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 Pretend that you have received “Example #1”
from an eighth-grade student, and she is
requesting feedback
 Realize that this is a rough draft
 Mark it up, giving appropriate feedback to the
student
 Time: 8 minutes
 Compare your feedback with your “table
buddy.” Similarities? Differences?
 What was easy about giving feedback?
 What was challenging?
 What mini-lessons could this student benefit
from?
 Initiation
 Student Presentations
 Quiz
 Writing Supports
 Writing
 Closure 
 It‟s in your email…
 Email me back 
 Fourth Edition p. 46
 WHERE ARE THE OVERLAPS?
◦ Third Edition: p. 153
◦ Fourth Edition: p. 75-76
 DIFFERENCES?
 THIRD EDITION
◦ Process: 156-163
◦ Paragraph: 164-168
◦ Precise Writing: 169-
171
◦ Forms of Writing: 174-
179
◦ Journal: 181
◦ (Creative Writing: 197-
206)
◦ Responding to Writing:
210-216
 FOURTH EDITION
◦ FODP p. 74
◦ Elements of Eff. Writing
Instruction: 75-76
◦ Process: 76-110
◦ Writing Assignment
Creation: 110-118
What should I make
copies of for the
other students!?
 Make „em yourself…
 Have students make „em…
 They‟re supposed to help kids organize
information…
◦ Extracting from a source (reading process)
◦ Collecting & organizing (writing process)
Quotation
(with MLA
citation!)
My
Response
Partner‟s
Response
My
Additional
Thoughts
 Procedure:
Students read the assigned selection
Students create “Wonder Why” statements (number TBD by
teacher)
Students theorize, writing freely, about possible responses/
“answers” to their own “wonderings” (how much students
write may be pre-determined by teacher)
 Why I think it works:
Fosters student choice
Encourages them to use inferential skills
Forces them to refer back to text
Gets them thinking about possible paper topics
Pushes them toward literary analysis, validating their
reactions to the text…
13
 Focus
 Correction
 Areas
 Types 1-5
Writing
 Choose 2-4 areas
that you will
SPECIFICALLY grade
the students on for
any given assignment
 ONLY GIVE students
feedback on those
areas…
 http://www.collinsed
.com/five_types_of_w
riting.htm
 Please load up on packets (on middle table):
◦ Third Edition “Faves”
◦ Fourth Edition “Faves”
◦ Grading Schtuff
 What gets graded?
 How does it get graded?
 Bell Curve!? Mastery Grading?
◦ Peek at my Gradebook! 

 Project Options:
◦ Puppet Show (group or
solo)
◦ Fictional Story (solo)
◦ Standard Critical Essay
(solo)
 Task:
◦ USE
ESSAYTAGGER.COM/COM
MON CORE
◦ Create an assignment
sheet & a list of criteria
 Your Student Work:
◦ Go to the katesportfolio
site…
◦ Go to the UCONN page…
◦ Under Assessments, click
“Gatsby Assessments:
Class Activity”
◦ There are 2 essays, a
story, and a (puppet
show) scene analysis
 Here‟s what I did to try to assess these THREE
different activities…
 Look at the 6+1 Writing Trait Rubric, Third
Edition pp. 182-185
◦ Evaluate
◦ What is good about it? Why?
◦ What is not good about it? Why?
 What about Burke, Fourth Edition p. 103
◦ Evaluate
◦ What is good about it? Why?
◦ What is not good about it? Why?
 Alternatives to RUBRIC grading?!
 LOTF Project & Rubric… your eval?
 http://owl.english.purdue.edu/owl/resource/
635/1/
 http://www.slideshare.net/karriehiggins/para
medic-method-of-editing
 Your thoughts?!
 What is it?
 What does it look like?
 What do you need to do it?
 What do teachers do during a workshop?
 What do students do during a workshop?
 BIG, HUGE HINT: PLAN for every eventuality—
everyone needs to be busy, or it‟ll be a
NIGHTMARE!
 Handling the Paper Load…
◦ Burk, Third Edition pp. 210-213
◦ Brandvik, esp. p. 138, 144
◦ Who‟s responding?
 Peer Conferences
 Teacher-student conferences
 Outside the classroom?
 Consider your summative assessment for
your Short Story Unit
◦ What are you asking students to do?
◦ What will your criteria be?
◦ Now, how about the narratives?
 Time: 15 minutes
 What is it?
 Why does it happen?
 How should we deal with it in our classrooms?
 Partner read the “Classrooms That Discourage
Plagiarism and Welcome Technology” Article
◦ Salient points?
◦ Transferable knowledge?
 Mentally channel a villain from a piece of
literature.
 If that villain had been spying on our session
all day today, what would he/she/it have to
say about today?
 Go back to the Initiation Exercise (feedback to
the student writer)
 Read/ peruse Example #1 & Example #2 (just
given to you)
Note: both were written in response to one writing
assignment
 Based on these products, brainstorm a list of
criteria for this writing assignment (just the
list of skills, not the narratives…)
 If you have a rubric, do you need an
assignment sheet?
 Are arguable-and important to argue about
 Are at the heart of the subject
 Recur--and should recur--in professional
work, adult life, as well as in the classroom
inquiry
 Raise more questions-provoking and
sustaining engaged inquiry
 Often raise important conceptual or
philosophical issues
 Can provide purpose for learning
 Essential
◦ Asked to be argued
◦ Designed to
“uncover” new
ideas, views, lines of
argument
◦ Set up
inquiry, heading to
new understandings.
 Leading
◦ Asked as a reminder, to
prompt recall
◦ Designed to “cover”
knowledge
◦ Point to a
single, straightforward
fact-a rhetorical
question
 Use E.Q.s to organize programs, courses, and
units of study
 “Less is more”
 Edit to make them “kid friendly”
 Post the questions

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Session 4 August 7

  • 1.  Pretend that you have received “Example #1” from an eighth-grade student, and she is requesting feedback  Realize that this is a rough draft  Mark it up, giving appropriate feedback to the student  Time: 8 minutes
  • 2.  Compare your feedback with your “table buddy.” Similarities? Differences?  What was easy about giving feedback?  What was challenging?  What mini-lessons could this student benefit from?
  • 3.  Initiation  Student Presentations  Quiz  Writing Supports  Writing  Closure 
  • 4.
  • 5.  It‟s in your email…  Email me back 
  • 7.  WHERE ARE THE OVERLAPS? ◦ Third Edition: p. 153 ◦ Fourth Edition: p. 75-76  DIFFERENCES?
  • 8.  THIRD EDITION ◦ Process: 156-163 ◦ Paragraph: 164-168 ◦ Precise Writing: 169- 171 ◦ Forms of Writing: 174- 179 ◦ Journal: 181 ◦ (Creative Writing: 197- 206) ◦ Responding to Writing: 210-216  FOURTH EDITION ◦ FODP p. 74 ◦ Elements of Eff. Writing Instruction: 75-76 ◦ Process: 76-110 ◦ Writing Assignment Creation: 110-118 What should I make copies of for the other students!?
  • 9.
  • 10.
  • 11.  Make „em yourself…  Have students make „em…  They‟re supposed to help kids organize information… ◦ Extracting from a source (reading process) ◦ Collecting & organizing (writing process)
  • 13.  Procedure: Students read the assigned selection Students create “Wonder Why” statements (number TBD by teacher) Students theorize, writing freely, about possible responses/ “answers” to their own “wonderings” (how much students write may be pre-determined by teacher)  Why I think it works: Fosters student choice Encourages them to use inferential skills Forces them to refer back to text Gets them thinking about possible paper topics Pushes them toward literary analysis, validating their reactions to the text… 13
  • 14.  Focus  Correction  Areas  Types 1-5 Writing  Choose 2-4 areas that you will SPECIFICALLY grade the students on for any given assignment  ONLY GIVE students feedback on those areas…  http://www.collinsed .com/five_types_of_w riting.htm
  • 15.  Please load up on packets (on middle table): ◦ Third Edition “Faves” ◦ Fourth Edition “Faves” ◦ Grading Schtuff  What gets graded?  How does it get graded?  Bell Curve!? Mastery Grading? ◦ Peek at my Gradebook!  
  • 16.  Project Options: ◦ Puppet Show (group or solo) ◦ Fictional Story (solo) ◦ Standard Critical Essay (solo)  Task: ◦ USE ESSAYTAGGER.COM/COM MON CORE ◦ Create an assignment sheet & a list of criteria  Your Student Work: ◦ Go to the katesportfolio site… ◦ Go to the UCONN page… ◦ Under Assessments, click “Gatsby Assessments: Class Activity” ◦ There are 2 essays, a story, and a (puppet show) scene analysis
  • 17.  Here‟s what I did to try to assess these THREE different activities…
  • 18.  Look at the 6+1 Writing Trait Rubric, Third Edition pp. 182-185 ◦ Evaluate ◦ What is good about it? Why? ◦ What is not good about it? Why?  What about Burke, Fourth Edition p. 103 ◦ Evaluate ◦ What is good about it? Why? ◦ What is not good about it? Why?  Alternatives to RUBRIC grading?!  LOTF Project & Rubric… your eval?
  • 20.  What is it?  What does it look like?  What do you need to do it?  What do teachers do during a workshop?  What do students do during a workshop?  BIG, HUGE HINT: PLAN for every eventuality— everyone needs to be busy, or it‟ll be a NIGHTMARE!
  • 21.  Handling the Paper Load… ◦ Burk, Third Edition pp. 210-213 ◦ Brandvik, esp. p. 138, 144 ◦ Who‟s responding?  Peer Conferences  Teacher-student conferences  Outside the classroom?
  • 22.  Consider your summative assessment for your Short Story Unit ◦ What are you asking students to do? ◦ What will your criteria be? ◦ Now, how about the narratives?  Time: 15 minutes
  • 23.  What is it?  Why does it happen?  How should we deal with it in our classrooms?  Partner read the “Classrooms That Discourage Plagiarism and Welcome Technology” Article ◦ Salient points? ◦ Transferable knowledge?
  • 24.
  • 25.  Mentally channel a villain from a piece of literature.  If that villain had been spying on our session all day today, what would he/she/it have to say about today?
  • 26.  Go back to the Initiation Exercise (feedback to the student writer)  Read/ peruse Example #1 & Example #2 (just given to you) Note: both were written in response to one writing assignment  Based on these products, brainstorm a list of criteria for this writing assignment (just the list of skills, not the narratives…)  If you have a rubric, do you need an assignment sheet?
  • 27.  Are arguable-and important to argue about  Are at the heart of the subject  Recur--and should recur--in professional work, adult life, as well as in the classroom inquiry  Raise more questions-provoking and sustaining engaged inquiry  Often raise important conceptual or philosophical issues  Can provide purpose for learning
  • 28.  Essential ◦ Asked to be argued ◦ Designed to “uncover” new ideas, views, lines of argument ◦ Set up inquiry, heading to new understandings.  Leading ◦ Asked as a reminder, to prompt recall ◦ Designed to “cover” knowledge ◦ Point to a single, straightforward fact-a rhetorical question
  • 29.  Use E.Q.s to organize programs, courses, and units of study  “Less is more”  Edit to make them “kid friendly”  Post the questions