging and monitoring functions.
2. Tomorrowland est un festival de musique
électronique organisé au mois de juillet à Boom, dans
la province d'Anvers en Belgique.
Tomorrowland compte, en 2012, la participation de
plus de 365 disc jockeys, avec
approximativement 185 000 visiteurs à cette édition
en provenance de 75 différents pays. Il est élu trois
fois de suite comme « meilleur événement musical de
l'année » lors de la Winter Music Conférence
3.
4. Tomorrowland Foundation
Tomorrowland apparaît en 2003, sur une idée de deux
frères, Manu et Michiel Beers. L'organisateur
d'événements de musique
électronique néerlandais ID&T (reconnu pour des
festivals notoires tels que Mystery
Land, Sensation et Thunderdome) rachète 50 % des parts
en 2004, puis la première édition du festival est
organisée en 2005. En 2013, le festival s'exporte
aux États-Unis près d'Atlanta et devient pour
l'occasion TomorrowWorld (en). Deux ans plus tard, un
Tomorrowland se tient dans un second pays, au Brésil.
5. L’Historique de Tomorrowland
2005 : 10000 visiteurs
2006 : 15000 visiteurs
2007 : 2 jours, 20000 visiteurs
2008 : 2 jours, 50000 visiteurs
2009 : 2 jours, 90000 visiteurs
2010 : 2 jours, 120000 visiteurs
2011 : festival de 3 jours, 180000 visiteurs, vendus en cinq
jours
2012 : festival de 3 jours, 180000 visiteurs, vendus en 2
seconds
2013 : festival de 3 jours, 380000 visiteurs, vendus en 3
seconds
2014 : festival de 3 jours, 390000 visiteurs, vendus en 2
seconds
2015 : festival de 3 jours, 420000 visiteurs, vendus en 1 second
( c’est bizarre )
16. • Martin Garrix, de son vrai
nom Martijn Gerard
Garritsen, né le 14 mai 1996 à
Amstelveen, est un disc
jockey, compositeur et
producteur néerlandais. Il se
fait connaître mondialement
avec son titre Animals, en
2013.
• Naissance : 14 mai 1996 (20
ans), Amstelveen, Pays-Bas
• Albums : EDMXXL: The Best
Of, Gold Skies EP, Break
Through the Silence
• Labels : Spinnin
Records, STMPD
RCRDS, Revealed Recordings
17. • Hardwell, de son vrai nom
Robbert van de Corput, né le 7
janvier 1988 à Bréda, est un
disc jockey et producteur de
musique house et
électronique néerlandais.
• Naissance : 7 janvier 1988 (28
ans), Bréda, Pays-Bas
• Labels : Recordings, Spinnin
Records, Armada
Music, Musical Freedom, Ultra
Records, STMPD RCRDS
• Sélections : MTV Europe
Music Award : Meilleur(e)
artiste électro
18. Armin van Buuren, né le 25
décembre 1976 à Leyde, est
un disc jockey, producteur et
compositeur néerlandais. Élu
meilleur DJ mondial à cinq
reprises, Van Buuren détient le
record de remises de cette
récompense.
Naissance : 25 décembre 1976
(39 ans), Leyde, Pays-Bas
Épouse : Erika van Thiel (m.
2009)
Films : Loving Ibiza
19. Pierre David Guetta, né le 7
novembre 1967 à Paris, est un
disc jockey, remixeur, et
producteur de musique
français.
Naissance : 7 novembre 1967
(48 ans), Paris, France
Épouse : Cathy Guetta (m.
1992–2014)
Frères et sœurs : Natalie
Guetta, Bernard Guetta
20. Tiësto, de son vrai nom Tijs
Michiel Verwest, né le 17
janvier 1969 à Bréda, est un
disc jockey, producteur et
compositeur néerlandais.
Naissance : 17 janvier 1969
(47 ans), Bréda, Pays-Bas
Genre : House
progressive, Future
house, Complextro, Trance, De
ep house
Labels : Spinnin
Records, Musical
Freedom, Revealed Recordings