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Jewellery Design
               from
                Concept to
               Completion
September 14, 2010
Developing a Concept
  Collages and Sketches

 Start by deciding on a theme.
 Research the topic.
 Collect images from
magazines, art history, personal
photos, photocopies, and
whatever interests you.
Developing a Concept
Collages and Sketches
Make some sketches of your initial ideas.
Developing a Concept
Collage the imagery that interests you the most with your
drawings into an artwork that will function as your
conceptual guide.
Add paint and
a variety of
media to
continue exploring
new ideas and
unify the images.
From Concept to Design
                             The structural elements
                             of a real leaf – the veins
                             and stem – are retained
                                    in the metal
                                   interpretation



An image from the
collage is used as
a visual reference




   The detailed
 drawings aim to
  capture form,
   texture, and
    movement
From Concept to Design




                  Additional drawings
                 inspired by the same
                organic forms will help
                new jewellery designs
               evolve in other directions
e Evolution of an Idea                    Designs for a pin



                            To start, some
                         atmospheric pictures
                         of spiders are taken
                             as research




  A sculpture called
“The Nest” by Louise
  Bourgeois (1994)
  provides the initial
      inspiration
e Evolution of an Idea                          Designs for a pin

  Some models
   are made in
     different
                       Photographs and
   materials to
                   drawings are translated
 experiment with
                   into prints as part of the
    the forms
                    familiarization process
                    between designer and
                             subject
e Evolution of an Idea                                 Designs for a pin

Sketches explore different
   shapes for the pin


                               The spider form is
                             the focal point of the
                               design. Although
                               the design retains
                                the beauty of the
                                  spider, it is an
                              abstract rather than
                             literal interpretation.




                                The final
                             sketch in the
                             series shows
                              the finished
                               design in
                              more detail
e Evolution of an Idea   A brooch




 Barbara Hepworth’s
    “Figure for a
 Landscape” (1960)
and a butterfly’s wing
 provide the starting
   point for some
  concept sketches
e Evolution of an Idea         A brooch




                          The final
                         design for
                         a brooch
e Evolution of an Idea                                                                 A collection of rings




Emp. Shan Jahan. Taj Mahal, 1650



                                       Karl Blossfeldt.
                                       Rough Horsetail,
                                       c1928



Pieter Bruegel. Tower of Babel, 1563




                                                      Inspiration from a variety of sources influence some rough sketches.

Angkor Wat, 1050-1165 Cambodia
e Evolution of an Idea   A collection of rings




  The final products
reveal highly creative
     adaptations
    of the source
       material
e Evolution of an Idea
                     A Nigerian
                     door panel
                      provides       The polished, raised
                     inspiration    areas emphasize and
                        for a         protect the texture
                     multitude of
                      patterns




       Door Panel,
       c.1873-1938
       Nigeria
Jewellery Design
 from
  Concept to
 Completion
Getting Started
 Step #1: create a collage

 Start by deciding on a theme.
 Research the topic.
 Collect images from
magazines, art history, personal
photos, photocopies, and
whatever interests you.
Exploring your Concept
Step #2: create some sketches
Make some sketches of your initial ideas.
Working out the Ideas
Step #3: combine new elements to create an artwork
Collage the imagery
that interests you
the most with your
drawings into an
artwork that will
function as your
conceptual guide.
Add paint and
a variety of
media to
continue exploring
new ideas and
unify the images.
1
1

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1

  • 1. Jewellery Design from Concept to Completion September 14, 2010
  • 2. Developing a Concept Collages and Sketches  Start by deciding on a theme.  Research the topic.  Collect images from magazines, art history, personal photos, photocopies, and whatever interests you.
  • 3. Developing a Concept Collages and Sketches Make some sketches of your initial ideas.
  • 4. Developing a Concept Collage the imagery that interests you the most with your drawings into an artwork that will function as your conceptual guide. Add paint and a variety of media to continue exploring new ideas and unify the images.
  • 5. From Concept to Design The structural elements of a real leaf – the veins and stem – are retained in the metal interpretation An image from the collage is used as a visual reference The detailed drawings aim to capture form, texture, and movement
  • 6. From Concept to Design Additional drawings inspired by the same organic forms will help new jewellery designs evolve in other directions
  • 7. e Evolution of an Idea Designs for a pin To start, some atmospheric pictures of spiders are taken as research A sculpture called “The Nest” by Louise Bourgeois (1994) provides the initial inspiration
  • 8. e Evolution of an Idea Designs for a pin Some models are made in different Photographs and materials to drawings are translated experiment with into prints as part of the the forms familiarization process between designer and subject
  • 9. e Evolution of an Idea Designs for a pin Sketches explore different shapes for the pin The spider form is the focal point of the design. Although the design retains the beauty of the spider, it is an abstract rather than literal interpretation. The final sketch in the series shows the finished design in more detail
  • 10. e Evolution of an Idea A brooch Barbara Hepworth’s “Figure for a Landscape” (1960) and a butterfly’s wing provide the starting point for some concept sketches
  • 11. e Evolution of an Idea A brooch The final design for a brooch
  • 12. e Evolution of an Idea A collection of rings Emp. Shan Jahan. Taj Mahal, 1650 Karl Blossfeldt. Rough Horsetail, c1928 Pieter Bruegel. Tower of Babel, 1563 Inspiration from a variety of sources influence some rough sketches. Angkor Wat, 1050-1165 Cambodia
  • 13. e Evolution of an Idea A collection of rings The final products reveal highly creative adaptations of the source material
  • 14. e Evolution of an Idea A Nigerian door panel provides The polished, raised inspiration areas emphasize and for a protect the texture multitude of patterns Door Panel, c.1873-1938 Nigeria
  • 15. Jewellery Design from Concept to Completion
  • 16. Getting Started Step #1: create a collage  Start by deciding on a theme.  Research the topic.  Collect images from magazines, art history, personal photos, photocopies, and whatever interests you.
  • 17. Exploring your Concept Step #2: create some sketches Make some sketches of your initial ideas.
  • 18. Working out the Ideas Step #3: combine new elements to create an artwork Collage the imagery that interests you the most with your drawings into an artwork that will function as your conceptual guide. Add paint and a variety of media to continue exploring new ideas and unify the images.