SlideShare une entreprise Scribd logo
1  sur  8
Movie Trailer Analysis
Sophie-Louise Courtney
THE CONJURING
Lighting
• The use of torch light makes the audience
feel very on edge, due to the fact that
only one small part of the screen is
visible, and the rest of the screen in pitch
black, meaning that anything can jump
out at you or be watching you.
• The camera suddenly flashes white
throughout the trailer, this makes the
audience feel like the footage is
amateurish and/or old fashioned, but it
also makes you wonder if there are any
subliminal messages, linking to the
supernatural, within these milliseconds of
white flashes.
The flashes get a lot more frequent
towards the end of the trailer, showing
that the pace of the storyline is
intensifying and that the horror/intensity
of the film will increase as it goes on.
• The two main characters are seen
surrounded by a white light, suggesting
that they are the “heroes”, or possibly
victims, of the film. But it is also slightly
grey, suggesting impurity or the presence
of evil within them.
• The scene of the forest like area is very
dark, with a slightly blue coloured light,
which allows the viewer to see the dark
tree outlines and fog but little else. This
gives the impression of the scene being
cold, due to the blue, but also eerie and
intense, due to the dark black outlines
and masking layer of fog.
• The bright sunlight highlighting the large
white house suggests that it is the main
location of the film. But the dead trees
around the edges of the screen symbolise
the death and horrible events that may
take place, or may have taken place.
Mise en Scene
• The two main characters are dressed
in old-fashioned clothes, suggesting
that they have a connection with the
past/with past events.
• The two old fashioned characters
contrast with the modern students in
the class, showing their conflicting
ideas and lifestyles, as well as their
isolation from “normal” society.
• The brightly coloured school also
contrasts with the dark house which,
again, shows a difference in lifestyle
and circumstance.
• The black and white images are of
things which symbolise death e.g.
graves and broken toys. This
foreshadows the events of the film
• The characters include a lot of
children. Children are often used in
horror films to show contrast between
good/innocence and evil. They are
also seen as vulnerable by their
cowering stances in this scene,
suggesting that they are victims. This
makes the audience feel sympathetic
towards them.
• The spiral on the mirror, which is
reflected onto the woman’s face,
signifies twisted/evil events, as spirals
show that things are out of control.
This is mirrored by the circling
movement of the camera on a man as
he appears to fall down a hole.
• The trailer is filled with fast-paced cuts, meaning that not much of the
story is revealed, due to the fact that you are unable, as a viewer, to focus
on one section of the trailer at any one time, especially as the trailer
progresses.
• There are a few black and white pictures in sequence at the beginning of
the trailer, which appear and disappear by way of cuts very quickly. The
black and whit shows that they are old-fashioned, but the contrasting
colours also signify the contrast between good and evil characters and
events within the film.
EDITING
All shown within 4
seconds
Camera Angles
• There are lots of close up,
deep and long shots within
the opening sequence. All of
these shot types mean that
the viewer is always either too
close or too far away from the
action. This means that you,
as a viewer, are never totally
in the loop of the action and
events that are taking place.
• The fact that the two main
characters are seen in a
mixture of high and low angle
shots shows their power over
some things, but vulnerability
in other situations.
• The camera movement itself
is always very fast. And the
camera appears to be in
constant motion. This also
does not allow the viewer to
focus on the events of the
trailer.
Titles
• The words fade in and out of the
screen, and they are written in
white, rounded writing. This
allows the words to be clearly
visible against the black
background. The use of the
phrase “based on a true story”
is also used in order to make
the viewer feel like the events
taking place in the trailer/film
could happen in real life and to
the viewer themselves.
• As the trailer progresses, the
font becomes more distorted,
and the white appears to “bleed”
into the black background. This
signifies the progressing danger
and horror in the trailer as well
as, through foreshadowing, in
the film itself.
• The words “disturbing” and
“locked away” are used to
intrigue the viewer, as they are
very dramatic uses of
vocabulary.
• The trailer states that the film is
by the same people who
directed “saw” and “insidious”.
These are both very famous
horror films, meaning that their
fanbases will be tempted to
watch this film as well. This also
creates an immediate
comparison to other great horror
films, suggesting that this one
will be too.
SOUND
• The sound throughout the trailer is parallel to the action. When the pace of the
trailer is picked up, so does the non-diegetic, dramatic and scary music.
• The diegetic sound of the child screaming in the trailer is also very fitting of a
horror film, as it allows you to hear the fear in the child’s voice. The fact that
you don’t know what the child is screaming at exactly is also effective, as it
makes you question what they could have seen/experienced.
Other Info.
• As the trailer progresses,
there are lots of shots of
objects and people crashing
into things. At no point during
the trailer, however, are you
aware of who, or what is
throwing/pushing these
things. This creates the idea
of the supernatural, as things
are often thrown around by
invisible poltergeists. This
reiterates the fear of the
unknown, and makes the
audience fear what they can
not see.

Contenu connexe

Tendances

Analysing Shot Types In Thriller Openings
Analysing Shot Types In Thriller OpeningsAnalysing Shot Types In Thriller Openings
Analysing Shot Types In Thriller Openings
ellieaddison1902
 
Conventions of drama & action
Conventions of drama & actionConventions of drama & action
Conventions of drama & action
shazmindina
 
Film Noir 9 Frame Analysis
Film Noir 9 Frame AnalysisFilm Noir 9 Frame Analysis
Film Noir 9 Frame Analysis
Michael Rowell
 
Conventions of supernatural and possession films
Conventions of supernatural and possession filmsConventions of supernatural and possession films
Conventions of supernatural and possession films
shani-ross
 
Genre & convention of comedy
Genre & convention of comedyGenre & convention of comedy
Genre & convention of comedy
Joe Tobias
 
Fertile Ground Trailer Analysis- A2 Media Studies
Fertile Ground Trailer Analysis- A2 Media StudiesFertile Ground Trailer Analysis- A2 Media Studies
Fertile Ground Trailer Analysis- A2 Media Studies
_sophie_
 
Codes & conventions of the comedy genre
Codes & conventions of the comedy genreCodes & conventions of the comedy genre
Codes & conventions of the comedy genre
haverstockmedia
 
Trailer presentation
Trailer presentationTrailer presentation
Trailer presentation
jasminelight
 

Tendances (20)

Analysing Shot Types In Thriller Openings
Analysing Shot Types In Thriller OpeningsAnalysing Shot Types In Thriller Openings
Analysing Shot Types In Thriller Openings
 
Conventions of drama & action
Conventions of drama & actionConventions of drama & action
Conventions of drama & action
 
The Possession - Trailer Analysis
The Possession - Trailer AnalysisThe Possession - Trailer Analysis
The Possession - Trailer Analysis
 
Film Noir 9 Frame Analysis
Film Noir 9 Frame AnalysisFilm Noir 9 Frame Analysis
Film Noir 9 Frame Analysis
 
Conventions of supernatural and possession films
Conventions of supernatural and possession filmsConventions of supernatural and possession films
Conventions of supernatural and possession films
 
Horror Genre Conventions - Supernatural
Horror Genre Conventions - SupernaturalHorror Genre Conventions - Supernatural
Horror Genre Conventions - Supernatural
 
Film trailers overview
Film trailers overview Film trailers overview
Film trailers overview
 
Trailer overview horror
Trailer overview horrorTrailer overview horror
Trailer overview horror
 
Media narrative
Media narrativeMedia narrative
Media narrative
 
Mise-en-scene in the mystery-thriller genre
Mise-en-scene in the mystery-thriller genreMise-en-scene in the mystery-thriller genre
Mise-en-scene in the mystery-thriller genre
 
Genre & convention of comedy
Genre & convention of comedyGenre & convention of comedy
Genre & convention of comedy
 
Fertile Ground Trailer Analysis- A2 Media Studies
Fertile Ground Trailer Analysis- A2 Media StudiesFertile Ground Trailer Analysis- A2 Media Studies
Fertile Ground Trailer Analysis- A2 Media Studies
 
Conventions Of A Thriller
Conventions Of A ThrillerConventions Of A Thriller
Conventions Of A Thriller
 
Genre conventions
Genre conventionsGenre conventions
Genre conventions
 
Codes & conventions of the comedy genre
Codes & conventions of the comedy genreCodes & conventions of the comedy genre
Codes & conventions of the comedy genre
 
Conventions of a horror
Conventions of a horrorConventions of a horror
Conventions of a horror
 
The Shining Textual Analysis
The Shining Textual AnalysisThe Shining Textual Analysis
The Shining Textual Analysis
 
Thriller Research - No country for old men - Farzeen
Thriller Research - No country for old men - FarzeenThriller Research - No country for old men - Farzeen
Thriller Research - No country for old men - Farzeen
 
Thriller Research - Se7en - Farzeen
Thriller Research - Se7en - FarzeenThriller Research - Se7en - Farzeen
Thriller Research - Se7en - Farzeen
 
Trailer presentation
Trailer presentationTrailer presentation
Trailer presentation
 

En vedette (20)

Media work (the conjuring)
Media work (the conjuring)Media work (the conjuring)
Media work (the conjuring)
 
Paranormal activity trailer analysis
Paranormal activity trailer analysisParanormal activity trailer analysis
Paranormal activity trailer analysis
 
Insidious
InsidiousInsidious
Insidious
 
Insidious
InsidiousInsidious
Insidious
 
Narrative, genre, camera, editing
Narrative, genre, camera, editingNarrative, genre, camera, editing
Narrative, genre, camera, editing
 
Homework paranormal activity
Homework paranormal activityHomework paranormal activity
Homework paranormal activity
 
filma and editing techniques
filma and editing techniquesfilma and editing techniques
filma and editing techniques
 
Paranormal activity
Paranormal activityParanormal activity
Paranormal activity
 
Editing techniques
Editing techniquesEditing techniques
Editing techniques
 
Insidious trailer analysis
Insidious trailer analysisInsidious trailer analysis
Insidious trailer analysis
 
Insidious
InsidiousInsidious
Insidious
 
Insidious opening sequence analysis
Insidious opening sequence analysisInsidious opening sequence analysis
Insidious opening sequence analysis
 
Paranormal activity
Paranormal activityParanormal activity
Paranormal activity
 
Insidious title sequence analysis
Insidious title sequence analysisInsidious title sequence analysis
Insidious title sequence analysis
 
Paranormal activity
Paranormal activityParanormal activity
Paranormal activity
 
Paranormal Activity Poster Textual Analysis
Paranormal Activity Poster Textual AnalysisParanormal Activity Poster Textual Analysis
Paranormal Activity Poster Textual Analysis
 
Paranormal activity
Paranormal activityParanormal activity
Paranormal activity
 
Film trailer paranormal activity textual analysis
Film trailer paranormal activity textual analysisFilm trailer paranormal activity textual analysis
Film trailer paranormal activity textual analysis
 
The conjuring analysis
The conjuring analysisThe conjuring analysis
The conjuring analysis
 
Paranormal Activity
Paranormal ActivityParanormal Activity
Paranormal Activity
 

Similaire à Trailer Analysis: The Conjuring

Film trailer woman in black textual analysis
Film trailer woman in black textual analysisFilm trailer woman in black textual analysis
Film trailer woman in black textual analysis
charlottepage94
 
Codes and conventions and iconography of horror films
Codes and conventions and iconography of horror filmsCodes and conventions and iconography of horror films
Codes and conventions and iconography of horror films
magrethxx
 
Insidious conventionsuyryfy
Insidious conventionsuyryfyInsidious conventionsuyryfy
Insidious conventionsuyryfy
chloemasonnn
 
Analysis of film trailer sinister
Analysis of film trailer   sinisterAnalysis of film trailer   sinister
Analysis of film trailer sinister
elliereedx
 

Similaire à Trailer Analysis: The Conjuring (20)

The woman in black
The woman in blackThe woman in black
The woman in black
 
Film trailer woman in black textual analysis
Film trailer woman in black textual analysisFilm trailer woman in black textual analysis
Film trailer woman in black textual analysis
 
Detailed analysis
Detailed analysisDetailed analysis
Detailed analysis
 
The Damned
The DamnedThe Damned
The Damned
 
Paranormal activity pp
Paranormal activity ppParanormal activity pp
Paranormal activity pp
 
Codes and conventions and iconography of horror films
Codes and conventions and iconography of horror filmsCodes and conventions and iconography of horror films
Codes and conventions and iconography of horror films
 
Annabelle Film trailer analysis
Annabelle Film trailer analysisAnnabelle Film trailer analysis
Annabelle Film trailer analysis
 
Ouija
OuijaOuija
Ouija
 
Code Analysis
Code AnalysisCode Analysis
Code Analysis
 
Analysis of Woman in Black Trailer
Analysis of Woman in Black TrailerAnalysis of Woman in Black Trailer
Analysis of Woman in Black Trailer
 
Analysis of Woman in Black Trailer
Analysis of Woman in Black TrailerAnalysis of Woman in Black Trailer
Analysis of Woman in Black Trailer
 
Paranormal activity film trailer analysis
Paranormal activity film trailer analysisParanormal activity film trailer analysis
Paranormal activity film trailer analysis
 
Paranormal activity ta
Paranormal activity taParanormal activity ta
Paranormal activity ta
 
Insidious conventionsuyryfy
Insidious conventionsuyryfyInsidious conventionsuyryfy
Insidious conventionsuyryfy
 
Jessabelle Trailer Deconstruction
Jessabelle Trailer DeconstructionJessabelle Trailer Deconstruction
Jessabelle Trailer Deconstruction
 
Analysis of film trailer sinister
Analysis of film trailer   sinisterAnalysis of film trailer   sinister
Analysis of film trailer sinister
 
Conventions of Horror Trailers
Conventions of Horror TrailersConventions of Horror Trailers
Conventions of Horror Trailers
 
Paranormal activity
Paranormal activityParanormal activity
Paranormal activity
 
Saw i
Saw i Saw i
Saw i
 
Paranormalactivity analysis re done
Paranormalactivity analysis re doneParanormalactivity analysis re done
Paranormalactivity analysis re done
 

Dernier

Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
ciinovamais
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
QucHHunhnh
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptx
negromaestrong
 
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
ZurliaSoop
 

Dernier (20)

TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17  How to Extend Models Using Mixin ClassesMixin Classes in Odoo 17  How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Food safety_Challenges food safety laboratories_.pdf
Food safety_Challenges food safety laboratories_.pdfFood safety_Challenges food safety laboratories_.pdf
Food safety_Challenges food safety laboratories_.pdf
 
SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentation
 
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
 
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxSKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptx
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Dyslexia AI Workshop for Slideshare.pptx
Dyslexia AI Workshop for Slideshare.pptxDyslexia AI Workshop for Slideshare.pptx
Dyslexia AI Workshop for Slideshare.pptx
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptx
 
Sociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning ExhibitSociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning Exhibit
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 

Trailer Analysis: The Conjuring

  • 1. Movie Trailer Analysis Sophie-Louise Courtney THE CONJURING
  • 2. Lighting • The use of torch light makes the audience feel very on edge, due to the fact that only one small part of the screen is visible, and the rest of the screen in pitch black, meaning that anything can jump out at you or be watching you. • The camera suddenly flashes white throughout the trailer, this makes the audience feel like the footage is amateurish and/or old fashioned, but it also makes you wonder if there are any subliminal messages, linking to the supernatural, within these milliseconds of white flashes. The flashes get a lot more frequent towards the end of the trailer, showing that the pace of the storyline is intensifying and that the horror/intensity of the film will increase as it goes on. • The two main characters are seen surrounded by a white light, suggesting that they are the “heroes”, or possibly victims, of the film. But it is also slightly grey, suggesting impurity or the presence of evil within them. • The scene of the forest like area is very dark, with a slightly blue coloured light, which allows the viewer to see the dark tree outlines and fog but little else. This gives the impression of the scene being cold, due to the blue, but also eerie and intense, due to the dark black outlines and masking layer of fog. • The bright sunlight highlighting the large white house suggests that it is the main location of the film. But the dead trees around the edges of the screen symbolise the death and horrible events that may take place, or may have taken place.
  • 3. Mise en Scene • The two main characters are dressed in old-fashioned clothes, suggesting that they have a connection with the past/with past events. • The two old fashioned characters contrast with the modern students in the class, showing their conflicting ideas and lifestyles, as well as their isolation from “normal” society. • The brightly coloured school also contrasts with the dark house which, again, shows a difference in lifestyle and circumstance. • The black and white images are of things which symbolise death e.g. graves and broken toys. This foreshadows the events of the film • The characters include a lot of children. Children are often used in horror films to show contrast between good/innocence and evil. They are also seen as vulnerable by their cowering stances in this scene, suggesting that they are victims. This makes the audience feel sympathetic towards them. • The spiral on the mirror, which is reflected onto the woman’s face, signifies twisted/evil events, as spirals show that things are out of control. This is mirrored by the circling movement of the camera on a man as he appears to fall down a hole.
  • 4. • The trailer is filled with fast-paced cuts, meaning that not much of the story is revealed, due to the fact that you are unable, as a viewer, to focus on one section of the trailer at any one time, especially as the trailer progresses. • There are a few black and white pictures in sequence at the beginning of the trailer, which appear and disappear by way of cuts very quickly. The black and whit shows that they are old-fashioned, but the contrasting colours also signify the contrast between good and evil characters and events within the film. EDITING All shown within 4 seconds
  • 5. Camera Angles • There are lots of close up, deep and long shots within the opening sequence. All of these shot types mean that the viewer is always either too close or too far away from the action. This means that you, as a viewer, are never totally in the loop of the action and events that are taking place. • The fact that the two main characters are seen in a mixture of high and low angle shots shows their power over some things, but vulnerability in other situations. • The camera movement itself is always very fast. And the camera appears to be in constant motion. This also does not allow the viewer to focus on the events of the trailer.
  • 6. Titles • The words fade in and out of the screen, and they are written in white, rounded writing. This allows the words to be clearly visible against the black background. The use of the phrase “based on a true story” is also used in order to make the viewer feel like the events taking place in the trailer/film could happen in real life and to the viewer themselves. • As the trailer progresses, the font becomes more distorted, and the white appears to “bleed” into the black background. This signifies the progressing danger and horror in the trailer as well as, through foreshadowing, in the film itself. • The words “disturbing” and “locked away” are used to intrigue the viewer, as they are very dramatic uses of vocabulary. • The trailer states that the film is by the same people who directed “saw” and “insidious”. These are both very famous horror films, meaning that their fanbases will be tempted to watch this film as well. This also creates an immediate comparison to other great horror films, suggesting that this one will be too.
  • 7. SOUND • The sound throughout the trailer is parallel to the action. When the pace of the trailer is picked up, so does the non-diegetic, dramatic and scary music. • The diegetic sound of the child screaming in the trailer is also very fitting of a horror film, as it allows you to hear the fear in the child’s voice. The fact that you don’t know what the child is screaming at exactly is also effective, as it makes you question what they could have seen/experienced.
  • 8. Other Info. • As the trailer progresses, there are lots of shots of objects and people crashing into things. At no point during the trailer, however, are you aware of who, or what is throwing/pushing these things. This creates the idea of the supernatural, as things are often thrown around by invisible poltergeists. This reiterates the fear of the unknown, and makes the audience fear what they can not see.