4. Creator: Georges-Pierre Seurat, Paris 1859 - 1891
Title: The Colt
Date: 1882-1883
Material: Conté crayon on laid paper
Measurements: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm)
5. Creator: Vincent van Gogh, Dutch, 1853-1890
Title: Self-portrait with a Straw Hat (verso: The Potato Peeler)
Date: probably 1887
Material: Oil on canvas
Measurements: 16 x 12 1/2 in
6. Creator: Piet Mondrian, Dutch, 1872-1944
Title: Trafalgar Square
Date: 1939-43
Material: Oil on canvas
Measurements: 57 1/4 x 47 1/4" (145.2 x 120 cm)
13. Creator: Georgia O'Keeffe, American, Sun Prairie, Wisconsin, 1887-1986, Santa Fe, New Mexico Title: Lake George [formerly Reflection Seascape]
Date: 1922 Material: oil on canvas Measurements: 16 1/4 in. x 22 in. (41.28 cm x 55.88 cm)
14. Creator: Dan Flavin
Title: Untitled (for You, Leo, in Long Respect and Affection) 2
Date: 1977
Location: Exhibited at Leo Castelli Gallery, Spring 1994
15. Creator: Michelangelo Merisida Caravaggio (1571-1610)
Title: David and Goliath
Date: c. 1601-1602
Material: oil on canvas
Measurements: 110 x 91 cm
16. Creator: Bridget Riley, British, born 1931
Title: Fission
Date: 1963
Material: Tempera on composition board
Measurements: 35 x 34" (88.8 x 86.2 cm)
17. Creator: Andrew Wyeth, American, 1917-2009
Title: Christina's World
Date: 1948
Material: Tempera on gessoed panel
Measurements: 32 1/4 x 47 3/4" (81.9 x 121.3 cm)
18. Creator: Calder, Alexander, 1898-1976
Creator:
Title: Sumac with Gong
Date: 1954
Material: metal
Measurements: 50x61"
19. Creator: Claes Oldenburg; Coosje van Bruggen
Title: Spoon Bridge and Cherry; overview
Date: 1988
Location: The Walker Arts Center, The Minneapolis Parks and Recreation Board
Measurements: 29'H
20. Creator: Louise Nevelson
Title: Sky Cathedral's Presence I
Date: 1959 - 1962
Location: Exhibited at Pace/MacGill Gallery, Fall 1992
Material: wood painted black
Measurements: 107 1/8 x 101 1/2 x 20 3/4 inches
21. Creator: B. Sharav?
Title: painting of Airagfeast
Title: Airag feast
Location: Mongolia
Material: pigment
Measurements: 53.1496063 in. high
Measurements: 66.92913386 in. wide
Description: section of painting
22. Creator: Japan, Kamakura period
Culture: Asian; Far East Asian; Japanese
Title: The Three Sacred Shrines at Kumano: Kumano Mandala
Date: c. 1300
Material: hanging scroll; ink and color on silk
Measurements: Image: 134cm x 62cm, Overall: 217.2cm x 80cm
23. Creator: Leonardo, da Vinci, 1452-1519
Title: Ref.: Last Supper: copy by CesareMagni
Date: [n.d.]
Material: oil on canvas
Measurements: 138 x 64 cm
24. Creator: Nicolas Poussin (French, 1594 – 1665)
Title: Landscape with a Calm (Un Tem[p]s calme et serein)
Work Type: Paintings
Date: 1650 - 1651
Material: Oil on canvas
Measurements: Unframed: 97 x 131 cm (38 3/16 x 51 9/16 in.) Framed: 125.7 x 160.7 x 7.9 cm (49 1/2 x 63 1/4 x 3 1/8 in.)
25. Creator: Donald Judd, American, 1928-1994
Title: Untitled
Date: 1968
Material: Brass
Measurements: 22 x 48 1/4 x 36" (55.9 x 122.6 x 91.4 cm)
26. Creator: Helen Frankenthaler
Title: Summer Core
Date: 1968
Location: Exhibited at André Emmerich Gallery, Summer 1993
Material: acrylic on canvas
Measurements: 65 1/2 x 93 inches
Creator: Keith Haring\r\nTitle: Subway Drawing\r\nWork Type: Sculpture and Installations\r\nDate: 1983\r\nLocation: Exhibited at the Whitney Museum, Summer 1997\r\nDescription: Photographer: Larry Qualls\r\nCollection: Contemporary Art (Larry Qualls Archive)\r\nSource: Image and original data provided by Larry Qualls\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Piet Mondrian, Dutch, 1872-1944\r\nTitle: Trafalgar Square\r\nWork Type: Painting\r\nDate: 1939-43\r\nMaterial: Oil on canvas\r\nMeasurements: 57 1/4 x 47 1/4" (145.2 x 120 cm)\r\nRepository: The Museum of Modern Art\r\nRepository: Gift of Mr. and Mrs. William A. M. Burden\r\nAccession Number: 510.1964\r\nCollection: The Museum of Modern Art: Painting and Sculpture\r\nID Number: 79879\r\nSource: Image and original data provided by the The Museum of Modern Art\r\nSource: http://www.moma.org\r\nRights: Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use (http://www.artstor.org/info/about/terms_conditions.jsp). To request permission for any other use within North America, please contact Art Resource, 536 Broadway, New York, NY 10012; phone: 212-505-8700; fax: 212-505-2053; email: requests@artres.com; website: http://www.artres.com/c/htm/StaticPage2.aspx?page=ContactUs. To request permission for any other use outside North America, please contact Scala Archives: Scala Group, S.p., 62 via Chiantigiana, 50011 Antella/Firenze, Italy. Phone 39 055 6233 200, fax 39 055 641124, email archivio@scalagroup.com; http://www.scalarchives.com/web/contatti.asp.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Ellsworth Kelly\r\nTitle: Blue White\r\nWork Type: Paintings\r\nDate: 1980\r\nLocation: Exhibited at Matthew Marks Gallery, Spring 2001\r\nMaterial: oil on canvas\r\nMeasurements: 114" x 115"\r\nDescription: Photographer: Larry Qualls\r\nCollection: Contemporary Art ( Larry Qualls Archive)\r\nSource: Image and original data provided by Larry Qualls\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Anselm Kiefer, European; Northern European; German, 1945, (artist)\r\nTitle: Lot's Wife\r\nTitle: Lots Frau\r\nWork Type: Paintings\r\nDate: 1989\r\nMaterial: oil paint, ash, stucco, chalk, linseed oil, polymere emulsion, salt and applied elements (e.g., copper heating coil), on canvas, attached to lead foil, on plywood panels\r\nMeasurements: Overall: 350cm x 410cm\r\nDescription: Titled in chalk on recto of lower panel: Lots Frau\r\nDescription: Anselm Kiefer German, 1945-One of the most significant and reclusive artists of the past 20 years, Anselm Kiefer was born in Donaueschingen, Bavaria, two months before the end of World War II. His enormous mixed-media canvases, as well as his smaller bookworks, are laden with cultural, political, mythic, and religious symbolism. These works are made in direct response to his Teutonic heritage and, in particular, Germany's war experience. Kiefer addresses questions regarding German identity in the postwar world, a highly sensitive subject that has brought him both critical acclaim and adamant opposition. Kiefer studied law and French at the University of Freiburg in 1965 before turning to painting. He graduated in 1970 and began informal study at the Staatliche Kunstakademie in Düsseldorf with Joseph Beuys, who encouraged him to paint despite dominance of conceptual art at the time and the declaration that painting was dead. Kiefer often spends years on a piece, working intermittently, and retains rigid control of the placement of his paintings after they leave his studio. Although Kiefer's work has changed little throughout his career, his earlier imagery relied on figurative elements and his later paintings have become more abstract, often incorporating architectural elements. He frequently begins with an enlarged photographic image, which he distorts by such techniques as scorching, staining, and burning. His materials include molten lead, tar, straw, and clay, metaphorical substances associated with the German land and its mythologies. The transformative process also recalls alchemy, a subject that interested Beuys, who believed art had the power to evoke a change of state from physical to spiritual. Kiefer has had numerous international exhibitions and published monographs, and is represented in major American and European collections. In addition to one-person exhibitions in Germany, the Netherlands, Italy, France, Israel, and England, the Philadelphia Museum of Art organized a retrospective of his work that toured the United States in 1987-88. In recent years, Kiefer has begun to make films that, rooted in the medium of photography, extend the physical and narrative qualities characteristic of all his work into the realms of motion and time. He lives in Barjac, France. A.W.\r\nDescription: Full View\r\nRepository: The Cleveland Museum of Art\r\nRepository: Cleveland, Ohio, USA\r\nRepository: Leonard C. Hanna, Jr. Fund\r\nRepository: 1990.8.a\r\nRepository: 1990.8.b\r\nRepository: http://www.clemusart.com/\r\nCollection: The Cleveland Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: CMA_.1990.8.a-b\r\nSource: Data from: The Cleveland Museum of Art\r\nRights: This image was provided by The Cleveland Museum of Art. Contact information: Kathleen Kornell, Rights and Reproductions Coordinator, The Cleveland Museum of Art, 11150 East Blvd., Cleveland OH 44106, (216) 707-2498 (ph), (216) 421-8815 (fax), Kkornell@clevelandart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Imamzedah-Darbi- Islam\r\nWork Type: Decorative panels/decorated areas; Arches\r\nLocation: Isfahan, Iran\r\nMaterial: Ceramic tiles/mosaic/pottery\r\nDescription: geometric pattern\r\nDescription: calligraphy\r\nCollection: David Wade: Pattern in Islamic Art\r\nID Number: IRA 0908\r\nSource: Image and original data from the Wade photo archive of Islamic patterns.\r\nSource: http://patterninislamicart.com/\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gustav Klimt\r\nTitle: Adele Bloch-Bauer I\r\nWork Type: painting\r\nDate: 1907\r\nMaterial: oil, silver, gold on canvas\r\nRepository: Neue Galerie New York\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-16-01/29\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Michelangelo Merisi da Caravaggio (1571-1610)\r\nTitle: David and Goliath\r\nWork Type: painting\r\nDate: c. 1601-1602\r\nMaterial: oil on canvas\r\nMeasurements: 110 x 91 cm\r\nRepository: Museo del Prado, Madrid, Spain\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-08-14/32\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Bridget Riley, British, born 1931\r\nTitle: Fission\r\nWork Type: Painting\r\nDate: 1963\r\nMaterial: Tempera on composition board\r\nMeasurements: 35 x 34" (88.8 x 86.2 cm)\r\nRepository: The Museum of Modern Art\r\nRepository: Gift of Philip Johnson\r\nAccession Number: 793.1969\r\nCollection: The Museum of Modern Art: Painting and Sculpture\r\nID Number: 80365\r\nSource: Image and original data provided by the The Museum of Modern Art\r\nSource: http://www.moma.org\r\nRights: Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use (http://www.artstor.org/info/about/terms_conditions.jsp). To request permission for any other use within North America, please contact Art Resource, 536 Broadway, New York, NY 10012; phone: 212-505-8700; fax: 212-505-2053; email: requests@artres.com; website: http://www.artres.com/c/htm/StaticPage2.aspx?page=ContactUs. To request permission for any other use outside North America, please contact Scala Archives: Scala Group, S.p., 62 via Chiantigiana, 50011 Antella/Firenze, Italy. Phone 39 055 6233 200, fax 39 055 641124, email archivio@scalagroup.com; http://www.scalarchives.com/web/contatti.asp.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Andrew Wyeth, American, 1917-2009\r\nTitle: Christina's World\r\nWork Type: Painting\r\nDate: 1948\r\nMaterial: Tempera on gessoed panel\r\nMeasurements: 32 1/4 x 47 3/4" (81.9 x 121.3 cm)\r\nRepository: The Museum of Modern Art\r\nRepository: Purchase\r\nAccession Number: 16.1949\r\nCollection: The Museum of Modern Art: Painting and Sculpture\r\nID Number: 78455\r\nSource: Image and original data provided by the The Museum of Modern Art\r\nSource: http://www.moma.org\r\nRights: Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use (http://www.artstor.org/info/about/terms_conditions.jsp). To request permission for any other use within North America, please contact Art Resource, 536 Broadway, New York, NY 10012; phone: 212-505-8700; fax: 212-505-2053; email: requests@artres.com; website: http://www.artres.com/c/htm/StaticPage2.aspx?page=ContactUs. To request permission for any other use outside North America, please contact Scala Archives: Scala Group, S.p., 62 via Chiantigiana, 50011 Antella/Firenze, Italy. Phone 39 055 6233 200, fax 39 055 641124, email archivio@scalagroup.com; http://www.scalarchives.com/web/contatti.asp.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Claes Oldenburg; Coosje van Bruggen\r\nTitle: Spoon Bridge and Cherry; overview\r\nDate: 1988\r\nLocation: The Walker Arts Center, The Minneapolis Parks and Recreation Board\r\nMeasurements: 29'H\r\nDescription: Exterior\r\nCollection: Contemporary Architecture, Urban Design and Public Art (ART on FILE Collection)\r\nID Number: PAIII-35-01-01\r\nSource: Image and original data provided by ART on FILE, www.artonfile.com\r\nRights: For more information, please contact: Rob Wilkinson, President, ART on FILE, 1837 East Shelby Street, Seattle, WA 98112, 206-300-0702 (phone), 206-322-2560 (fax), rob@artonfile.com\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: B. Sharav?\r\nTitle: painting of Airag feast\r\nTitle: Airag feast\r\nLocation: Mongolia\r\nMaterial: pigment\r\nMeasurements: 53.1496063 in. high\r\nMeasurements: 66.92913386 in. wide\r\nDescription: section of painting\r\nRepository: Fine Art Museum, Ulan Bator, Mongolia\r\nCollection: The John C. and Susan L. Huntington Archive of Buddhist and Related Art\r\nSource: Data From: The John C. and Susan L. Huntington Archive of Buddhist and Related Art, The Ohio State University
Creator: Japan, Kamakura period\r\nCulture: Asian; Far East Asian; Japanese\r\nTitle: The Three Sacred Shrines at Kumano: Kumano Mandala\r\nWork Type: Paintings\r\nDate: c. 1300\r\nMaterial: hanging scroll; ink and color on silk\r\nMeasurements: Image: 134cm x 62cm, Overall: 217.2cm x 80cm\r\nDescription: Well before Buddhism arrived in Japan from Korea in the sixth century, the people of these islands already possessed a religious belief system. They envisioned everything in the natural world, including themselves, as beholding to higher powers or kami who resided in the local landscape. These animistic spirits dwelled in particularly beautiful, rugged areas often difficult of access but uncommonly powerful in their display of the forces of nature that shaped the land. The meeting of ocean and land, deep valley recesses, or tall peaks in remote mountain ranges where pure cold water flowedsuch sites were recognized by the Japanese as extraordinary. They signaled the presence of a kami, and the recognition of that spirit through ritual, pilgrimage, and the building of monuments or imagery ensued. After the ninth century, increasingly elaborate visual aids were made to identify and explain the local deities, a response to Buddhist practices that were then gaining popularity quickly in Japan. Indeed the rapid acceptance and dynamic spread of Buddhism in Japan fostered Shinto's development, and the two faiths joined forces so that by the time this painting was done the two religions had reached an easy accommodation. Shinto kami were given counterparts in the Buddhist pantheon of deities, and both Shinto shrines and Buddhist temple compounds invariably included a building dedicated to the worship of the other faith. This painting provides a bird's-eye view of the Kumano shrine complex set deep in the mountains of the Kii peninsula south of Nara in Wakayama Prefecture. Nestled in these lush spring mountains near the sacred Nachi waterfall (upper right) are the three principal shrine compounds (actually several miles apart), to which pilgrims travel on foot or by boat on the nearby rivers. Groups of worshipers appear within these walled compounds, facing the individual shrines in which a hidden Shinto deity resides. Above the shrines, the anonymous painter has provided an image of that kami's Buddhist counterpart. Thus the entire painting becomes a map of this special landscape as well as a diagram (mandala) illustrating the religious significance of the shrine's various deities. In conception and in execution it stands as one of the finest surviving examplesof traditional Japanese-style painting in Shinto art. Known as yamato-e, this style featured colorful pigments, dramatic compositions, and indigenous rather than foreign (Chinese or Korean) subjects. M.R.C.\r\nDescription: Full View\r\nRepository: The Cleveland Museum of Art\r\nRepository: Cleveland, Ohio, USA\r\nRepository: John L. Severance Fund\r\nRepository: 1953.16\r\nRepository: http://www.clemusart.com/\r\nCollection: The Cleveland Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: CMA_.1953.16\r\nSource: Data from: The Cleveland Museum of Art\r\nRights: This image was provided by The Cleveland Museum of Art. Contact information: Kathleen Kornell, Rights and Reproductions Coordinator, The Cleveland Museum of Art, 11150 East Blvd., Cleveland OH 44106, (216) 707-2498 (ph), (216) 421-8815 (fax), Kkornell@clevelandart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Leonardo, da Vinci, 1452-1519\r\nTitle: Ref.: Last Supper: copy by Cesare Magni\r\nDate: [n.d.]\r\nMaterial: oil on canvas\r\nMeasurements: 138 x 64 cm\r\nSubject: Jesus Christ--Last Supper\r\nSubject: Copies\r\nSubject: Painting--Italy--16th C. A.D\r\nSubject: Reference\r\nSubject: Magni, Cesare\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Nicolas Poussin (French, 1594 - 1665)\r\nCulture: French\r\nTitle: Landscape with a Calm (Un Tem[p]s calme et serein)\r\nWork Type: Paintings\r\nDate: 1650 - 1651\r\nMaterial: Oil on canvas\r\nMeasurements: Unframed: 97 x 131 cm (38 3/16 x 51 9/16 in.) Framed: 125.7 x 160.7 x 7.9 cm (49 1/2 x 63 1/4 x 3 1/8 in.)\r\nStyle Period: Baroque\r\nRepository: The J. Paul Getty Museum at the Getty Center\r\nRepository: 97.PA.60\r\nRelated Item: http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=113640\r\nSubject: Lakes\r\nSubject: Dogs\r\nSubject: Cows\r\nSubject: Goats\r\nSubject: Sheep\r\nSubject: Horses\r\nSubject: Countryside\r\nCollection: J. Paul Getty Museum Collection\r\nSource: Data From: J. Paul Getty Museum\r\nRights: For permission to reproduce images for uses not covered by the Terms and Conditions, please contact Rights and Reproductions, Registrar's Office, The J.Paul Getty Museum http://www.getty.edu/legal/image_request.html
Creator: Helen Frankenthaler\r\nTitle: Summer Core\r\nWork Type: Paintings\r\nDate: 1968\r\nLocation: Exhibited at André Emmerich Gallery, Summer 1993\r\nMaterial: acrylic on canvas \r\nMeasurements: 65 1/2 x 93 inches \r\nDescription: Photographer: Larry Qualls\r\nCollection: Contemporary Art (Larry Qualls Archive)\r\nSource: Image and original data provided by Larry Qualls\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
