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You’ve Digitised Your
Collection. What Next ?
8th SEEDI Conference
Zagreb, May 2013
Alastair Dunning,
The European Library
@alastairdunning, alastair.dunning AT kb.nl
•Europeana – http://europeana.eu
•26m (Feb 2013) metadata records from 2,200 European galleries, museums, archives and
libraries
•Books, newspapers, journals, letters, diaries, archival papers... Paintings, maps, drawings,
photographs... Music, spoken word, radio broadcasts...
•Only links to digitised content; 31 languages
•Started in 2007
•Based in National Library of Netherlands
•The European Library - http://www.theeuropeanlibrary.org/
•Centrally indexes 115m bibliographic records, plus 16m digital links
•48 National Libraries of Europe
•Plus 19 research libraries
•Links to digitised content and bibliographic records at libraries
•Started in 1990s - ‘Mother’ of Europeana. Now aggregates content for Europeana
•Also hosted in National Library of Netherlands
* Plus Projects
• Europeana Cloud - shared infrastructure for cultural heritage
• Europeana Newspapers - improving and aggregating digitised newspapers
• Arrow+ - facilitating copyright clearance
• Cendari - archival descriptions related to World War One and Medival
manuscripts
•Plenty of successful projects highlighted at
previous SEEDI conferences
•This includes some highlights from previous
Festivals of Croatian Digitisation
Digital Library of Croatian Academy of Arts and Sciences
Digital Library of National and University Library of Croatia
Istrian Newspapers Online
•The ongoing sustainability of digitised
resources ... remains a problem.
•Difficulties in maintaining hardware, and
adding new content and functionality to
existing resources
•Additionally, users are confronted with too
many isolated websites. Often, digitised
resources don’t achieve the exposure and
user numbers they could do.
•In the UK, this is illustrated by example of
two digitisation programmes from 2000s
•The Resource Enhancement Scheme and the
New Opportunities Fund Digitisation
Programme.
•See Digitising the past: next steps for public-
sector digitisation., 2009 In: Digital
Information - Order Or Anarchy? Facet
Publishing - http://eprints.rclis.org/18048/
•So, what are the methods for increasing
usage of digital resources?
•After digitising, what next ?
1) Ensure your web content is found by
Google.
The digital library JSTOR reckons it usage
increased by 20% when Google could index
JSTOR content
Having stable web addresses (URLs) was vital
2) Have clear licencing.
Can a user use the digitised content in
school ? In a university lecture? In Apple
iTunes ? Can it be edited ? Can it be used
commerically ? How can it be re-used
Europeana wants as many of the digitised objects it links to to have
clear rights information.
The British
Library gave
its medieval
manuscripts
images a
Public
Domain
mark, thus
allowing the
maximum
reusage
3) Make accessing the data and content as
easy as possible
Is it easy for a user to get hold of the data ?
Particularly, is the metadata easy to
download? Is it well documented ?
The Rijksstudio (part of the Rijksmuseum in Amsterdam) allows easy
non-commercial usage of high resolution images, and engaging tools to
help with that
4) Build an API
Allow others to build tools on top of your
content
“The best idea for your using your content will
be thought of by someone else”
The Victoria
and Albert
Museum
website has
a good
example of
an API in
practice
There is
documentati
on as well
Europeana now offers its API for any usage. As of 2013, there are over
70 documented uses.
The European Library also offers an API
6) Network. Work with organisations like
Europeana and The European Library (TEL)
For libraries, membership of TEL offers chance
to expose content and participate in new
projects
* Current Projects
•Europeana Cloud - shared infrastructure for cultural
heritage
•Europeana Newspapers - improving and
aggregating digitised newspapers
•Arrow+ - facilitating copyright clearance
•Cendari - archival descriptions related to World
War One and Medieval manuscripts
*New Project Ideas
•Digitising material related to twentieth-century
history
•Connecting usage data, repositories of OA material,
and research data
•Other topics that can connect South East Europe
libraries, users (and other organisations)
•Work undertaken with EIFL
•If you are interested, please contact me,
alastair.dunning AT kb.nl
* To summarise
•Digitising and creating a website are not enough
•Clear licencing, APIs, easy download and access are
all needed
•You need to offer our users different routes to
your content
•Thanks !
* Other useful comments made during Questions
• Need for good curators in selecting and
contextualsing content
• Explore possibilities for iPad and other mobile
devices
• Build networks with teachers and lecturers to
increase integration of content in education

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You’ve Digitised Your Collection. What Next ?

  • 1. You’ve Digitised Your Collection. What Next ? 8th SEEDI Conference Zagreb, May 2013 Alastair Dunning, The European Library @alastairdunning, alastair.dunning AT kb.nl
  • 2. •Europeana – http://europeana.eu •26m (Feb 2013) metadata records from 2,200 European galleries, museums, archives and libraries •Books, newspapers, journals, letters, diaries, archival papers... Paintings, maps, drawings, photographs... Music, spoken word, radio broadcasts... •Only links to digitised content; 31 languages •Started in 2007 •Based in National Library of Netherlands
  • 3. •The European Library - http://www.theeuropeanlibrary.org/ •Centrally indexes 115m bibliographic records, plus 16m digital links •48 National Libraries of Europe •Plus 19 research libraries •Links to digitised content and bibliographic records at libraries •Started in 1990s - ‘Mother’ of Europeana. Now aggregates content for Europeana •Also hosted in National Library of Netherlands
  • 4. * Plus Projects • Europeana Cloud - shared infrastructure for cultural heritage • Europeana Newspapers - improving and aggregating digitised newspapers • Arrow+ - facilitating copyright clearance • Cendari - archival descriptions related to World War One and Medival manuscripts
  • 5. •Plenty of successful projects highlighted at previous SEEDI conferences •This includes some highlights from previous Festivals of Croatian Digitisation
  • 6. Digital Library of Croatian Academy of Arts and Sciences
  • 7. Digital Library of National and University Library of Croatia
  • 9. •The ongoing sustainability of digitised resources ... remains a problem. •Difficulties in maintaining hardware, and adding new content and functionality to existing resources •Additionally, users are confronted with too many isolated websites. Often, digitised resources don’t achieve the exposure and user numbers they could do.
  • 10. •In the UK, this is illustrated by example of two digitisation programmes from 2000s •The Resource Enhancement Scheme and the New Opportunities Fund Digitisation Programme. •See Digitising the past: next steps for public- sector digitisation., 2009 In: Digital Information - Order Or Anarchy? Facet Publishing - http://eprints.rclis.org/18048/
  • 11. •So, what are the methods for increasing usage of digital resources? •After digitising, what next ?
  • 12. 1) Ensure your web content is found by Google. The digital library JSTOR reckons it usage increased by 20% when Google could index JSTOR content Having stable web addresses (URLs) was vital
  • 13. 2) Have clear licencing. Can a user use the digitised content in school ? In a university lecture? In Apple iTunes ? Can it be edited ? Can it be used commerically ? How can it be re-used
  • 14. Europeana wants as many of the digitised objects it links to to have clear rights information.
  • 15. The British Library gave its medieval manuscripts images a Public Domain mark, thus allowing the maximum reusage
  • 16. 3) Make accessing the data and content as easy as possible Is it easy for a user to get hold of the data ? Particularly, is the metadata easy to download? Is it well documented ?
  • 17. The Rijksstudio (part of the Rijksmuseum in Amsterdam) allows easy non-commercial usage of high resolution images, and engaging tools to help with that
  • 18. 4) Build an API Allow others to build tools on top of your content “The best idea for your using your content will be thought of by someone else”
  • 19. The Victoria and Albert Museum website has a good example of an API in practice There is documentati on as well
  • 20. Europeana now offers its API for any usage. As of 2013, there are over 70 documented uses. The European Library also offers an API
  • 21.
  • 22. 6) Network. Work with organisations like Europeana and The European Library (TEL) For libraries, membership of TEL offers chance to expose content and participate in new projects
  • 23. * Current Projects •Europeana Cloud - shared infrastructure for cultural heritage •Europeana Newspapers - improving and aggregating digitised newspapers •Arrow+ - facilitating copyright clearance •Cendari - archival descriptions related to World War One and Medieval manuscripts
  • 24. *New Project Ideas •Digitising material related to twentieth-century history •Connecting usage data, repositories of OA material, and research data •Other topics that can connect South East Europe libraries, users (and other organisations) •Work undertaken with EIFL •If you are interested, please contact me, alastair.dunning AT kb.nl
  • 25. * To summarise •Digitising and creating a website are not enough •Clear licencing, APIs, easy download and access are all needed •You need to offer our users different routes to your content •Thanks !
  • 26. * Other useful comments made during Questions • Need for good curators in selecting and contextualsing content • Explore possibilities for iPad and other mobile devices • Build networks with teachers and lecturers to increase integration of content in education