SlideShare une entreprise Scribd logo
1  sur  58
Télécharger pour lire hors ligne
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE
CONSTRUCTION & THE
UNCANNY | PRESENTED AT
GOLDSMITH DESIGN FESTIVAL
2015
Speculation as Design Research
Tobie Kerridge, Max Mollon,
Luiza Prado de O. Martins, Alison Thomson
While speculative and critical design (SCD)
approaches have been written about extensively,
there is scope to develop empirically robust
accounts of these practices as a form of
design research.
This symposium brings together an
international group of students and
researchers who are challenging popular
and rhetorical modes of writing about SCD
by responding to issues that impinge upon
their practice, including patient experience,
upstream engagement and colonialism.
Symposium
Friday 4th September, 10:00 - 13:00
LG02, Professor Stuart Hall Building
GOLDSMITHS DESIGN
DEPARTMENT OF DESIGN
gold.ac.uk
FESTIVAL
3 - 9 SEPT
Speculation as Design Research
Tobie Kerridge, Max Mollon,
Luiza Prado de O. Martins, Alison Thomson
While speculative and critical design (SCD)
approaches have been written about extensively,
there is scope to develop empirically robust
accounts of these practices as a form of
design research.
This symposium brings together an
international group of students and
researchers who are challenging popular
and rhetorical modes of writing about SCD
by responding to issues that impinge upon
their practice, including patient experience,
upstream engagement and colonialism.
3 - 9 SEPT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SPECULATION AS DESIGN RESEARCH

SYMPOSIUM ORGANISED BY TOBIE KERRIDGE. PART OF THE GOLDSMITH DESIGN FESTIVAL 2015 OCT. O4TH

WITH LUIZA PRADO DE O. MARTINS, MAX MOLLON, ALISON THOMSON.
My initial reply to Tobie’s demand:
In my work, I argue SCD uses design speculations to look into
“people's reactions” when facing alternative views to the world
they know. Indeed, “people’s reactions are the true product”
of these practices – as James Auger puts it, in his thesis. For
that reason, I feel the word empiric to echo with the
relationship of SCD to its audiences. Empirical Speculation can
refer to specific phases of the design process: collecting the
audience reactions. 

Collecting people’s reactions can occur along two phases: 

the production & the reception of the artefact.
• First, showing the project to potential users allows to crash-
test the relevance of a speculation (regarding a specific
audience’s background). These experiments allow to test
the ability of a proposition to elicit “meaningful reactions”
and so, to ensure good reception conditions for the
project (eg. avoiding unintended debates). This is close to
classical design’s pre-release user-testing, enabling to
fine-tune the project. I like to call it “potential-user testing”.

• The second step happens in live conditions of diffusion,
collecting actual reactions of an audience.
To put it in one word, Empirical Speculation is less about
verifying the accuracy of a conjecture than its effect on
people. It is therefore all about ensuring the relevance of a
speculation to a public and collecting its reactions.
For a matter of brevity, we will not go deeper into the
questions of unintended debates, and situated audiences, yet.
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
BONJOUR!
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
1. STORY OF THE PROJECT

2. THEORETICAL BACKGROUND

3. RESEARCH QUESTIONS

—

AUDIENCE CONSTRUCTION 

& THE UNCANNY
TODAY’S MENU:
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THE

MEMENTO MOR-E

PROJECT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MEMENTO MOR-E
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
9
PLEASE CHECK THE VIDEO:VIMEO.COM/MAXMOLLON/EPHEMERIDE
10
11
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
PROJECT’S INTENTION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
RESEARCH INTENTIONS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015MY 3 MASTERS TUTORS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
WHAT IS 

SPECULATIVE DESIGN
CLAIM?
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SPECULATIVE DESIGN AIMS AT 

PROPOSING ALTERNATIVES 

TO THE WORLD AS WE KNOW IT 

IN ORDER TO

ENGAGE PEOPLE INTO 

REFLECTION & DISCUSSION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
HOW TO ALLOW REFLECTION?

WHO TO ENGAGE INTO DISCUSSION?
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THEORETICAL
BACKGROUND:

TEXTS STUDIES

PROJECTS ANALYSIS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
HOW TO ALLOW REFLECTION?

WHO TO ENGAGE INTO DISCUSSION?
UNCANNY

CONSTRUCTION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
EXPERIMENT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
FIRST OBSERVATION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SECOND OBSERVATION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
GMO › BIG-DATA & LIVING BEINGS HEALTH › HUMAN HEALTH PREDICTIONS ›

› MND & HEALTHCARE › MND & TECHNOLOGIES › INSURANCE PLANS & TECHNOLOGIES › …
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
WORK IN
PROGRESS
AUDIENCE CONSTRUCTION 

& THE UNCANNY

–

SPECULATIVE DESIGN AS A TOOL FOR 

COLLECTIVE REFLECTION & DISCUSSION 

ABOUT THE PREFERABLE FUTURES
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THANKS!
LICENSED UNDER CREATIVE COMMONS 2.5: 

ATTRIBUTION NON-COMMERCIAL NO DERIVATIVES.
AUDIENCE CONSTRUCTION 

& THE UNCANNY

–

MAXMOLLON@GMAIL.COM
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
PICTURES 

OF THE EVENT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015

Contenu connexe

En vedette

The Road to Continuous Delivery: Evolution Not Revolution 
The Road to Continuous Delivery: Evolution Not Revolution The Road to Continuous Delivery: Evolution Not Revolution 
The Road to Continuous Delivery: Evolution Not Revolution Perforce
 
01 am so_incidentmanagement_eng
01 am so_incidentmanagement_eng01 am so_incidentmanagement_eng
01 am so_incidentmanagement_engDario Krausse
 
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...Antonio García
 
Portafolio de conferencias 2016
Portafolio de conferencias 2016Portafolio de conferencias 2016
Portafolio de conferencias 2016InspirAcción
 
Trabajo de energia (nelly)
Trabajo de energia (nelly)Trabajo de energia (nelly)
Trabajo de energia (nelly)aritz artola
 
Visión de los MOOC desde una perspectiva práctica
Visión de los MOOC desde una perspectiva prácticaVisión de los MOOC desde una perspectiva práctica
Visión de los MOOC desde una perspectiva prácticaJuan Carlos Aguado Franco
 

En vedette (7)

The Road to Continuous Delivery: Evolution Not Revolution 
The Road to Continuous Delivery: Evolution Not Revolution The Road to Continuous Delivery: Evolution Not Revolution 
The Road to Continuous Delivery: Evolution Not Revolution 
 
01 am so_incidentmanagement_eng
01 am so_incidentmanagement_eng01 am so_incidentmanagement_eng
01 am so_incidentmanagement_eng
 
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...
Circunferencias tangentes a otras dos,dado el punto de tangencia en una de el...
 
Portafolio de conferencias 2016
Portafolio de conferencias 2016Portafolio de conferencias 2016
Portafolio de conferencias 2016
 
E haribo
E hariboE haribo
E haribo
 
Trabajo de energia (nelly)
Trabajo de energia (nelly)Trabajo de energia (nelly)
Trabajo de energia (nelly)
 
Visión de los MOOC desde una perspectiva práctica
Visión de los MOOC desde una perspectiva prácticaVisión de los MOOC desde una perspectiva práctica
Visión de los MOOC desde una perspectiva práctica
 

Similaire à (2015) Audience Construction & The Uncanny – At Goldsmith DF

TTRA Social Innovation Keynote
TTRA Social Innovation KeynoteTTRA Social Innovation Keynote
TTRA Social Innovation KeynoteSnook
 
Snook Methods | From user testing to digital prototyping
Snook Methods | From user testing to digital prototyping Snook Methods | From user testing to digital prototyping
Snook Methods | From user testing to digital prototyping Snook
 
gensler-summer-studio_en-us
gensler-summer-studio_en-usgensler-summer-studio_en-us
gensler-summer-studio_en-usJohn D'Onofrio
 
Chapter 3
Chapter 3Chapter 3
Chapter 3detjen
 
Climate change and the future of cities
Climate change and the future of citiesClimate change and the future of cities
Climate change and the future of citiesDushko Bogunovich
 
Klas Tham - Human Habitat 12th april 2010 Part 2
Klas Tham - Human Habitat 12th april 2010 Part 2Klas Tham - Human Habitat 12th april 2010 Part 2
Klas Tham - Human Habitat 12th april 2010 Part 2Construção Sustentável
 
Honors 2012 Speech: The Millennials
Honors 2012 Speech: The MillennialsHonors 2012 Speech: The Millennials
Honors 2012 Speech: The MillennialsKurt Reynolds
 
Designing Climate Action - Introductions
Designing Climate Action - IntroductionsDesigning Climate Action - Introductions
Designing Climate Action - IntroductionsRebecca Gard Silver
 
Wes Henstock portfolio 2020 - print & editorial
Wes Henstock portfolio 2020 - print & editorialWes Henstock portfolio 2020 - print & editorial
Wes Henstock portfolio 2020 - print & editorialconfid3ntial
 
sxsw_2017_interactive_report
sxsw_2017_interactive_reportsxsw_2017_interactive_report
sxsw_2017_interactive_reportたけし 谷垣
 
Рикардо Марини - Пленарное заседание
Рикардо Марини - Пленарное заседаниеРикардо Марини - Пленарное заседание
Рикардо Марини - Пленарное заседаниеAnna Odintsova
 
Digital Era - Disability and Access
Digital Era - Disability and AccessDigital Era - Disability and Access
Digital Era - Disability and AccessNavneet Bhushan
 
Report - Designing a People Centred Future - Sept 2012
Report - Designing a People Centred Future - Sept 2012Report - Designing a People Centred Future - Sept 2012
Report - Designing a People Centred Future - Sept 2012Anni Leppänen
 
Union autumn 2016
Union autumn 2016Union autumn 2016
Union autumn 2016Catalyx
 

Similaire à (2015) Audience Construction & The Uncanny – At Goldsmith DF (20)

TTRA Social Innovation Keynote
TTRA Social Innovation KeynoteTTRA Social Innovation Keynote
TTRA Social Innovation Keynote
 
Snook Methods | From user testing to digital prototyping
Snook Methods | From user testing to digital prototyping Snook Methods | From user testing to digital prototyping
Snook Methods | From user testing to digital prototyping
 
gensler-summer-studio_en-us
gensler-summer-studio_en-usgensler-summer-studio_en-us
gensler-summer-studio_en-us
 
Chapter 3
Chapter 3Chapter 3
Chapter 3
 
Climate change and the future of cities
Climate change and the future of citiesClimate change and the future of cities
Climate change and the future of cities
 
Helsinki & Co-working.
Helsinki & Co-working.Helsinki & Co-working.
Helsinki & Co-working.
 
Klas Tham - Human Habitat 12th april 2010 Part 2
Klas Tham - Human Habitat 12th april 2010 Part 2Klas Tham - Human Habitat 12th april 2010 Part 2
Klas Tham - Human Habitat 12th april 2010 Part 2
 
Honors 2012 Speech: The Millennials
Honors 2012 Speech: The MillennialsHonors 2012 Speech: The Millennials
Honors 2012 Speech: The Millennials
 
Designing Climate Action - Introductions
Designing Climate Action - IntroductionsDesigning Climate Action - Introductions
Designing Climate Action - Introductions
 
Wes Henstock portfolio 2020 - print & editorial
Wes Henstock portfolio 2020 - print & editorialWes Henstock portfolio 2020 - print & editorial
Wes Henstock portfolio 2020 - print & editorial
 
sxsw_2017_interactive_report
sxsw_2017_interactive_reportsxsw_2017_interactive_report
sxsw_2017_interactive_report
 
Рикардо Марини - Пленарное заседание
Рикардо Марини - Пленарное заседаниеРикардо Марини - Пленарное заседание
Рикардо Марини - Пленарное заседание
 
Championing great design to improve lives | Daniel Letts | November 2014
Championing great design to improve lives | Daniel Letts | November 2014Championing great design to improve lives | Daniel Letts | November 2014
Championing great design to improve lives | Daniel Letts | November 2014
 
Move over Masonry - moladi
Move over Masonry - moladiMove over Masonry - moladi
Move over Masonry - moladi
 
Digital Era - Disability and Access
Digital Era - Disability and AccessDigital Era - Disability and Access
Digital Era - Disability and Access
 
Nijenrode
NijenrodeNijenrode
Nijenrode
 
Report - Designing a People Centred Future - Sept 2012
Report - Designing a People Centred Future - Sept 2012Report - Designing a People Centred Future - Sept 2012
Report - Designing a People Centred Future - Sept 2012
 
UX i fysiske produkter
UX i fysiske produkterUX i fysiske produkter
UX i fysiske produkter
 
Union autumn 2016
Union autumn 2016Union autumn 2016
Union autumn 2016
 
Whole Foods -DTP- 11.20.14
Whole Foods -DTP- 11.20.14Whole Foods -DTP- 11.20.14
Whole Foods -DTP- 11.20.14
 

Plus de Max Mollon

Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...
Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...
Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...Max Mollon
 
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...Design Fiction Club #01 – Designer la critique et la spéculation, des présent...
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...Max Mollon
 
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...Max Mollon
 
(2016) Conflictual design artefacts reveal vertical power relationships (work...
(2016) Conflictual design artefacts reveal vertical power relationships (work...(2016) Conflictual design artefacts reveal vertical power relationships (work...
(2016) Conflictual design artefacts reveal vertical power relationships (work...Max Mollon
 
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11(2016) Dissensus: for a situated critical design, out of museums – At ARD#11
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11Max Mollon
 
(2015) Designers, don’t be afraid of design research methods! (TEACHING)
(2015) Designers, don’t be afraid of design research methods! (TEACHING)(2015) Designers, don’t be afraid of design research methods! (TEACHING)
(2015) Designers, don’t be afraid of design research methods! (TEACHING)Max Mollon
 
(2016) From producing answers to delivering questions
(2016) From producing answers to delivering questions(2016) From producing answers to delivering questions
(2016) From producing answers to delivering questionsMax Mollon
 
(2015) Speculation and the uncanny, design approaches to probe the acceptable
(2015) Speculation and the uncanny, design approaches to probe the acceptable(2015) Speculation and the uncanny, design approaches to probe the acceptable
(2015) Speculation and the uncanny, design approaches to probe the acceptableMax Mollon
 
(2015) Designing to trigger reflection: state of my telepresence researches
(2015) Designing to trigger reflection: state of my telepresence researches(2015) Designing to trigger reflection: state of my telepresence researches
(2015) Designing to trigger reflection: state of my telepresence researchesMax Mollon
 
(2015) The three stances of the designer in a research team – At EAD#11
(2015) The three stances of the designer in a research team – At EAD#11(2015) The three stances of the designer in a research team – At EAD#11
(2015) The three stances of the designer in a research team – At EAD#11Max Mollon
 
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...Max Mollon
 
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010Max Mollon
 
EnsadLab Design & Research Seminar
EnsadLab Design & Research SeminarEnsadLab Design & Research Seminar
EnsadLab Design & Research SeminarMax Mollon
 
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...Max Mollon
 
Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Max Mollon
 
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)Max Mollon
 

Plus de Max Mollon (16)

Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...
Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...
Design Fiction Club #02 | Ouvrir les champs de vision et dénicher ses propre...
 
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...Design Fiction Club #01 – Designer la critique et la spéculation, des présent...
Design Fiction Club #01 – Designer la critique et la spéculation, des présent...
 
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...
2016 maxmollon-conflictual artefact-reveals_domination-at_design_intersection...
 
(2016) Conflictual design artefacts reveal vertical power relationships (work...
(2016) Conflictual design artefacts reveal vertical power relationships (work...(2016) Conflictual design artefacts reveal vertical power relationships (work...
(2016) Conflictual design artefacts reveal vertical power relationships (work...
 
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11(2016) Dissensus: for a situated critical design, out of museums – At ARD#11
(2016) Dissensus: for a situated critical design, out of museums – At ARD#11
 
(2015) Designers, don’t be afraid of design research methods! (TEACHING)
(2015) Designers, don’t be afraid of design research methods! (TEACHING)(2015) Designers, don’t be afraid of design research methods! (TEACHING)
(2015) Designers, don’t be afraid of design research methods! (TEACHING)
 
(2016) From producing answers to delivering questions
(2016) From producing answers to delivering questions(2016) From producing answers to delivering questions
(2016) From producing answers to delivering questions
 
(2015) Speculation and the uncanny, design approaches to probe the acceptable
(2015) Speculation and the uncanny, design approaches to probe the acceptable(2015) Speculation and the uncanny, design approaches to probe the acceptable
(2015) Speculation and the uncanny, design approaches to probe the acceptable
 
(2015) Designing to trigger reflection: state of my telepresence researches
(2015) Designing to trigger reflection: state of my telepresence researches(2015) Designing to trigger reflection: state of my telepresence researches
(2015) Designing to trigger reflection: state of my telepresence researches
 
(2015) The three stances of the designer in a research team – At EAD#11
(2015) The three stances of the designer in a research team – At EAD#11(2015) The three stances of the designer in a research team – At EAD#11
(2015) The three stances of the designer in a research team – At EAD#11
 
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...
(2014) The Rhetoric of Design for Debate: triggering conversation with an “un...
 
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010
(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010
 
EnsadLab Design & Research Seminar
EnsadLab Design & Research SeminarEnsadLab Design & Research Seminar
EnsadLab Design & Research Seminar
 
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...
The Misbehavior of Animated Objects – Workshop at TEI2014 – EnsadLab & MIT Me...
 
Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...
 
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)
Design fiction, designer pour une société qui n'existe pas (encore) (TEACHING)
 

Dernier

Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...
Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...
Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...amitlee9823
 
The Art of Batik, template ppt aesthetic
The Art of Batik, template ppt aestheticThe Art of Batik, template ppt aesthetic
The Art of Batik, template ppt aestheticTiaFebriani
 
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)amitlee9823
 
Peaches App development presentation deck
Peaches App development presentation deckPeaches App development presentation deck
Peaches App development presentation decktbatkhuu1
 
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun service
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun serviceCALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun service
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun serviceanilsa9823
 
Case Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneCase Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneLukeKholes
 
Chapter 19_DDA_TOD Policy_First Draft 2012.pdf
Chapter 19_DDA_TOD Policy_First Draft 2012.pdfChapter 19_DDA_TOD Policy_First Draft 2012.pdf
Chapter 19_DDA_TOD Policy_First Draft 2012.pdfParomita Roy
 
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130Suhani Kapoor
 
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...ranjana rawat
 
Booking open Available Pune Call Girls Nanded City 6297143586 Call Hot India...
Booking open Available Pune Call Girls Nanded City  6297143586 Call Hot India...Booking open Available Pune Call Girls Nanded City  6297143586 Call Hot India...
Booking open Available Pune Call Girls Nanded City 6297143586 Call Hot India...Call Girls in Nagpur High Profile
 
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girls
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call GirlsCBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girls
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girlsmodelanjalisharma4
 
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip CallDelhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Callshivangimorya083
 
Verified Trusted Call Girls Adugodi💘 9352852248 Good Looking standard Profil...
Verified Trusted Call Girls Adugodi💘 9352852248  Good Looking standard Profil...Verified Trusted Call Girls Adugodi💘 9352852248  Good Looking standard Profil...
Verified Trusted Call Girls Adugodi💘 9352852248 Good Looking standard Profil...kumaririma588
 
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779Best VIP Call Girls Noida Sector 47 Call Me: 8448380779
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779Delhi Call girls
 
Editorial design Magazine design project.pdf
Editorial design Magazine design project.pdfEditorial design Magazine design project.pdf
Editorial design Magazine design project.pdftbatkhuu1
 
DragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxDragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxmirandajeremy200221
 
Stark Industries Marketing Plan (1).pptx
Stark Industries Marketing Plan (1).pptxStark Industries Marketing Plan (1).pptx
Stark Industries Marketing Plan (1).pptxjeswinjees
 
Booking open Available Pune Call Girls Kirkatwadi 6297143586 Call Hot Indian...
Booking open Available Pune Call Girls Kirkatwadi  6297143586 Call Hot Indian...Booking open Available Pune Call Girls Kirkatwadi  6297143586 Call Hot Indian...
Booking open Available Pune Call Girls Kirkatwadi 6297143586 Call Hot Indian...Call Girls in Nagpur High Profile
 
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Service
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts ServiceVVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Service
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Servicearoranaina404
 

Dernier (20)

Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...
Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...
Brookefield Call Girls: 🍓 7737669865 🍓 High Profile Model Escorts | Bangalore...
 
The Art of Batik, template ppt aesthetic
The Art of Batik, template ppt aestheticThe Art of Batik, template ppt aesthetic
The Art of Batik, template ppt aesthetic
 
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
 
Peaches App development presentation deck
Peaches App development presentation deckPeaches App development presentation deck
Peaches App development presentation deck
 
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun service
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun serviceCALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun service
CALL ON ➥8923113531 🔝Call Girls Aminabad Lucknow best Night Fun service
 
Case Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneCase Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, Pune
 
Chapter 19_DDA_TOD Policy_First Draft 2012.pdf
Chapter 19_DDA_TOD Policy_First Draft 2012.pdfChapter 19_DDA_TOD Policy_First Draft 2012.pdf
Chapter 19_DDA_TOD Policy_First Draft 2012.pdf
 
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
VIP Call Girls Service Bhagyanagar Hyderabad Call +91-8250192130
 
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
 
Booking open Available Pune Call Girls Nanded City 6297143586 Call Hot India...
Booking open Available Pune Call Girls Nanded City  6297143586 Call Hot India...Booking open Available Pune Call Girls Nanded City  6297143586 Call Hot India...
Booking open Available Pune Call Girls Nanded City 6297143586 Call Hot India...
 
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girls
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call GirlsCBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girls
CBD Belapur Individual Call Girls In 08976425520 Panvel Only Genuine Call Girls
 
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip CallDelhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Paharganj 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
 
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance VVIP 🍎 SER...
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance  VVIP 🍎 SER...Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance  VVIP 🍎 SER...
Call Girls Service Mukherjee Nagar @9999965857 Delhi 🫦 No Advance VVIP 🍎 SER...
 
Verified Trusted Call Girls Adugodi💘 9352852248 Good Looking standard Profil...
Verified Trusted Call Girls Adugodi💘 9352852248  Good Looking standard Profil...Verified Trusted Call Girls Adugodi💘 9352852248  Good Looking standard Profil...
Verified Trusted Call Girls Adugodi💘 9352852248 Good Looking standard Profil...
 
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779Best VIP Call Girls Noida Sector 47 Call Me: 8448380779
Best VIP Call Girls Noida Sector 47 Call Me: 8448380779
 
Editorial design Magazine design project.pdf
Editorial design Magazine design project.pdfEditorial design Magazine design project.pdf
Editorial design Magazine design project.pdf
 
DragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxDragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptx
 
Stark Industries Marketing Plan (1).pptx
Stark Industries Marketing Plan (1).pptxStark Industries Marketing Plan (1).pptx
Stark Industries Marketing Plan (1).pptx
 
Booking open Available Pune Call Girls Kirkatwadi 6297143586 Call Hot Indian...
Booking open Available Pune Call Girls Kirkatwadi  6297143586 Call Hot Indian...Booking open Available Pune Call Girls Kirkatwadi  6297143586 Call Hot Indian...
Booking open Available Pune Call Girls Kirkatwadi 6297143586 Call Hot Indian...
 
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Service
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts ServiceVVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Service
VVIP CALL GIRLS Lucknow 💓 Lucknow < Renuka Sharma > 7877925207 Escorts Service
 

(2015) Audience Construction & The Uncanny – At Goldsmith DF

  • 1. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | PRESENTED AT GOLDSMITH DESIGN FESTIVAL 2015
  • 2. Speculation as Design Research Tobie Kerridge, Max Mollon, Luiza Prado de O. Martins, Alison Thomson While speculative and critical design (SCD) approaches have been written about extensively, there is scope to develop empirically robust accounts of these practices as a form of design research. This symposium brings together an international group of students and researchers who are challenging popular and rhetorical modes of writing about SCD by responding to issues that impinge upon their practice, including patient experience, upstream engagement and colonialism. Symposium Friday 4th September, 10:00 - 13:00 LG02, Professor Stuart Hall Building GOLDSMITHS DESIGN DEPARTMENT OF DESIGN gold.ac.uk FESTIVAL 3 - 9 SEPT Speculation as Design Research Tobie Kerridge, Max Mollon, Luiza Prado de O. Martins, Alison Thomson While speculative and critical design (SCD) approaches have been written about extensively, there is scope to develop empirically robust accounts of these practices as a form of design research. This symposium brings together an international group of students and researchers who are challenging popular and rhetorical modes of writing about SCD by responding to issues that impinge upon their practice, including patient experience, upstream engagement and colonialism. 3 - 9 SEPT
  • 3. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SPECULATION AS DESIGN RESEARCH SYMPOSIUM ORGANISED BY TOBIE KERRIDGE. PART OF THE GOLDSMITH DESIGN FESTIVAL 2015 OCT. O4TH
 WITH LUIZA PRADO DE O. MARTINS, MAX MOLLON, ALISON THOMSON. My initial reply to Tobie’s demand: In my work, I argue SCD uses design speculations to look into “people's reactions” when facing alternative views to the world they know. Indeed, “people’s reactions are the true product” of these practices – as James Auger puts it, in his thesis. For that reason, I feel the word empiric to echo with the relationship of SCD to its audiences. Empirical Speculation can refer to specific phases of the design process: collecting the audience reactions. 
 Collecting people’s reactions can occur along two phases: 
 the production & the reception of the artefact. • First, showing the project to potential users allows to crash- test the relevance of a speculation (regarding a specific audience’s background). These experiments allow to test the ability of a proposition to elicit “meaningful reactions” and so, to ensure good reception conditions for the project (eg. avoiding unintended debates). This is close to classical design’s pre-release user-testing, enabling to fine-tune the project. I like to call it “potential-user testing”.
 • The second step happens in live conditions of diffusion, collecting actual reactions of an audience. To put it in one word, Empirical Speculation is less about verifying the accuracy of a conjecture than its effect on people. It is therefore all about ensuring the relevance of a speculation to a public and collecting its reactions. For a matter of brevity, we will not go deeper into the questions of unintended debates, and situated audiences, yet.
  • 4. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 BONJOUR!
  • 5. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 1. STORY OF THE PROJECT 2. THEORETICAL BACKGROUND 3. RESEARCH QUESTIONS — AUDIENCE CONSTRUCTION & THE UNCANNY TODAY’S MENU:
  • 6. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THE MEMENTO MOR-E PROJECT
  • 7. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 MEMENTO MOR-E
  • 8. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 9. 9 PLEASE CHECK THE VIDEO:VIMEO.COM/MAXMOLLON/EPHEMERIDE
  • 10. 10
  • 11. 11
  • 12. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 13. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 PROJECT’S INTENTION
  • 14. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 15. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 16. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 17. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 RESEARCH INTENTIONS
  • 18. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 19. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015MY 3 MASTERS TUTORS
  • 20. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 21. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 22. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 WHAT IS SPECULATIVE DESIGN CLAIM?
  • 23. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SPECULATIVE DESIGN AIMS AT PROPOSING ALTERNATIVES TO THE WORLD AS WE KNOW IT IN ORDER TO ENGAGE PEOPLE INTO REFLECTION & DISCUSSION
  • 24. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 25. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 HOW TO ALLOW REFLECTION? WHO TO ENGAGE INTO DISCUSSION?
  • 26. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THEORETICAL BACKGROUND: TEXTS STUDIES PROJECTS ANALYSIS
  • 27. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 HOW TO ALLOW REFLECTION? WHO TO ENGAGE INTO DISCUSSION? UNCANNY CONSTRUCTION
  • 28. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 EXPERIMENT
  • 29. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 30. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 31. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 32. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 FIRST OBSERVATION
  • 33. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 34. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 35. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SECOND OBSERVATION
  • 36. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 37. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 38. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 39. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 40. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 41. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 42. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 43. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 44. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 GMO › BIG-DATA & LIVING BEINGS HEALTH › HUMAN HEALTH PREDICTIONS › › MND & HEALTHCARE › MND & TECHNOLOGIES › INSURANCE PLANS & TECHNOLOGIES › …
  • 45. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 46. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 47. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 WORK IN PROGRESS AUDIENCE CONSTRUCTION & THE UNCANNY – SPECULATIVE DESIGN AS A TOOL FOR COLLECTIVE REFLECTION & DISCUSSION ABOUT THE PREFERABLE FUTURES
  • 48. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THANKS! LICENSED UNDER CREATIVE COMMONS 2.5: 
 ATTRIBUTION NON-COMMERCIAL NO DERIVATIVES. AUDIENCE CONSTRUCTION & THE UNCANNY – MAXMOLLON@GMAIL.COM
  • 49. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 PICTURES OF THE EVENT
  • 50. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 51. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 52. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 53. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 54. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 55. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 56. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 57. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 58. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015