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TO PARAPHRASE PORTER, 1998: IF YOU LIKE DEFINITE ANSWERS, YOU WON’T LIKE THIS PRESENTATION.
WHAT’S NEW ABOUT VISUAL RHETORIC? ,[object Object],[object Object],[object Object]
[object Object],[object Object]
“ By visual literacy, then, I will refer to the ability to  read, understand, value, and learn from visual materials  (still photographs, videos, films, animations, still images, pictures, drawings, graphics)—especially as these are combined to create a text—as well as the ability to create, combine, and use visual elements (e.g., colors, forms, lines, images) and messages for the purposes of communicating.... visual literacy (or literacies), like all literacies, are both historically and culturally situated, constructed, and valued. ” Cindy Selfe
GIVEN THAT ,[object Object],[object Object],[object Object],[object Object]
“ Rhetorical ethics is  procedural , it is  case specific , it provides some principles (although it does not trust them very much, as it is sensitive to the mandates of particular situations), and it  privileges the specific and the concrete  over the general and abstract. For these reasons, and because of its flexibility and adaptability in the face of tough cases, it offers an extremely  powerful paradigmatic perspective . ” Jim Porter
NOT WHAT,  HOW ,[object Object],[object Object],[object Object]
SOME ARGUMENTS ,[object Object],[object Object],[object Object],[object Object]
SOME MORE ,[object Object],[object Object],[object Object]
 
 
 
 
[object Object],[object Object],[object Object],[object Object]
 
 
 
 
 
 
 
 
[Michelle Pfeiffer in  Esquire , 1990]
Instructions for professional touch-up of photo  (bill totaled $1500):   “ Clean up complexion, soften eye lines, soften smile line, add colour to lips, trim chin. . . soften line under ear lobe. . . add hair to top of head.”
Lisa Marie Presley Jane Magazine  cover, September 2003 Total for cover touch-ups and prep: $6500
 
“ Kate Winslet looks sexier than ever—slim,  elegant and  self-consciously flirty. ”
[object Object],[object Object]
 
left arm and pants (photo 3) right arm (photo 1) face (photo 2) torso and shirt (digitally created) hair (digitally created) “ It's 100% her.” ( Redbook  editor Ellen Kunes)
 
+ = 2002 1999 July 2003
 
 
Unedited pic from photoshoot. Cover of  Redbook , July 2007.
[object Object],[object Object]
 
 
 
 
[object Object],[object Object]
 
 
 
[object Object]
 
 
 
 
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
ORIGINAL Copyright 1970  Valley Daily News ALTERED 1995 Life Magazine
Life Magazine  responds: The photo we published was supplied to us by our photo library—the Time-Life Picture Collection, the second largest such repository of catalogued images. Amazingly, the fence post had been airbrushed out by someone, now anonymous, in a darkroom sometime in the early 1970s. The picture had run numerous times—without the fencepost, and without anyone taking notice—in  Time  (Nov. 6, 1972, p. 23),  People  (May 2, 1977, p. 37),  Time  (Jan. 7, 1980, p. 45),  People  (April 30, 1990, p. 117), to name just a few publications.
[object Object]
 
 
 
“ She started out a big kitty and she just seemed to keep growing. She always meowed for more food and would climb up on the counter to eat food which I forgot to cover. Chicken is her favorite. Once I left a cooked chicken on the table that I was going to use for a boat picnic, an hour later the chicken was gone” (email text; readership: hundreds of thousands). “ My daughter wanted to send an electronic photo of her cat to her friend. I got a little carried away. When we sent it to her friend, we never dreamed anyone would believe the photo was real” (Cordell Hauglie,  Ottawa Citizen,  readership: thousands).
 
 
 
[object Object],[object Object],[object Object]
 
 
 
 
 
 
 
 
homepage.mac.com/gapodaca/digital/digital.html
 
 
 
 
 
 
 
 
 
 
 
 
SO WHAT? ,[object Object],[object Object],[object Object]
“ In taking the perspective of the writer (or rhetor) rhetoric focuses on the issue of the writer’s (and writers’) responsibility toward readers [. . .] What obligations do have as the teacher of a writing class toward members of a class who can be victimized by the electronic speech of others? What obligations do I have as a teacher of writing to encourage members of my class to be responsible, fair, and ethical electronic writers?” Jim Porter
WHAT ABOUT FREE SPEECH? ,[object Object],[object Object],[object Object]
CONCLUSIONS ,[object Object],[object Object],[object Object]
THANK YOU!

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Critical Visual Analysis

  • 1.  
  • 2.
  • 3. TO PARAPHRASE PORTER, 1998: IF YOU LIKE DEFINITE ANSWERS, YOU WON’T LIKE THIS PRESENTATION.
  • 4.
  • 5.
  • 6. “ By visual literacy, then, I will refer to the ability to read, understand, value, and learn from visual materials (still photographs, videos, films, animations, still images, pictures, drawings, graphics)—especially as these are combined to create a text—as well as the ability to create, combine, and use visual elements (e.g., colors, forms, lines, images) and messages for the purposes of communicating.... visual literacy (or literacies), like all literacies, are both historically and culturally situated, constructed, and valued. ” Cindy Selfe
  • 7.
  • 8. “ Rhetorical ethics is procedural , it is case specific , it provides some principles (although it does not trust them very much, as it is sensitive to the mandates of particular situations), and it privileges the specific and the concrete over the general and abstract. For these reasons, and because of its flexibility and adaptability in the face of tough cases, it offers an extremely powerful paradigmatic perspective . ” Jim Porter
  • 9.
  • 10.
  • 11.
  • 12.  
  • 13.  
  • 14.  
  • 15.  
  • 16.
  • 17.  
  • 18.  
  • 19.  
  • 20.  
  • 21.  
  • 22.  
  • 23.  
  • 24.  
  • 25. [Michelle Pfeiffer in Esquire , 1990]
  • 26. Instructions for professional touch-up of photo (bill totaled $1500): “ Clean up complexion, soften eye lines, soften smile line, add colour to lips, trim chin. . . soften line under ear lobe. . . add hair to top of head.”
  • 27. Lisa Marie Presley Jane Magazine cover, September 2003 Total for cover touch-ups and prep: $6500
  • 28.  
  • 29. “ Kate Winslet looks sexier than ever—slim, elegant and self-consciously flirty. ”
  • 30.
  • 31.  
  • 32. left arm and pants (photo 3) right arm (photo 1) face (photo 2) torso and shirt (digitally created) hair (digitally created) “ It's 100% her.” ( Redbook editor Ellen Kunes)
  • 33.  
  • 34. + = 2002 1999 July 2003
  • 35.  
  • 36.  
  • 37. Unedited pic from photoshoot. Cover of Redbook , July 2007.
  • 38.
  • 39.  
  • 40.  
  • 41.  
  • 42.  
  • 43.
  • 44.  
  • 45.  
  • 46.  
  • 47.
  • 48.  
  • 49.  
  • 50.  
  • 51.  
  • 52.
  • 53.
  • 54.  
  • 55.  
  • 56. ORIGINAL Copyright 1970 Valley Daily News ALTERED 1995 Life Magazine
  • 57. Life Magazine responds: The photo we published was supplied to us by our photo library—the Time-Life Picture Collection, the second largest such repository of catalogued images. Amazingly, the fence post had been airbrushed out by someone, now anonymous, in a darkroom sometime in the early 1970s. The picture had run numerous times—without the fencepost, and without anyone taking notice—in Time (Nov. 6, 1972, p. 23), People (May 2, 1977, p. 37), Time (Jan. 7, 1980, p. 45), People (April 30, 1990, p. 117), to name just a few publications.
  • 58.
  • 59.  
  • 60.  
  • 61.  
  • 62. “ She started out a big kitty and she just seemed to keep growing. She always meowed for more food and would climb up on the counter to eat food which I forgot to cover. Chicken is her favorite. Once I left a cooked chicken on the table that I was going to use for a boat picnic, an hour later the chicken was gone” (email text; readership: hundreds of thousands). “ My daughter wanted to send an electronic photo of her cat to her friend. I got a little carried away. When we sent it to her friend, we never dreamed anyone would believe the photo was real” (Cordell Hauglie, Ottawa Citizen, readership: thousands).
  • 63.  
  • 64.  
  • 65.  
  • 66.
  • 67.  
  • 68.  
  • 69.  
  • 70.  
  • 71.  
  • 72.  
  • 73.  
  • 74.  
  • 76.  
  • 77.  
  • 78.  
  • 79.  
  • 80.  
  • 81.  
  • 82.  
  • 83.  
  • 84.  
  • 85.  
  • 86.  
  • 87.  
  • 88.
  • 89. “ In taking the perspective of the writer (or rhetor) rhetoric focuses on the issue of the writer’s (and writers’) responsibility toward readers [. . .] What obligations do have as the teacher of a writing class toward members of a class who can be victimized by the electronic speech of others? What obligations do I have as a teacher of writing to encourage members of my class to be responsible, fair, and ethical electronic writers?” Jim Porter
  • 90.
  • 91.

Notes de l'éditeur

  1. JULIE
  2. BOTH OF US
  3. JULIE
  4. JULIE
  5. JULIE
  6. JULIE
  7. JULIE
  8. JULIE
  9. JULIE
  10. DANIELLE
  11. JULIE
  12. JULIE
  13. JULIE
  14. JULIE
  15. JULIE