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COM 310  Visual Communication  3/18
Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Roland Barthes  Camera Lucida  (1980) ,[object Object]
Henri Cartier-Bresson (1908 – 2004)  ,[object Object]
Henri Cartier-Bresson (1908 – 2004)  ,[object Object]
Decisive Moment (1952) ,[object Object]
Decisive Moment (1952)
Henri Cartier-Bresson (1908 – 2004)  ,[object Object]
Henri Cartier-Bresson (cont.) “ Hyeres,” 1932.
Henri Cartier-Bresson (cont.) Matisse
Henri Cartier-Bresson (cont.)
Robert Frank (b. 1924) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Richard Avedon (1923 - 2004) ,[object Object],[object Object],[object Object],[object Object],[object Object]
Cindy Sherman  (b. 1954) ,[object Object],[object Object],[object Object],[object Object],“ Untitled # 132,” 1984
Cindy Sherman ,[object Object]

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Photographers

Notes de l'éditeur

  1. (August 22, 1908 – August 3, 2004) French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" style that has influenced generations of photographers that followed.
  2. L’amour tout court
  3. Brought a photographers eye
  4. In 1946, Avedon had set up his own studio and began providing images for magazines including Vogue and Life. Avedon was drawn to working people such as miners and oil field workers in their soiled work clothes, unemployed drifters, and teenagers growing up in the West circa 1979-84. When first published and exhibited , In the American West was criticized for showing what some considered to be a disparaging view of America. Avedon was also lauded for treating his subjects with the attention and dignity usually reserved for the politically powerful and celebrities.