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Complexity and 
Change 
Nazgul Mingisheva 
Class of the Introduction to Social and Cultural Anthropology 
Karaganda State University, History faculty 
April 18, 2014
• Urban Anthropology and Change 
• Complexity and Encounters 
•Medical Anthropology 
• Orientalism, Decentralization and 
Modernization 
• Globalization and Construction of Kazakh 
Hybridity (Mimicry)
Urban Anthropology and Change 
Causes of urbanization and changing: 
•Labour migration to cities; 
•Industrialization; 
•Changes in value orientation 
Anthropological focus on change: 
•Godfrey Wilson (1941-1942) – de-tribalization in Africa 
•J. Clyde Mitchell (1956) – “The Kalela Dance” (change and 
continuity, ethnic symbolism, and group identity) 
•Abner Cohen (1969) and David Lan (1985) – moving from 
traditional to modern context of change; change of research 
methodology
Complexity and Encounters: Differentiation and 
Growing of Modern Societies 
Postcoloniality and translocality of Siaya (Western Kenya) 
Research of D.W. Cohen and E.S. Atieno Odhiambo, 1989: 
•Labour migration called social and cultural changes locally; 
•Creation of the middle class and new form of social 
differentiation by the national educational system, the growing 
of society and the new working opportunities; 
•Development of political organizations; 
•Social integration and nation-state; 
•Border migration, political changes, illegal border trade with 
Uganda and growing prosperity in Kenya
Conceptualizing encounters 
Economic and cultural postcolonialism/neocolonialism and 
processes of globalization: 
•Frantz Fanon (1956) 
•Edward Said (1978) 
•Gayatri Chakravorty Spivak (1988) 
•Homi K. Bhabha (1990) 
Encounters between systems of knowledge and cultural 
practices
Social encounters between 
knowledge systems 
Olivia Harris on cultural complexity in Latin America, the 
Andean area, 1995: 
•Model of mixing (creolization, syncretism, hybridity, mestizaje); 
•Model of colonization (enforced introduction of Christianity 
and Spanish language); 
•Model of borrowing; 
•Model of juxtaposition (parallel knowledge systems of Indians 
and Europeans); 
•Model of “imitation, assimilation or direct identification” 
•Model of “innovation and creativity” (it is completely new, 
does not tie with origins)
Medical Anthropology 
Medical Anthropology, or Anthropology of body, is a growing 
sub-discipline dealing with cultural knowledge and practices 
about the body, health and illness 
•Creation of “cultural body” 
•“Western medicine” and “indigenous medical systems” 
Research of Robert Welsh (1983) – Ningerum of the New 
Guinea highlands: interrelationship of traditional and Western 
medicine 
•Medical Anthropology and development represent cultural 
dynamics in poliethnic societies
Orientalism, Decentralization 
and Modernization 
Edward Said, his book “Orientalism” (1978) and an image of 
“the Other” as mystical and irrational: 
•Orientalism is the classic European vision of the East in 
literature and history 
•Western scholars have produces stereotypes of “the Oriental” 
in their production of myth about themselves, about the 
“Western World” as the cradle of progress, rationality and 
science
Decolonization and 
modernization 
• Eric Wolf (1982) 
• Marshall Sahlins (1985) 
• Tzvetan Todorov (1989) 
• Jean-Claude Galey (1992) 
• Ronald Inden (1990) 
• Veena Das (1994) 
• “modernity” and “tradition” 
• the paradoxical result of modernization is the emergence of 
traditionalist movements and reinterpretation of the ancestral 
culture (New Age movements in the West and Tengri in 
Eurasia); creation of new mythology
Globalization and Construction of Kazakh Hybridity 
(Mimicry) 
Nazgul Mingisheva. Globalization and Youth Culture in 
Kazakhstan: Postcolonial and Gender Aspects, 2013 (available 
at: http://icglobalidea.com). Global and local through media, 
television and popular culture in Kazakhstan: 
•Internet, television, and popular culture influence on gender 
identity of the surveyed young people 
•Regional (Russian) content has leading positions in the Internet, 
media and television among students’ preferences 
•Globalization is prevailed in popular culture although Russian 
content is significant too in music preferences of the students 
•Regional and local diversity in television and popular culture is 
not very high; there is some Asian content (Turkish and Indian) 
in television and popular culture 
•The local (Kazakhstan) content presents in all three parts of the 
research but it is minimal presently
Construction of Kazakh 
Hybridity and Mimicry in 
MusicGalymzhan Moldanazar (Aka Hipsterzhan)
Who Is Hipster? 
Hipster is a term popularly used to denote a contemporary 
subculture in North America, South America, Australia, and 
Europe primarily consisting of Millennials (Generation Y, 1980- 
2000s) living in urban areas (Grief, 2010). 
The subculture has been described as a “mutating, trans- 
Atlantic melting pot of styles, testes and behaviors” (Haddow, 
2008) and is broadly associated with indie and alternative music, 
a varied non-mainstream fashion sensibility (including vintage 
and thrift store-bought clothes), progressive, independent, or 
far-left political views, organic or artisanal foods, and alternative 
lifestyles (Wallace, 2012) (Wikipedia)
Images of Hipster
Female hipster
Male hipster
Aka Hipsterzhan and Kazakh 
“Michael Jackson” 
Ethnic music in modern Kazakhstan: Ulytau, Assylbek Yensepov, 
Saz Otau 
Interview for Hush.kz: “Galymzhan Moldanazar: ‘Aqpen birge’ is 
the song about condition after drug overdose” at 
http://hush.kz/blog/post/hipsterzhan_moldanazar 
•Discourses of Synthpop, Funk, Britpop, cinema, language, city, 
creativity, popularity, development, drug, religion 
Galymzhan is also a producer of Aibek Bainazarov who is Kazakh 
“Michael Jackson” (mimicry)
Conclusion: 
• Cultural change has been becoming one of the most 
important point to study modern development and can 
do possible to re-interpret human history 
• Cultural and Social Anthropology is also changed and 
developed alongside its various studies to find new 
research objects and try to give answers to present 
challenges

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Complexity and change

  • 1. Complexity and Change Nazgul Mingisheva Class of the Introduction to Social and Cultural Anthropology Karaganda State University, History faculty April 18, 2014
  • 2. • Urban Anthropology and Change • Complexity and Encounters •Medical Anthropology • Orientalism, Decentralization and Modernization • Globalization and Construction of Kazakh Hybridity (Mimicry)
  • 3. Urban Anthropology and Change Causes of urbanization and changing: •Labour migration to cities; •Industrialization; •Changes in value orientation Anthropological focus on change: •Godfrey Wilson (1941-1942) – de-tribalization in Africa •J. Clyde Mitchell (1956) – “The Kalela Dance” (change and continuity, ethnic symbolism, and group identity) •Abner Cohen (1969) and David Lan (1985) – moving from traditional to modern context of change; change of research methodology
  • 4. Complexity and Encounters: Differentiation and Growing of Modern Societies Postcoloniality and translocality of Siaya (Western Kenya) Research of D.W. Cohen and E.S. Atieno Odhiambo, 1989: •Labour migration called social and cultural changes locally; •Creation of the middle class and new form of social differentiation by the national educational system, the growing of society and the new working opportunities; •Development of political organizations; •Social integration and nation-state; •Border migration, political changes, illegal border trade with Uganda and growing prosperity in Kenya
  • 5. Conceptualizing encounters Economic and cultural postcolonialism/neocolonialism and processes of globalization: •Frantz Fanon (1956) •Edward Said (1978) •Gayatri Chakravorty Spivak (1988) •Homi K. Bhabha (1990) Encounters between systems of knowledge and cultural practices
  • 6. Social encounters between knowledge systems Olivia Harris on cultural complexity in Latin America, the Andean area, 1995: •Model of mixing (creolization, syncretism, hybridity, mestizaje); •Model of colonization (enforced introduction of Christianity and Spanish language); •Model of borrowing; •Model of juxtaposition (parallel knowledge systems of Indians and Europeans); •Model of “imitation, assimilation or direct identification” •Model of “innovation and creativity” (it is completely new, does not tie with origins)
  • 7. Medical Anthropology Medical Anthropology, or Anthropology of body, is a growing sub-discipline dealing with cultural knowledge and practices about the body, health and illness •Creation of “cultural body” •“Western medicine” and “indigenous medical systems” Research of Robert Welsh (1983) – Ningerum of the New Guinea highlands: interrelationship of traditional and Western medicine •Medical Anthropology and development represent cultural dynamics in poliethnic societies
  • 8. Orientalism, Decentralization and Modernization Edward Said, his book “Orientalism” (1978) and an image of “the Other” as mystical and irrational: •Orientalism is the classic European vision of the East in literature and history •Western scholars have produces stereotypes of “the Oriental” in their production of myth about themselves, about the “Western World” as the cradle of progress, rationality and science
  • 9. Decolonization and modernization • Eric Wolf (1982) • Marshall Sahlins (1985) • Tzvetan Todorov (1989) • Jean-Claude Galey (1992) • Ronald Inden (1990) • Veena Das (1994) • “modernity” and “tradition” • the paradoxical result of modernization is the emergence of traditionalist movements and reinterpretation of the ancestral culture (New Age movements in the West and Tengri in Eurasia); creation of new mythology
  • 10. Globalization and Construction of Kazakh Hybridity (Mimicry) Nazgul Mingisheva. Globalization and Youth Culture in Kazakhstan: Postcolonial and Gender Aspects, 2013 (available at: http://icglobalidea.com). Global and local through media, television and popular culture in Kazakhstan: •Internet, television, and popular culture influence on gender identity of the surveyed young people •Regional (Russian) content has leading positions in the Internet, media and television among students’ preferences •Globalization is prevailed in popular culture although Russian content is significant too in music preferences of the students •Regional and local diversity in television and popular culture is not very high; there is some Asian content (Turkish and Indian) in television and popular culture •The local (Kazakhstan) content presents in all three parts of the research but it is minimal presently
  • 11. Construction of Kazakh Hybridity and Mimicry in MusicGalymzhan Moldanazar (Aka Hipsterzhan)
  • 12. Who Is Hipster? Hipster is a term popularly used to denote a contemporary subculture in North America, South America, Australia, and Europe primarily consisting of Millennials (Generation Y, 1980- 2000s) living in urban areas (Grief, 2010). The subculture has been described as a “mutating, trans- Atlantic melting pot of styles, testes and behaviors” (Haddow, 2008) and is broadly associated with indie and alternative music, a varied non-mainstream fashion sensibility (including vintage and thrift store-bought clothes), progressive, independent, or far-left political views, organic or artisanal foods, and alternative lifestyles (Wallace, 2012) (Wikipedia)
  • 16. Aka Hipsterzhan and Kazakh “Michael Jackson” Ethnic music in modern Kazakhstan: Ulytau, Assylbek Yensepov, Saz Otau Interview for Hush.kz: “Galymzhan Moldanazar: ‘Aqpen birge’ is the song about condition after drug overdose” at http://hush.kz/blog/post/hipsterzhan_moldanazar •Discourses of Synthpop, Funk, Britpop, cinema, language, city, creativity, popularity, development, drug, religion Galymzhan is also a producer of Aibek Bainazarov who is Kazakh “Michael Jackson” (mimicry)
  • 17. Conclusion: • Cultural change has been becoming one of the most important point to study modern development and can do possible to re-interpret human history • Cultural and Social Anthropology is also changed and developed alongside its various studies to find new research objects and try to give answers to present challenges