Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

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Examples of charcoal & graphite series drawings

Formation

Dan Beudean
David Dodge Lewis & Ephraim
Rubenstein

Recommandé

Dan Beudean; David Dodge Lewis & Ephraim Rubensteinpamlanza

Art works with free association textpamlanza

TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONSpamlanza

Space and Composition in Scrollspamlanza

Why Work in Series?pamlanza

Patternpamlanza

Expressive figurepamlanza

Recommandé

Dan Beudean; David Dodge Lewis & Ephraim Rubensteinpamlanza

Art works with free association textpamlanza

TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONSpamlanza

Space and Composition in Scrollspamlanza

Why Work in Series?pamlanza

Patternpamlanza

Expressive figurepamlanza

Materials and Conceptpamlanza

Dewitt Jordanpamlanza

Studying the Masterspamlanza

Tension and Harmony in Compositionpamlanza

Working in Sereis - Introductionpamlanza

Pattern and Ink Blot Drawingspamlanza

Modeling the Figurepamlanza

Modelingpamlanza

Voice and Visions Final Summ 2015pamlanza

Time & Movement in Scrollspamlanza

Heads, Hands, and Feetpamlanza

Communicators v. Indicatorspamlanza

Grids of Drawingspamlanza

Transfer Workshop Fall 2014pamlanza

Figure planespamlanza

Motif in Collage; Why Work in Series?pamlanza

USING INK WASH and EDITING WITH GESSOpamlanza

Experiments in Figure Drawing and in unusual format (scrolls)pamlanza

Text in collagepamlanza

Repurposed & Collaged Drawingspamlanza

"Half-life" Drawingpamlanza

Disparate Elements, Contemporary Surrealismpamlanza

Contenu connexe

En vedette

Materials and Conceptpamlanza

Dewitt Jordanpamlanza

Studying the Masterspamlanza

Tension and Harmony in Compositionpamlanza

Working in Sereis - Introductionpamlanza

Pattern and Ink Blot Drawingspamlanza

Modeling the Figurepamlanza

Modelingpamlanza

Voice and Visions Final Summ 2015pamlanza

Time & Movement in Scrollspamlanza

Heads, Hands, and Feetpamlanza

Communicators v. Indicatorspamlanza

Grids of Drawingspamlanza

Transfer Workshop Fall 2014pamlanza

Figure planespamlanza

Motif in Collage; Why Work in Series?pamlanza

USING INK WASH and EDITING WITH GESSOpamlanza

Experiments in Figure Drawing and in unusual format (scrolls)pamlanza

Text in collagepamlanza

En vedette (19)

Materials and Concept

Dewitt Jordan

Studying the Masters

Tension and Harmony in Composition

Working in Sereis - Introduction

Pattern and Ink Blot Drawings

Modeling the Figure

Modeling

Voice and Visions Final Summ 2015

Time & Movement in Scrolls

Heads, Hands, and Feet

Communicators v. Indicators

Grids of Drawings

Transfer Workshop Fall 2014

Figure planes

Motif in Collage; Why Work in Series?

USING INK WASH and EDITING WITH GESSO

Experiments in Figure Drawing and in unusual format (scrolls)

Text in collage

Plus de pamlanza

Repurposed & Collaged Drawingspamlanza

"Half-life" Drawingpamlanza

Disparate Elements, Contemporary Surrealismpamlanza

Drawing on Acetate Overlaypamlanza

Acetate Overlay Drawingspamlanza

Layers of Informationpamlanza

Why Do Master's Studiespamlanza

Chance Encounters Introductionpamlanza

Delicious Ambiguitypamlanza

Combining elements from former drawings to create new onespamlanza

REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2pamlanza

Drawing Drapery; Contemporary Drawing Part 1pamlanza

Industrial Objects and Paper Bagspamlanza

COMPOSITIONpamlanza

MASTER STUDIES vs. MASTER COPIESpamlanza

DRAWING FILM STILLS UPSIDE-DOWNpamlanza

COMPOSITION & SHADINGpamlanza

DRAWING WITHOUT FEAR! Week 1: Basic shapespamlanza

Not Flat Workshop May 2018pamlanza

Don't Box Me In Final Critiquepamlanza

Plus de pamlanza (20)

Repurposed & Collaged Drawings

"Half-life" Drawing

Disparate Elements, Contemporary Surrealism

Drawing on Acetate Overlay

Acetate Overlay Drawings

Layers of Information

Why Do Master's Studies

Chance Encounters Introduction

Delicious Ambiguity

Combining elements from former drawings to create new ones

REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2

Drawing Drapery; Contemporary Drawing Part 1

Industrial Objects and Paper Bags

COMPOSITION

MASTER STUDIES vs. MASTER COPIES

DRAWING FILM STILLS UPSIDE-DOWN

COMPOSITION & SHADING

DRAWING WITHOUT FEAR! Week 1: Basic shapes

Not Flat Workshop May 2018

Don't Box Me In Final Critique

Dernier

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Dernier (20)

Unit-IV; Professional Sales Representative (PSR).pptx

PROCESS RECORDING FORMAT.docx

Beyond the EU: DORA and NIS 2 Directive's Global Impact

Paris 2024 Olympic Geographies - an activity

psychiatric nursing HISTORY COLLECTION .docx

Grant Readiness 101 TechSoup and Remy Consulting

Accessible design: Minimum effort, maximum impact

Mehran University Newsletter Vol-X, Issue-I, 2024

Measures of Central Tendency: Mean, Median and Mode

Basic Civil Engineering first year Notes- Chapter 4 Building.pptx

The basics of sentences session 2pptx copy.pptx

Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...

fourth grading exam for kindergarten in writing

Código Creativo y Arte de Software | Unidad 1

Gardella_Mateo_IntellectualProperty.pdf.

Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes

INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx

Unit-V; Pricing (Pharma Marketing Management).pptx

An Overview of Mutual Funds Bcom Project.pdf

This PowerPoint helps students to consider the concept of infinity.

Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

1. Dan Beudean David Dodge Lewis & Ephraim Rubenstein

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12. Lewis & Rubenstein