SlideShare une entreprise Scribd logo
1  sur  17
MUSIC VIDEO
EVALUATION
CAGE THE
ELEPHANT-
AIN’T NO REST FOR
THE WICKED
MUSIC VIDEO
EVALUATION
MUSIC VIDEO
EVALUATION
MUSIC VIDEO
EVALUATION
THE FINAL
VIDEO
FEED
BACK
GROUP NAMES THINGS THAT WERE LIKED
THINGS THAT WERE
DISLIKED
ELLEN, ABI, JACK, JOSH
- The slow motion money falling from the hat
- Clinking bear bottles
- Phone light on the guys face gives good
atmosphere
- Preferred real money
- Transition between night time in the
caravan to daylight at the train station
were too inconsistent with the lyrics.
JAMES, HAZAL, SCOTT
- Smashed IPhone appropriate and ironic
‘hang out den’- looked cool
- The money at the beginning could’ve
been
shown for a little longer.
MATT, ZOE, RYAN
- Liked the sequence and lighting, good
variation and diversity between shots.
- I would’ve preferred the shots to have
been in focus continuously rather than
changing between shots.
- The title screen wasn’t displayed long
enough.
TECHNICAL
QUALITY
LIP SYNCHING
Our intentions originally was to display a band throughout our music video, this did consist of
finding musically confident individuals willing to take part. Sam (who played the ‘lead singer’) was
confident with learning the lyrics quickly and having to mime them repeatedly in various different
locations. He portrayed the character perfectly displaying a consistent personality throughout; we
were looking for an edgy, rough and ‘ready to go’ image which he was able to deliver naturally.
We shot multiple takes of the lip synching scenes just to make sure clips would consistently flow
without appearing as too staged, the track was also played in the background, this was not just for
Sam’s benefit but also for the other band members who would need to reference the instrumental
part of the song in order to play their instruments on time; this also played a vital part within the
filming process as the other band members had to stay synchronized with the music and each
other. This resulted in being one of the stronger areas of the final video with no bad criticism
mentioned at all.
TECHNICAL
QUALITY
COMPOSITION & VARIETY OF SHOT
As you can see by the timeline, there were a lot of shots used
TECHNICAL
QUALITY
VARIETY OF SHOT TYPES
TECHNICAL
QUALITY
LIGHTING
Creating a consistent balance between scenes
through lighting was definitely one of the larger
issues we had to face. Unfortunately the footage was
shot in December so a natural light source wasn’t
very reliable, but the artificial light we used wasn’t
either.
This was one of the comments given in feedback
“Transition between night time in the caravan to
daylight at the train station is too inconsistent with
the lyrics.”- Originally there were supposed to be
more scenes with different band members, this
would have showed a diverse range of waking up
introductory shots in different locations making this
look less prominent. The other point being that the
caravan scene was supposed to be set in the
morning (judging by the lack of daylight, much
earlier) but due to timings and availability, this was
the best we could do. To make this more
understandable a time reference should’ve been
applied within the editing process to state how early
the scene was set.
TECHNICAL
QUALITY
LIGHTING
Here you see all the different scenes and
the way in which they’re lit, the
brightness isn’t too inconsistent and
does partially correlate with the songs
progression and lyrics. Lamps, torches,
fairy lights and any other form of artificial
light source that was available was used
to create shadows and light the room in
the most natural way possible, we even
attempted to make possible links just so
it wouldn’t look too ridiculous.
One comment was “The Phone light on
the guys face gives good atmosphere”-
this made me feel relieved as we
actually used an industrial torch to light
Sam and though it looked too harsh and
prominent but luckily in this scene the
phone was the main focus (bottom right
image).
Through the use of filters on Premier,
some of this light imbalance could be
disguised.Ç
TECHNICAL
QUALITY
CAMERA MOVEMENT
TECHNICAL
QUALITY
EDITING (TO THE BEAT)
TECHNICAL
QUALITY
EDITING (TO THE BEAT)
Here’s a visual example of how to edit on
the beat in Adobe Premier. You have two
timelines; one for visuals (blue) and the
other for audio (green), the audio bar has
sound waves displayed on it. Now where
this red line is shows the point of where the
beat starts and where the visuals are going
to link to this rhythm.
This is an example
of editing on the
beat to a very small
scale, the whole
video is edited to
the beat, this just
brings everything
together and for a
simple technique
can really make a
lot of difference.
CREATIVE
QAULITY
The Final Music Video holds attention from the audience through a diverse and interesting
range of shots, a solid but intriguing storyline and the way in which the target audience can
somewhat relate to the young and free nature that appeals to students/ teenagers.
Does the video work well with the track? What aspects help visualise the tone and content of
the track? What do you believe could be improved and how?
NINE KEY FRAMES
COMPARISON
Unfortunately we were unable to
get enough people in such a small
amount of time to all gather for a
party so just had the band
performing in a more casual manor
We still used various different
extreme close-ups on certain
inanimate objects linked and
related to the video/ lyrics
throughout.
The monopoly
money theme was
pursued and the
thief scene did
work but we
related the theft to
the band member.
The train station
scene was a
success even
though we didn’t
actually shoot it on
the train due to too
many safety
complications and
expenses
Each band
member still
worked, just un
more interesting
places.
The scene was still
carried through but with
less religious figures, to
link it to the rest of the
video we used the thief
This scene
was too
insignificant
to spend time
we didn’t
have on it, we
just linked it
to another
theme that
worked better
in the end.
People still
awoke in
interesting
locations, it’s
just not [art of
the party no
longer.
STORYBOARD
DEVELOPMENT
How have your ideas
changed? What parts got
better or lost in the
production process? How
do you feel about the
outcome?
PROFESSIONAL
COMPARISON
Refer to the codes and conventions you
analysed - how does your video conform or
conflict with these codes and conventions?
Do you believe this would meet your target
audience expectations. MAKE SPECIFIC
REFERENCE TO EXISTING VIDEOS -
TAKE SCREEN SHOTS TO ILLUSTRATE
THE SIMILARITIES AND DIFFERENCES.
EVALUATIO
N
(Those who worked on your own
(Tom/Jack) talk about how you got on with
organising actors, working with friends
etc.) What went well and why? What could
have been improved and why? MAKE
REFERENCE TO ORGANISATION,
PRODUCTION ROLES,
COMMUNICATION, PROBLEM SOLVING
AND WORKING CREATIVELY.
PERSONAL
EVALUATION
What went well and why? What could have
been improved and why? MAKE
REFERENCE TO ORGANISATION,
DELEGATING, LEADERSHIP, DECISION
MAKING AND SOFTWARE SKILLS.

Contenu connexe

Tendances

Development Diary Music Video
Development Diary Music VideoDevelopment Diary Music Video
Development Diary Music Video
sophiadoughty
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
isaac eze
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
isaac eze
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
isaac eze
 
Media evaluation task 3
Media evaluation task 3Media evaluation task 3
Media evaluation task 3
harrylaflin
 
Evaluation question 4
Evaluation question 4Evaluation question 4
Evaluation question 4
Reshma95
 
Donow production log.pptx1
Donow production log.pptx1Donow production log.pptx1
Donow production log.pptx1
solyanna
 

Tendances (20)

Question 6
Question 6Question 6
Question 6
 
Catch up
Catch upCatch up
Catch up
 
Development Diary Music Video
Development Diary Music VideoDevelopment Diary Music Video
Development Diary Music Video
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
 
Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635Bigtime 160413140245-160418224635
Bigtime 160413140245-160418224635
 
Jhjhjhjh
JhjhjhjhJhjhjhjh
Jhjhjhjh
 
A2 Q4 Evaluation
A2 Q4 Evaluation A2 Q4 Evaluation
A2 Q4 Evaluation
 
Media evaluation task 3
Media evaluation task 3Media evaluation task 3
Media evaluation task 3
 
Music Video Assessment.
Music Video Assessment.Music Video Assessment.
Music Video Assessment.
 
Editing the video
Editing the videoEditing the video
Editing the video
 
Evaluation question 4
Evaluation question 4Evaluation question 4
Evaluation question 4
 
Rough Cut 2: Evaluation
Rough Cut 2: EvaluationRough Cut 2: Evaluation
Rough Cut 2: Evaluation
 
Aspects of post production
Aspects of post productionAspects of post production
Aspects of post production
 
Updated Treatment
Updated Treatment Updated Treatment
Updated Treatment
 
Rough cut 2Analysis: Credits
Rough cut 2Analysis: CreditsRough cut 2Analysis: Credits
Rough cut 2Analysis: Credits
 
Donow production log.pptx1
Donow production log.pptx1Donow production log.pptx1
Donow production log.pptx1
 
Doc consturction
Doc consturctionDoc consturction
Doc consturction
 
What have you learned about technologies from the process of constructing you...
What have you learned about technologies from the process of constructing you...What have you learned about technologies from the process of constructing you...
What have you learned about technologies from the process of constructing you...
 
Task 7
Task 7Task 7
Task 7
 

Similaire à Music video evaluation

Music video evaluation
Music video evaluationMusic video evaluation
Music video evaluation
Sophie Wright
 
Music video evaluation
Music video  evaluationMusic video  evaluation
Music video evaluation
Tom Cartwright
 
Analysis Of Rough Cut Music Video
Analysis Of Rough Cut Music VideoAnalysis Of Rough Cut Music Video
Analysis Of Rough Cut Music Video
dannyfrattasi
 
Student video analysis
Student video analysisStudent video analysis
Student video analysis
Skyward9
 
Walat and Izu Media Evaluation
Walat and Izu Media EvaluationWalat and Izu Media Evaluation
Walat and Izu Media Evaluation
iiwkmedia09
 
IG3 Final Edit Evaluation
IG3 Final Edit Evaluation IG3 Final Edit Evaluation
IG3 Final Edit Evaluation
danhops888
 
Mv production assignment evaluation form 2019
Mv production assignment evaluation form 2019Mv production assignment evaluation form 2019
Mv production assignment evaluation form 2019
BenDix4
 

Similaire à Music video evaluation (20)

Music video evaluation
Music video evaluationMusic video evaluation
Music video evaluation
 
Music video evaluation
Music video  evaluationMusic video  evaluation
Music video evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
INITIAL AND FINAL SCRIPT VERSIONS/ SCRIPT DEVELOPMENT
INITIAL AND FINAL SCRIPT VERSIONS/ SCRIPT DEVELOPMENTINITIAL AND FINAL SCRIPT VERSIONS/ SCRIPT DEVELOPMENT
INITIAL AND FINAL SCRIPT VERSIONS/ SCRIPT DEVELOPMENT
 
Mv Production Assignment Evaluation 2019
Mv Production Assignment Evaluation 2019Mv Production Assignment Evaluation 2019
Mv Production Assignment Evaluation 2019
 
Analysis Of Rough Cut Music Video
Analysis Of Rough Cut Music VideoAnalysis Of Rough Cut Music Video
Analysis Of Rough Cut Music Video
 
Mv assignment 01 2020 pro forma(1) 11-cameron-roy1
Mv assignment 01 2020 pro forma(1) 11-cameron-roy1Mv assignment 01 2020 pro forma(1) 11-cameron-roy1
Mv assignment 01 2020 pro forma(1) 11-cameron-roy1
 
Post-Production
Post-ProductionPost-Production
Post-Production
 
Student video analysis
Student video analysisStudent video analysis
Student video analysis
 
MV Production Assignment Form 2021
MV Production Assignment Form 2021MV Production Assignment Form 2021
MV Production Assignment Form 2021
 
Walat and Izu Media Evaluation
Walat and Izu Media EvaluationWalat and Izu Media Evaluation
Walat and Izu Media Evaluation
 
IG3 Final Edit Evaluation
IG3 Final Edit Evaluation IG3 Final Edit Evaluation
IG3 Final Edit Evaluation
 
Mv production assignment evaluation form 2019
Mv production assignment evaluation form 2019Mv production assignment evaluation form 2019
Mv production assignment evaluation form 2019
 
4050 alexis hackley evaluation
4050 alexis hackley evaluation4050 alexis hackley evaluation
4050 alexis hackley evaluation
 
music video pitch
music video pitch music video pitch
music video pitch
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Preliminary task to final video
Preliminary task to final video Preliminary task to final video
Preliminary task to final video
 
4
44
4
 
Question 3
Question 3Question 3
Question 3
 

Plus de Sophie Wright (20)

10 page pitch doc
10 page pitch doc10 page pitch doc
10 page pitch doc
 
4 ps marketing mutant mudd
4 ps marketing mutant mudd4 ps marketing mutant mudd
4 ps marketing mutant mudd
 
10 page pitch doc
10 page pitch doc10 page pitch doc
10 page pitch doc
 
Pong Analysis
Pong AnalysisPong Analysis
Pong Analysis
 
Digital flow chart
Digital flow chartDigital flow chart
Digital flow chart
 
Flow chart
Flow chartFlow chart
Flow chart
 
Flow Chart
Flow ChartFlow Chart
Flow Chart
 
Reinvented pitch
Reinvented pitchReinvented pitch
Reinvented pitch
 
Personal cv
Personal cvPersonal cv
Personal cv
 
Who plays what games?
Who plays what games?Who plays what games?
Who plays what games?
 
Pitch
PitchPitch
Pitch
 
It!
It!It!
It!
 
Problems
ProblemsProblems
Problems
 
Personal skills audit
Personal skills auditPersonal skills audit
Personal skills audit
 
Photoshop tutorial Example
Photoshop tutorial Example Photoshop tutorial Example
Photoshop tutorial Example
 
Contact sheet
Contact sheetContact sheet
Contact sheet
 
Book Cover Comparison
Book Cover ComparisonBook Cover Comparison
Book Cover Comparison
 
Cover comparison
Cover comparison Cover comparison
Cover comparison
 
Incubus drive analysis final
Incubus drive analysis finalIncubus drive analysis final
Incubus drive analysis final
 
Miley cyrus analysis
Miley cyrus analysisMiley cyrus analysis
Miley cyrus analysis
 

Dernier

The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
heathfieldcps1
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
SoniaTolstoy
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
QucHHunhnh
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
ciinovamais
 

Dernier (20)

Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdf
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 

Music video evaluation

  • 1. MUSIC VIDEO EVALUATION CAGE THE ELEPHANT- AIN’T NO REST FOR THE WICKED MUSIC VIDEO EVALUATION MUSIC VIDEO EVALUATION MUSIC VIDEO EVALUATION
  • 3. FEED BACK GROUP NAMES THINGS THAT WERE LIKED THINGS THAT WERE DISLIKED ELLEN, ABI, JACK, JOSH - The slow motion money falling from the hat - Clinking bear bottles - Phone light on the guys face gives good atmosphere - Preferred real money - Transition between night time in the caravan to daylight at the train station were too inconsistent with the lyrics. JAMES, HAZAL, SCOTT - Smashed IPhone appropriate and ironic ‘hang out den’- looked cool - The money at the beginning could’ve been shown for a little longer. MATT, ZOE, RYAN - Liked the sequence and lighting, good variation and diversity between shots. - I would’ve preferred the shots to have been in focus continuously rather than changing between shots. - The title screen wasn’t displayed long enough.
  • 4. TECHNICAL QUALITY LIP SYNCHING Our intentions originally was to display a band throughout our music video, this did consist of finding musically confident individuals willing to take part. Sam (who played the ‘lead singer’) was confident with learning the lyrics quickly and having to mime them repeatedly in various different locations. He portrayed the character perfectly displaying a consistent personality throughout; we were looking for an edgy, rough and ‘ready to go’ image which he was able to deliver naturally. We shot multiple takes of the lip synching scenes just to make sure clips would consistently flow without appearing as too staged, the track was also played in the background, this was not just for Sam’s benefit but also for the other band members who would need to reference the instrumental part of the song in order to play their instruments on time; this also played a vital part within the filming process as the other band members had to stay synchronized with the music and each other. This resulted in being one of the stronger areas of the final video with no bad criticism mentioned at all.
  • 5. TECHNICAL QUALITY COMPOSITION & VARIETY OF SHOT As you can see by the timeline, there were a lot of shots used
  • 7. TECHNICAL QUALITY LIGHTING Creating a consistent balance between scenes through lighting was definitely one of the larger issues we had to face. Unfortunately the footage was shot in December so a natural light source wasn’t very reliable, but the artificial light we used wasn’t either. This was one of the comments given in feedback “Transition between night time in the caravan to daylight at the train station is too inconsistent with the lyrics.”- Originally there were supposed to be more scenes with different band members, this would have showed a diverse range of waking up introductory shots in different locations making this look less prominent. The other point being that the caravan scene was supposed to be set in the morning (judging by the lack of daylight, much earlier) but due to timings and availability, this was the best we could do. To make this more understandable a time reference should’ve been applied within the editing process to state how early the scene was set.
  • 8. TECHNICAL QUALITY LIGHTING Here you see all the different scenes and the way in which they’re lit, the brightness isn’t too inconsistent and does partially correlate with the songs progression and lyrics. Lamps, torches, fairy lights and any other form of artificial light source that was available was used to create shadows and light the room in the most natural way possible, we even attempted to make possible links just so it wouldn’t look too ridiculous. One comment was “The Phone light on the guys face gives good atmosphere”- this made me feel relieved as we actually used an industrial torch to light Sam and though it looked too harsh and prominent but luckily in this scene the phone was the main focus (bottom right image). Through the use of filters on Premier, some of this light imbalance could be disguised.Ç
  • 11. TECHNICAL QUALITY EDITING (TO THE BEAT) Here’s a visual example of how to edit on the beat in Adobe Premier. You have two timelines; one for visuals (blue) and the other for audio (green), the audio bar has sound waves displayed on it. Now where this red line is shows the point of where the beat starts and where the visuals are going to link to this rhythm. This is an example of editing on the beat to a very small scale, the whole video is edited to the beat, this just brings everything together and for a simple technique can really make a lot of difference.
  • 12. CREATIVE QAULITY The Final Music Video holds attention from the audience through a diverse and interesting range of shots, a solid but intriguing storyline and the way in which the target audience can somewhat relate to the young and free nature that appeals to students/ teenagers. Does the video work well with the track? What aspects help visualise the tone and content of the track? What do you believe could be improved and how?
  • 13. NINE KEY FRAMES COMPARISON Unfortunately we were unable to get enough people in such a small amount of time to all gather for a party so just had the band performing in a more casual manor We still used various different extreme close-ups on certain inanimate objects linked and related to the video/ lyrics throughout. The monopoly money theme was pursued and the thief scene did work but we related the theft to the band member. The train station scene was a success even though we didn’t actually shoot it on the train due to too many safety complications and expenses Each band member still worked, just un more interesting places. The scene was still carried through but with less religious figures, to link it to the rest of the video we used the thief This scene was too insignificant to spend time we didn’t have on it, we just linked it to another theme that worked better in the end. People still awoke in interesting locations, it’s just not [art of the party no longer.
  • 14. STORYBOARD DEVELOPMENT How have your ideas changed? What parts got better or lost in the production process? How do you feel about the outcome?
  • 15. PROFESSIONAL COMPARISON Refer to the codes and conventions you analysed - how does your video conform or conflict with these codes and conventions? Do you believe this would meet your target audience expectations. MAKE SPECIFIC REFERENCE TO EXISTING VIDEOS - TAKE SCREEN SHOTS TO ILLUSTRATE THE SIMILARITIES AND DIFFERENCES.
  • 16. EVALUATIO N (Those who worked on your own (Tom/Jack) talk about how you got on with organising actors, working with friends etc.) What went well and why? What could have been improved and why? MAKE REFERENCE TO ORGANISATION, PRODUCTION ROLES, COMMUNICATION, PROBLEM SOLVING AND WORKING CREATIVELY.
  • 17. PERSONAL EVALUATION What went well and why? What could have been improved and why? MAKE REFERENCE TO ORGANISATION, DELEGATING, LEADERSHIP, DECISION MAKING AND SOFTWARE SKILLS.