The document discusses various technical codes and conventions used in film construction and language. It covers mise-en-scene elements like décor, props, and costumes, as well as camera movements and shots like pan, tilt, track, dolly, and crane. It also discusses sound design elements, including different types of sounds, dialogue techniques, and uses of music and effects.

1. SHAILA GAUR

2.  Mise en scene
 Technical codes of construction

3.  Constructed using a media language
 Media language made up of codes
 Codes convey certain information

4.  Décor -Setting and props
 Codes of dress- Costumes and make-up
 Non-verbal codes

58.  PAN
 TILT
 TRACK
 DOLLY
 CRANE
 ZOLLY

59.  continuity of direction
 completed action
 a similar centre of attention in the frame
 a one-step change of shot size
 change of angle

60.  Cutaway
 Cutting rate
 Cutting rhythm

61.  External diegetic: coming from the story space
 Internal diegetic: what character ‘hears’ inside
head
 Non-diegetic: coming from outside the story
space e.g. soundtrack music, voiceover

62.  Direct sound
 Studio sound
 Selective sound
 Sound Perspective
 Sound bridge
 Asynchronous sound
 Synch sound
 Sound dissolves

63.  Overlapping dialogue
 Voice over
 Distorted dialogue
 Word choices, accents- character’s background
 Tone of voice, volume, speed

64.  Sounds beyond the screen – thunder, siren,
footsteps
 Conceal action
 Sound- on location, from a library or created by
a Foley artist
 Reverb