Narrative knowledge is highly important for intelligence scholars and practitioners and cannot be left aside. The German movie ‘Das Leben der Anderen’ or ‘The Lives of Others’ by movie director Florian Henckel von Donnersmarck is a brilliantly visualized, realistic but romantic introduction into the daily life of citizens and the organization, tasks and corporate culture of the former ‘Ministerium für Staatssicherheit’, ‘MfS’ or ‘Stasi’ in the ‘Deutsche Demokratische Republik’ or German Democratic Republic, ‘GDR’. Highlighting the (cult) figure of Feliks Dzierzynsky is used to bring a historical note on his importance towards the Soviet Union and East German intelligence community. In reviewing the structure of the ‘Stasi’ we argue the functioning of an intelligence organization without any form of oversight tends to become a totalitarian and arbitrary institution. The disappearance of the ‘Stasi’ and the cult of Feliks Dzierzynsky can be studied and researched as an evil narrative example within the history of the intelligence agencies.
El conocimiento narrativo es muy importante para los profesionales y estudiosos de la inteligencia y no puede ser dejada de lado. La película alemana 'Das Leben der Anderen' o 'La vida de otros' por el director de cine Florian Henckel von Donnersmarck es una introducción brillantemente visualizada, realista pero romántica en la vida cotidiana de los ciudadanos y la organización, tareas y cultura corporativa de la ex 'Ministerium für Staatssicherheit', 'MfS' o 'Stasi' en la 'Deutsche Demokratische Republik' o la República Democrática Alemana, el 'RDA'. Resaltando la figura de culto de Feliks Dzierzynsky. Se utiliza para traer una nota histórica sobre su importancia hacia la comunidad de inteligencia de la Unión Soviética y Alemania Oriental. En la revisión de la estructura de la 'Stasi'. Sostenemos el funcionamiento de una organización de inteligencia sin ningún tipo de supervisión tiende a convertirse en una institución arbitraria y totalitaria. La desaparición de la 'Stasi' y el culto de Feliks Dzierzynsky pueden estudiados e investigados como un mal ejemplo narrativo dentro de la historia de las agencias de inteligencia.
This document provides an introduction and background on studies of Nazi-era German cinema. It summarizes that early studies focused on how films were used as propaganda, but more recent analyses examine them aesthetically and culturally. The introduction of the Nazis led to changes in the film industry, with Jews banned and Goebbels put in charge. Goebbels intended to use film to influence emotions and control the population, establishing the Reichsfilmkammer to control the industry. While a few films were infamous propaganda, most Nazi-era films were generic entertainment and did not contain obvious racism or horrors.
The document provides updates on political and social issues in Germany. It discusses the League of Expellees and concerns about some members holding revanchist views that could undermine reconciliation efforts. It also describes the new European External Action Service that will coordinate EU foreign policy, and the closure of a mosque in Hamburg known to recruit for terrorist activities. The challenges of enforcing sanctions against Iran while some German firms try to circumvent the rules are also noted.
I Watched Hitlers Circle of Evil on Netflix This is What I Learned 1/2 Charlie
The document provides background on several key figures in Hitler's inner circle. It describes how Dietrich Eckart helped establish the Nazi party and mentored Hitler, seeing him as a potential "messiah." Others like Hermann Göring, Heinrich Himmler, and Rudolf Hess were early admirers of Hitler and helped build the Nazi movement. The party gained momentum after Hitler took over as leader in 1921. The document gives insights into the personalities and roles of these early Nazi leaders as they helped propel Hitler to power.
This document provides a summary and analysis of Hilmar Hoffmann's book "The Triumph of Propaganda: Film and National Socialism, 1933-1945". The summary discusses how film was the most influential mass medium used by the Nazis for propaganda purposes. It describes how the Nazis took control of the German film industry after rising to power in 1933. It analyzes how Nazi propaganda films used symbolic images like flags and banners to promote Nazi ideology. The summary also discusses the role of propaganda films in promoting Nazi leaders and historical figures to inspire the German people.
This document summarizes information about the documentary film "Vita Activa: The Spirit of Hannah Arendt". The film provides an intimate portrait of the influential 20th century philosopher Hannah Arendt through archival footage and interviews. It focuses on her theory of the "banality of evil" which she developed in response to the Eichmann trial. The film traces how Arendt's experiences as a German refugee shaped her philosophical writings on totalitarianism, statelessness, and the importance of protecting dissenting voices. Director Ada Ushpiz spent five years creating the documentary to illuminate Arendt's thinking and legacy.
Adolf Hitler (1889-1945) was the founder and leader of the Nazi Party in Germany. He rose to power in the 1930s by exploiting economic instability and promoting nationalist and anti-Semitic ideology. As German dictator from 1933-1945, he established a totalitarian state and initiated World War II and the systematic genocide known as the Holocaust that resulted in the deaths of six million Jews and millions of others.
The document discusses trauma theory through analyzing several key concepts:
1. It traces the development of trauma theory over the last century, from Freud's initial reflections on traumatic experiences to modern conceptualizations like PTSD.
2. Literature is seen as important for trauma theory because it can accommodate both comprehensible and incomprehensible aspects of traumatic experience.
3. Two views of trauma theory from Bloom and Balaev are presented. Bloom focuses on trauma's effects like fight-or-flight responses, while Balaev examines how literature conveys trauma through narrative techniques.
4. Questions are raised about how trauma is understood and processed individually and culturally over time.
Life of a Soviet Spy-General Krivitsky-Samuel GinzburgAgha A
1) Samuel Ginzburg was born in Galicia, Austria-Hungary and became a communist revolutionary, joining the Russian Communist Party.
2) He became an intelligence officer for Soviet Military Intelligence (GRU) after the Bolshevik Revolution of 1917. He held various positions in intelligence throughout the 1920s-1930s in Germany, Vienna, and as director of intelligence for Western Europe.
3) In 1937, Ginzburg defected to the West after his friend and fellow intelligence officer Ignace Reiss was assassinated on Stalin's orders for rebelling against Stalin's oppressive policies. Ginzburg testified before US Congress about Soviet espionage activities.
This document provides an introduction and background on studies of Nazi-era German cinema. It summarizes that early studies focused on how films were used as propaganda, but more recent analyses examine them aesthetically and culturally. The introduction of the Nazis led to changes in the film industry, with Jews banned and Goebbels put in charge. Goebbels intended to use film to influence emotions and control the population, establishing the Reichsfilmkammer to control the industry. While a few films were infamous propaganda, most Nazi-era films were generic entertainment and did not contain obvious racism or horrors.
The document provides updates on political and social issues in Germany. It discusses the League of Expellees and concerns about some members holding revanchist views that could undermine reconciliation efforts. It also describes the new European External Action Service that will coordinate EU foreign policy, and the closure of a mosque in Hamburg known to recruit for terrorist activities. The challenges of enforcing sanctions against Iran while some German firms try to circumvent the rules are also noted.
I Watched Hitlers Circle of Evil on Netflix This is What I Learned 1/2 Charlie
The document provides background on several key figures in Hitler's inner circle. It describes how Dietrich Eckart helped establish the Nazi party and mentored Hitler, seeing him as a potential "messiah." Others like Hermann Göring, Heinrich Himmler, and Rudolf Hess were early admirers of Hitler and helped build the Nazi movement. The party gained momentum after Hitler took over as leader in 1921. The document gives insights into the personalities and roles of these early Nazi leaders as they helped propel Hitler to power.
This document provides a summary and analysis of Hilmar Hoffmann's book "The Triumph of Propaganda: Film and National Socialism, 1933-1945". The summary discusses how film was the most influential mass medium used by the Nazis for propaganda purposes. It describes how the Nazis took control of the German film industry after rising to power in 1933. It analyzes how Nazi propaganda films used symbolic images like flags and banners to promote Nazi ideology. The summary also discusses the role of propaganda films in promoting Nazi leaders and historical figures to inspire the German people.
This document summarizes information about the documentary film "Vita Activa: The Spirit of Hannah Arendt". The film provides an intimate portrait of the influential 20th century philosopher Hannah Arendt through archival footage and interviews. It focuses on her theory of the "banality of evil" which she developed in response to the Eichmann trial. The film traces how Arendt's experiences as a German refugee shaped her philosophical writings on totalitarianism, statelessness, and the importance of protecting dissenting voices. Director Ada Ushpiz spent five years creating the documentary to illuminate Arendt's thinking and legacy.
Adolf Hitler (1889-1945) was the founder and leader of the Nazi Party in Germany. He rose to power in the 1930s by exploiting economic instability and promoting nationalist and anti-Semitic ideology. As German dictator from 1933-1945, he established a totalitarian state and initiated World War II and the systematic genocide known as the Holocaust that resulted in the deaths of six million Jews and millions of others.
The document discusses trauma theory through analyzing several key concepts:
1. It traces the development of trauma theory over the last century, from Freud's initial reflections on traumatic experiences to modern conceptualizations like PTSD.
2. Literature is seen as important for trauma theory because it can accommodate both comprehensible and incomprehensible aspects of traumatic experience.
3. Two views of trauma theory from Bloom and Balaev are presented. Bloom focuses on trauma's effects like fight-or-flight responses, while Balaev examines how literature conveys trauma through narrative techniques.
4. Questions are raised about how trauma is understood and processed individually and culturally over time.
Life of a Soviet Spy-General Krivitsky-Samuel GinzburgAgha A
1) Samuel Ginzburg was born in Galicia, Austria-Hungary and became a communist revolutionary, joining the Russian Communist Party.
2) He became an intelligence officer for Soviet Military Intelligence (GRU) after the Bolshevik Revolution of 1917. He held various positions in intelligence throughout the 1920s-1930s in Germany, Vienna, and as director of intelligence for Western Europe.
3) In 1937, Ginzburg defected to the West after his friend and fellow intelligence officer Ignace Reiss was assassinated on Stalin's orders for rebelling against Stalin's oppressive policies. Ginzburg testified before US Congress about Soviet espionage activities.
Hitler has a robust physique and high endurance. He is meticulous about his personal appearance and hygiene, but takes little exercise other than pacing while whistling tunes. As a reader, he is selective and only interested in subjects that confirm his existing views, with a focus on dramatic historical figures. He has a great capacity for silence or monologue in conversations.
The history of four terrorist organizations in the Balkans and a general introduction to terrorism and freedom fighting. Also includes essays about religious co-existence in the Balkans and about pathological narcissism as a precursor to terrorism.
This document provides an overview of early Weimar cinema in Germany from 1919 to 1933, during the Weimar Republic. It discusses how the first aim is to explore Weimar cinema as a national cinema and later look at its international connections. It defines Weimar cinema and notes it was a golden age that saw the development of film as an artistic medium. It highlights German Expressionist film as a specific type that came to prominence in early Weimar years through directors like Robert Wiene, Fritz Lang, and Friedrich Murnau.
This document provides information about an upcoming motion picture about human destiny directed by MarieAnna Dvorak. The film will portray human destiny in the grasp of politics during the Cold War era, from the years of silence to the Russian invasion and Vietnam War. It will show how history repeats itself and is closely related to modern political crises. The story takes place in Prague, New York, and Atlanta and involves significant figures like Shirley Temple Black. Filming will occur in a major European film studio. The director hopes the true story about people's lives and destinies during this time will resonate with audiences.
1) The document discusses the difficulties in accurately summarizing the life and works of Josquin des Prez due to a lack of clear historical records and the tendency of contemporaries to embellish or misattribute works.
2) While the chanson Mille Regretz displays some stylistic elements common in Josquin's work like motivic writing, there is no definitive proof that he composed it given that contemporaries frequently edited, rearranged, and misattributed pieces.
3) Comparing Mille Regretz to Josquin's motet Ave Maria virgo serena allows for some plausible stylistic comparisons to be made between the two works, but overall the document maintains skepticism around attributing Mille
This document provides an overview of post-Soviet literature in Russia and Eastern Europe following the fall of the Soviet Union in the late 1980s and early 1990s. It discusses the historical context beginning with World War I and the Bolshevik Revolution, then covers Soviet rule, resistance to it, and its eventual collapse. It also examines various theories of postmodernism and whether they apply to literature emerging from former Eastern bloc countries, noting both similarities to and differences from postmodernism in the West. Key postmodern concepts from thinkers like Foucault, Derrida, Baudrillard, and Bakhtin are outlined.
Nineteen Eighty-Four by George Orwell depicts a dystopian future where a totalitarian government called Ingsoc controls its citizens through constant surveillance and propaganda. The world is divided into three superstates that are perpetually at war. Ingsoc controls Oceania, where the story takes place, through its "Ministries" that actually function in reverse of their names - the Ministry of Truth spreads propaganda, the Ministry of Peace wages war, and the Ministry of Love carries out torture. The Party maintains power through surveillance via telescreens, manipulation of history, and the official language of Newspeak which limits free thought. Citizens live in constant fear of Big Brother and the Thought Police.
This document provides context on key ideas, individuals, and events that shaped the 1940s and beyond, including:
1) Utopian visions of the future from writers like HG Wells and Oscar Wilde are discussed, as well as dystopian visions from works like We, 1984, and Brave New World that criticized totalitarianism.
2) Philosophies like existentialism, explored by Jean-Paul Sartre, focused on themes of freedom, commitment, and the search for meaning in an absurd world.
3) Architecture in the Soviet Union after WWII took on a triumphal style with tall buildings intended to showcase their power and draw visitors, while other modernist designs emerged in Europe as
Animal Farm by George Orwell is an allegorical novella published in 1945 that satirizes the Russian Revolution and rise of Stalinism. Orwell was a journalist who hated totalitarianism and believed in democratic socialism. The story is inspired by the events of the Russian Revolution where the Bolsheviks overthrew the provisional government in 1917 and Lenin took control, followed by a power struggle after Lenin's death between Trotsky and Stalin. Animal Farm uses allegory and satire to attack Stalin and depict a totalitarian regime.
This document discusses Nazi propaganda in animation during the Third Reich in Germany. It provides background on Joseph Goebbels who was in charge of the Ministry of Propaganda and how he may have manipulated German animators and directors to promote Nazi ideology. It examines the career of animator Hans Fischerkoesen, who made early propaganda films for German banks but was likely not a Nazi supporter. It explores how some of these early propaganda films functioned and the financial context in Germany at the time that may have compelled animators to take such work despite reservations.
George Orwell's 1984 is set in Oceania, which is constantly at war. The story follows Winston Smith as he secretly rebels against the totalitarian rule of the Party. He rents a room from Mrs. Charrington that is not monitored by telescreens, where he can meet his lover Julia without surveillance. They are later betrayed by O'Brien and taken to the Ministry of Love to be "re-educated" and forced to conform. The novel examines the use of propaganda, censorship, and historical revisionism to obtain complete control over citizens.
German Expressionism was an influential but overlooked art movement in early 20th century Germany that explored emotional and psychological themes through distorted and exaggerated settings and characters. It influenced many films, plays, paintings and other artistic mediums. Expressionism grew popular in the 1920s but declined under Nazi rule, as Hitler favored classical styles and Expressionism was deemed anti-German. Many German Expressionist artists fled to America and continued developing the style, which went on to influence later films noir and Hollywood works through immigrant artists and techniques. Key Expressionist films like The Cabinet of Dr. Caligari and Nosferatu helped establish the horror and science fiction genres.
German Expressionism originated as an artistic movement in early 20th century Germany that influenced cinema through its use of abstract and non-realistic sets and scenarios exploring themes of insanity and a hostile world. Key characteristics of Expressionist films included distorted perspectives and sets designed to reflect a protagonist's state of mind. Expressionism later influenced the film noir genre, featuring cynical characters in dark stories. Famous German Expressionist filmmakers like Fritz Lang, Robert Wiene, and their films like The Cabinet of Dr. Caligari and Metropolis had lasting impacts and influenced later directors such as Tim Burton.
The document discusses Nazi propaganda methods before, during, and after World War 2. It describes how the Nazis used books, films, posters, and speeches to promote ideals of German nationalism, portray Jews negatively, and overstate Germany's military strength. Two major propaganda leaders highlighted are Joseph Goebbels, who oversaw the Nazi propaganda machine, and Leni Riefenstahl, whose films pioneered innovative propaganda techniques still used today.
Cinematography of psychological horror’s over the years bdfhamieelittle
This document summarizes the evolution of cinematography techniques in psychological horror films over the decades from the 1920s to the 2000s. It traces how the genres explored different psychological themes and fears prevalent in each era, from madness and the unknown in the 1920s, to questions of science and religion in the 1930s, the impact of war in the 1940s-1950s, fears of new technologies and social changes in the 1960s-1970s, the rise of gore and special effects in the 1980s-1990s, and predictions of the future and the paranormal in the 2000s. Key films that pushed boundaries or represented themes of their time are mentioned for each decade.
Cinematography in psychological horror films has evolved over the decades from the 1920s to the 2000s. Early 1920s films relied on expressionist techniques and focused on Gothic monsters and mad scientists. The 1930s introduced sound and questioned science versus religion. The 1940s saw fewer films due to WWII. Psychological horror emerged in the 1960s with films like Psycho. The 1970s explored family fears and the 1980s brought technological advances in special effects. Serial killer films became popular in the 1990s. Psychological and supernatural films of the 2000s played on future fears and the unknown.
German Expressionist films developed in Germany after World War 1 using unconventional styles to portray emotions during a difficult time. The films were unique due to limited resources and an isolated film industry. Expressionism influenced later horror and film noir genres with its dark moods and sets. Notable films include Metropolis and Nosferatu. While Expressionism declined in the late 1920s as filmmakers emigrated to Hollywood, its themes and styles continued to influence many famous directors and films thereafter.
Close Encounters of the Third KindClose encounters with the Th.docxmonicafrancis71118
Close Encounters of the Third Kind
Close encounters
with the Third Reich
by Robert Entman and Francis Seymour
from Jump Cut, no. 18, August 1978, pp. 3-6
copyright Jump Cut: A Review of Contemporary Media, 1978, 2005
"So long as man remains free he strives for nothing so incessantly and so painfully as to find someone to worship … This craving for community of worship is the chief misery of every man individually and of all humanity from the beginning of time … There are three powers, three powers alone, able to conquer and hold [humanity] captive forever … those forces are miracle, mystery, and authority."
— The Grand Inquisitor in Dostoyevsky's The Brothers Karamazov(1)
We think Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND deserves careful attention. This belief is not based on its contributions to the art of film—we couldn't find any. But we do think it has a lot to tell us about the relationship of politics to the U.S. culture industry.
CLOSE ENCOUNTERS OF THE THIRD KIND reflects recent economic and ideological trends in the United States better than many "news" reports. A study of this movie shows how capitalism produces propaganda that reinforces the system at the same time it creates "entertainment." Specifically, we argue that CLOSE ENCOUNTERS can be viewed as a fascist film. We'll show that its theme, structure, and symbolism strongly echo those of the films of pre-fascist and Nazi Germany. Then we'll draw the political lessons. (2)
For those few who somehow missed the film or the news stories about it, here is a brief outline. The plot revolves around the visiting of middle America (Muncie, Indiana) by a number of unidentified flying objects. Although the UFOs are sighted by many reliable citizens and leave clear evidence of their presence, news media and government officials (at least publicly) dismiss reports of the visits. But the aliens do two main things to make sure their visits will be acknowledged. They broadcast numbers that correspond to the latitude and longitude of Devil's Tower, Wyoming, where they plan to land. And they implant, by telepathic suggestion, a picture of Devil's Tower on a number of people, who then feel an overwhelming urge to go there, a need they don't understand.
The plot works on two corresponding levels. The main plot involves the struggle of two common citizens, Roy Neary (Richard Dreyfuss) and Jillian Guiler (Melinda Dillon) first to understand the aliens' message and then to overcome the attempts of authorities to prevent them from getting to Devil's Tower for the alien landing. The subplot concerns the process by which scientific and military officials, headed by Frenchman Claude Lacombe (François Truffaut) decipher the aliens' transmissions and get the meeting point up so the UFOs will land.
These plots compose the first section of a two-part narrative. The movie's real purpose is the climactic close encounter of the third kind (physical contact) with extraterrestrial beings. Th.
4
This document contains a review of the historical novel "HHhH" by Laurent Binet about the assassination of Nazi Reinhard Heydrich. The review discusses how Binet insists on only using factual details and criticizes other historical fiction works for fictionalizing details, yet still engages in some fictionalization himself. While Binet's style is distracting at times, the facts about Heydrich's rise to power as a key Nazi leader and his role in the Holocaust are compelling. The review also provides background on Heydrich and the plot of Binet's novel focusing on the Czech assassins who killed Heydrich in 1942.
Christopher Isherwood's novel "Goodbye to Berlin" provides insights into Berlin society in the 1930s through the situations and dialogues described. While some events are not fully explained, literary critical approaches allow readers to construct the social context from representative situations. The narrator's objectivity is partially achieved through describing himself as "a camera" passiveley recording scenes. The novel reveals social discourses and ideologies that shaped the society in which it was written according to theories of sociological novel criticism.
The bad war[the truth never told about world war2]Martin Struthers
Facinating research into the true history of events surrounding the second world war and its aftermath, exposing the real culprits and the reason and agenda behind it.
German expressionist films of the early 1900s, such as The Cabinet of Dr. Caligari, featured expressionistic sets and stories of madness and insanity that influenced the horror genre. Expressionism declined in the 1920s but reemerged in Hollywood, influencing genres like horror and film noir. Classic horror literature from the 18th-19th centuries also influenced early horror films. Horror films in subsequent decades represented the social fears of their time through monster and human villains. Psychological horror became popular in the 1990s.
Hitler has a robust physique and high endurance. He is meticulous about his personal appearance and hygiene, but takes little exercise other than pacing while whistling tunes. As a reader, he is selective and only interested in subjects that confirm his existing views, with a focus on dramatic historical figures. He has a great capacity for silence or monologue in conversations.
The history of four terrorist organizations in the Balkans and a general introduction to terrorism and freedom fighting. Also includes essays about religious co-existence in the Balkans and about pathological narcissism as a precursor to terrorism.
This document provides an overview of early Weimar cinema in Germany from 1919 to 1933, during the Weimar Republic. It discusses how the first aim is to explore Weimar cinema as a national cinema and later look at its international connections. It defines Weimar cinema and notes it was a golden age that saw the development of film as an artistic medium. It highlights German Expressionist film as a specific type that came to prominence in early Weimar years through directors like Robert Wiene, Fritz Lang, and Friedrich Murnau.
This document provides information about an upcoming motion picture about human destiny directed by MarieAnna Dvorak. The film will portray human destiny in the grasp of politics during the Cold War era, from the years of silence to the Russian invasion and Vietnam War. It will show how history repeats itself and is closely related to modern political crises. The story takes place in Prague, New York, and Atlanta and involves significant figures like Shirley Temple Black. Filming will occur in a major European film studio. The director hopes the true story about people's lives and destinies during this time will resonate with audiences.
1) The document discusses the difficulties in accurately summarizing the life and works of Josquin des Prez due to a lack of clear historical records and the tendency of contemporaries to embellish or misattribute works.
2) While the chanson Mille Regretz displays some stylistic elements common in Josquin's work like motivic writing, there is no definitive proof that he composed it given that contemporaries frequently edited, rearranged, and misattributed pieces.
3) Comparing Mille Regretz to Josquin's motet Ave Maria virgo serena allows for some plausible stylistic comparisons to be made between the two works, but overall the document maintains skepticism around attributing Mille
This document provides an overview of post-Soviet literature in Russia and Eastern Europe following the fall of the Soviet Union in the late 1980s and early 1990s. It discusses the historical context beginning with World War I and the Bolshevik Revolution, then covers Soviet rule, resistance to it, and its eventual collapse. It also examines various theories of postmodernism and whether they apply to literature emerging from former Eastern bloc countries, noting both similarities to and differences from postmodernism in the West. Key postmodern concepts from thinkers like Foucault, Derrida, Baudrillard, and Bakhtin are outlined.
Nineteen Eighty-Four by George Orwell depicts a dystopian future where a totalitarian government called Ingsoc controls its citizens through constant surveillance and propaganda. The world is divided into three superstates that are perpetually at war. Ingsoc controls Oceania, where the story takes place, through its "Ministries" that actually function in reverse of their names - the Ministry of Truth spreads propaganda, the Ministry of Peace wages war, and the Ministry of Love carries out torture. The Party maintains power through surveillance via telescreens, manipulation of history, and the official language of Newspeak which limits free thought. Citizens live in constant fear of Big Brother and the Thought Police.
This document provides context on key ideas, individuals, and events that shaped the 1940s and beyond, including:
1) Utopian visions of the future from writers like HG Wells and Oscar Wilde are discussed, as well as dystopian visions from works like We, 1984, and Brave New World that criticized totalitarianism.
2) Philosophies like existentialism, explored by Jean-Paul Sartre, focused on themes of freedom, commitment, and the search for meaning in an absurd world.
3) Architecture in the Soviet Union after WWII took on a triumphal style with tall buildings intended to showcase their power and draw visitors, while other modernist designs emerged in Europe as
Animal Farm by George Orwell is an allegorical novella published in 1945 that satirizes the Russian Revolution and rise of Stalinism. Orwell was a journalist who hated totalitarianism and believed in democratic socialism. The story is inspired by the events of the Russian Revolution where the Bolsheviks overthrew the provisional government in 1917 and Lenin took control, followed by a power struggle after Lenin's death between Trotsky and Stalin. Animal Farm uses allegory and satire to attack Stalin and depict a totalitarian regime.
This document discusses Nazi propaganda in animation during the Third Reich in Germany. It provides background on Joseph Goebbels who was in charge of the Ministry of Propaganda and how he may have manipulated German animators and directors to promote Nazi ideology. It examines the career of animator Hans Fischerkoesen, who made early propaganda films for German banks but was likely not a Nazi supporter. It explores how some of these early propaganda films functioned and the financial context in Germany at the time that may have compelled animators to take such work despite reservations.
George Orwell's 1984 is set in Oceania, which is constantly at war. The story follows Winston Smith as he secretly rebels against the totalitarian rule of the Party. He rents a room from Mrs. Charrington that is not monitored by telescreens, where he can meet his lover Julia without surveillance. They are later betrayed by O'Brien and taken to the Ministry of Love to be "re-educated" and forced to conform. The novel examines the use of propaganda, censorship, and historical revisionism to obtain complete control over citizens.
German Expressionism was an influential but overlooked art movement in early 20th century Germany that explored emotional and psychological themes through distorted and exaggerated settings and characters. It influenced many films, plays, paintings and other artistic mediums. Expressionism grew popular in the 1920s but declined under Nazi rule, as Hitler favored classical styles and Expressionism was deemed anti-German. Many German Expressionist artists fled to America and continued developing the style, which went on to influence later films noir and Hollywood works through immigrant artists and techniques. Key Expressionist films like The Cabinet of Dr. Caligari and Nosferatu helped establish the horror and science fiction genres.
German Expressionism originated as an artistic movement in early 20th century Germany that influenced cinema through its use of abstract and non-realistic sets and scenarios exploring themes of insanity and a hostile world. Key characteristics of Expressionist films included distorted perspectives and sets designed to reflect a protagonist's state of mind. Expressionism later influenced the film noir genre, featuring cynical characters in dark stories. Famous German Expressionist filmmakers like Fritz Lang, Robert Wiene, and their films like The Cabinet of Dr. Caligari and Metropolis had lasting impacts and influenced later directors such as Tim Burton.
The document discusses Nazi propaganda methods before, during, and after World War 2. It describes how the Nazis used books, films, posters, and speeches to promote ideals of German nationalism, portray Jews negatively, and overstate Germany's military strength. Two major propaganda leaders highlighted are Joseph Goebbels, who oversaw the Nazi propaganda machine, and Leni Riefenstahl, whose films pioneered innovative propaganda techniques still used today.
Cinematography of psychological horror’s over the years bdfhamieelittle
This document summarizes the evolution of cinematography techniques in psychological horror films over the decades from the 1920s to the 2000s. It traces how the genres explored different psychological themes and fears prevalent in each era, from madness and the unknown in the 1920s, to questions of science and religion in the 1930s, the impact of war in the 1940s-1950s, fears of new technologies and social changes in the 1960s-1970s, the rise of gore and special effects in the 1980s-1990s, and predictions of the future and the paranormal in the 2000s. Key films that pushed boundaries or represented themes of their time are mentioned for each decade.
Cinematography in psychological horror films has evolved over the decades from the 1920s to the 2000s. Early 1920s films relied on expressionist techniques and focused on Gothic monsters and mad scientists. The 1930s introduced sound and questioned science versus religion. The 1940s saw fewer films due to WWII. Psychological horror emerged in the 1960s with films like Psycho. The 1970s explored family fears and the 1980s brought technological advances in special effects. Serial killer films became popular in the 1990s. Psychological and supernatural films of the 2000s played on future fears and the unknown.
German Expressionist films developed in Germany after World War 1 using unconventional styles to portray emotions during a difficult time. The films were unique due to limited resources and an isolated film industry. Expressionism influenced later horror and film noir genres with its dark moods and sets. Notable films include Metropolis and Nosferatu. While Expressionism declined in the late 1920s as filmmakers emigrated to Hollywood, its themes and styles continued to influence many famous directors and films thereafter.
Close Encounters of the Third KindClose encounters with the Th.docxmonicafrancis71118
Close Encounters of the Third Kind
Close encounters
with the Third Reich
by Robert Entman and Francis Seymour
from Jump Cut, no. 18, August 1978, pp. 3-6
copyright Jump Cut: A Review of Contemporary Media, 1978, 2005
"So long as man remains free he strives for nothing so incessantly and so painfully as to find someone to worship … This craving for community of worship is the chief misery of every man individually and of all humanity from the beginning of time … There are three powers, three powers alone, able to conquer and hold [humanity] captive forever … those forces are miracle, mystery, and authority."
— The Grand Inquisitor in Dostoyevsky's The Brothers Karamazov(1)
We think Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND deserves careful attention. This belief is not based on its contributions to the art of film—we couldn't find any. But we do think it has a lot to tell us about the relationship of politics to the U.S. culture industry.
CLOSE ENCOUNTERS OF THE THIRD KIND reflects recent economic and ideological trends in the United States better than many "news" reports. A study of this movie shows how capitalism produces propaganda that reinforces the system at the same time it creates "entertainment." Specifically, we argue that CLOSE ENCOUNTERS can be viewed as a fascist film. We'll show that its theme, structure, and symbolism strongly echo those of the films of pre-fascist and Nazi Germany. Then we'll draw the political lessons. (2)
For those few who somehow missed the film or the news stories about it, here is a brief outline. The plot revolves around the visiting of middle America (Muncie, Indiana) by a number of unidentified flying objects. Although the UFOs are sighted by many reliable citizens and leave clear evidence of their presence, news media and government officials (at least publicly) dismiss reports of the visits. But the aliens do two main things to make sure their visits will be acknowledged. They broadcast numbers that correspond to the latitude and longitude of Devil's Tower, Wyoming, where they plan to land. And they implant, by telepathic suggestion, a picture of Devil's Tower on a number of people, who then feel an overwhelming urge to go there, a need they don't understand.
The plot works on two corresponding levels. The main plot involves the struggle of two common citizens, Roy Neary (Richard Dreyfuss) and Jillian Guiler (Melinda Dillon) first to understand the aliens' message and then to overcome the attempts of authorities to prevent them from getting to Devil's Tower for the alien landing. The subplot concerns the process by which scientific and military officials, headed by Frenchman Claude Lacombe (François Truffaut) decipher the aliens' transmissions and get the meeting point up so the UFOs will land.
These plots compose the first section of a two-part narrative. The movie's real purpose is the climactic close encounter of the third kind (physical contact) with extraterrestrial beings. Th.
4
This document contains a review of the historical novel "HHhH" by Laurent Binet about the assassination of Nazi Reinhard Heydrich. The review discusses how Binet insists on only using factual details and criticizes other historical fiction works for fictionalizing details, yet still engages in some fictionalization himself. While Binet's style is distracting at times, the facts about Heydrich's rise to power as a key Nazi leader and his role in the Holocaust are compelling. The review also provides background on Heydrich and the plot of Binet's novel focusing on the Czech assassins who killed Heydrich in 1942.
Christopher Isherwood's novel "Goodbye to Berlin" provides insights into Berlin society in the 1930s through the situations and dialogues described. While some events are not fully explained, literary critical approaches allow readers to construct the social context from representative situations. The narrator's objectivity is partially achieved through describing himself as "a camera" passiveley recording scenes. The novel reveals social discourses and ideologies that shaped the society in which it was written according to theories of sociological novel criticism.
The bad war[the truth never told about world war2]Martin Struthers
Facinating research into the true history of events surrounding the second world war and its aftermath, exposing the real culprits and the reason and agenda behind it.
German expressionist films of the early 1900s, such as The Cabinet of Dr. Caligari, featured expressionistic sets and stories of madness and insanity that influenced the horror genre. Expressionism declined in the 1920s but reemerged in Hollywood, influencing genres like horror and film noir. Classic horror literature from the 18th-19th centuries also influenced early horror films. Horror films in subsequent decades represented the social fears of their time through monster and human villains. Psychological horror became popular in the 1990s.
The document provides historical context and details about the prelude and progression of the Holocaust. It summarizes that the Holocaust was a state-sponsored persecution of European Jews by Nazi Germany between 1933-1945 that resulted in the murders of 6 million Jews. It then details how the Nazis passed increasingly restrictive laws and policies that systematically stripped Jews of their rights and property and dehumanized them through propaganda to pave the way for their eventual mass extermination in death camps.
El documento analiza los factores que influyen en el inicio del consumo de sustancias tóxicas legales e ilegales, particularmente el rol del entorno familiar. Identifica factores endógenos y exógenos como problemas familiares, influencia de amigos y acceso a sustancias. Encuestas a pacientes y familiares en una clínica de rehabilitación muestran que la mayoría de pacientes comenzó el consumo entre los 14-16 años, influenciados por amigos y con fines de robo, y muchos no consideraron los riesgos.
El presente artículo expone el estado del arte en relación a la criminología forense, abordando dos cuestiones básicas: por un lado, el concepto de la misma, partiendo de definiciones provenientes de otros países hasta aquellas que han sido elaboradas en México; y, por el otro, las posibles aplicaciones que esta ciencia puede tener, particularmente en el sistema de justicia penal, desde la perfilación criminal, la valoración del riesgo de violencia y el análisis de vinculación de casos, hasta la autopsia psicológica y la valoración del riesgo o exposición victimal.
La actuación policial es fundamental para las tareas de seguridad pública, los policías municipales tienen tareas de prevención y apoyo-coordinación con las corporaciones estatales y federales. Es en el municipio en donde se encuentra la actuación más cotidiana de la función de seguridad pública, cuyos principios son legalidad, objetividad, eficiencia, profesionalismo, honradez y respeto a los derechos humanos, mismos que son violentados por los elementos policíacos del municipio de Zapopan, Jalisco, al tener en promedio de alrededor de 50 quejas por año ante la Comisión de Derechos Humanos del Estado de Jalisco y acumular al mismo tiempo un promedio de 200 actos y/o omisiones registradas ante la propia Comisaría General de Seguridad Pública del municipio de Zapopan, Jalisco, que constituyen violaciones a los derechos humanos y/o constitutivos de delito. Además de que sólo el 42% de los elementos tienen capacitación en derechos humanos, por lo que hay muchos desafíos para la corporación al corto, mediano y largo plazo en el respeto, protección, promoción y tutela de los derechos humanos de los ciudadanos en el municipio aludido.
En este artículo se analizará de forma general la información sobre los factores biopsicosociales que son predisponentes en agresores del delito de pederastia siendo estos factores un riesgo que va aumentando cada vez más a que las personas agredan sexualmente a un niño, se analizara en base a modelos teóricos de acuerdo a los factores antes mencionados y asi poder responder a la gran interrogante el por qué los agresores de abuso sexual infantil delinquen.
La seguridad pública se encuentra en la necesidad de evolucionar de manera constante, las condiciones institucionales de elementos de procuración de justicia son un eje central para enfrentar la criminalidad que se presenta actualmente en México y abonar a la seguridad. El objetivo de este estudio fue explorar las condiciones de las y los elementos que forman parte de las instituciones que se encargan de la procuración de justicia en México. Se hizo una investigación utilizando metodología cuantitativa, con alcance descriptivo, corte transversal y de diseño no experimental; se realizó una encuesta en formularios de Google compuesta por seis áreas de exploración: contexto institucional, desarrollo institucional, uso del sistema 911, participación en los procesos, percepción institucional y autocuidado. Esta encuesta fue enviada a 145 personas vinculadas a las instituciones de procuración de justicia. A través de los resultados obtenidos se interpreta que la labor realizada desde la perspectiva de quienes se encuestaron se realiza de manera adecuada y que realmente no hay eventualidades que sean significativas para delimitar el problema o problemas reales de las condiciones institucionales que se presentan en elementos que tienen relación con la procuración de justicia. Se concluye con que el objetivo fue cumplido y que deben estudiarse estas condiciones institucionales más a fondo en investigaciones posteriores.
El documento discute la documentoscopia vial forense, una nueva disciplina que combina la documentoscopia y la seguridad vial. Propone que la documentoscopia vial puede detectar documentos falsos relacionados con vehículos y licencias de conducir, lo que puede ayudar a reducir accidentes de tráfico e identificar otros delitos como el tráfico ilícito de vehículos. También argumenta que la profesionalización de la documentoscopia vial podría mejorar la seguridad vial y la aplicación de la ley penal.
Los niños, niñas y adolescentes que inevitablemente se ven en la necesidad de denunciar un hecho del cual fueron víctimas, deben saber que ser escuchados y participar en los procesos de justicia es un derecho que les asiste y es importante hacer valer, sirve además como mecanismo de protección e inhibidor del delito logrando con ello el cese de las violencias, aporta un sentido de dignificación y re-significación importante para su recuperación, señalando que el camino del silencio nunca será la opción ante el delito y la re-victimización jamás será el costo de la justicia.
En el presente artículo se proporcionará información con respecto a los programas que se han implementado en pro de la atención a víctimas indirectas del delito de Feminicidio, específicamente en el Estado de Jalisco, lo cual ayuda a comprender la intervención de las instancias de gobierno, las cuales buscan brindar apoyo intentando gestionar una reparación integral, pues están sujetas a procedimientos legales por demás desconocidos y donde el papel de la Victimología será de suma importancia para establecer un Modelo Integral de Atención que pueda favorecer y dar la posibilidad de recuperar un proyecto de vida, tras haber sufrido del hecho victimizante.
El presente artículo presenta parte de los resultados de una investigación de grado que se desarrolló al aplicar lo establecido por la NOM-035 (Norma Oficial Mexicana) referente a “factores de riesgo psicosocial en ambientes laborales” en un cuerpo de policía municipal de Jalisco, México. Los resultados obtenidos abonan a la comprensión del fenómeno de estrés dentro de los grupos policiales al mismo tiempo que se desarrolla un contexto sociodemográfico de violencia creciente y una percepción ciudadana deficiente. Parte de los resultados relevantes muestran la existencia de un factor protector para el manejo de estrés, el sentido de pertenencia. Resultado coincidente con lo encontrado por otras investigaciones.
El presente escrito tiene como objetivo principal hacer un breve análisis reflexivo sobre la influencia familiar en la conducta delictiva; especialmente en el delincuente sexual. Se abordaran los conceptos más relevantes de Familia, desde la concepción tradicional y general, hasta conceptos desde algunas disciplinas, con la finalidad de identificar que dicho concepto varía en función del tiempo y desde la perspectiva desde la cual se aborda; que es un concepto dinámico y evolutivo. Así mismo se identifican los factores criminológicos que son determinantes para la delincuencia sexual y se concluye con la contribución de la criminología a la delincuencia sexual: La prevención.
El presente trabajo tiene como objeto principal el análisis del desarrollo de los Diálogos de Paz en Colombia, del cual se pretende deducir que la construcción de la paz se ha realizado en nuestro país de manera meramente discursiva. Para esto, nos dedicaremos a estudiar la manera cómo el discurso le permite al hombre tanto modificar la realidad social existente como crear nuevas realidades completamente distintas, al igual que la influencia que el análisis del discurso ejerce en el campo político respecto de la conceptualización del poder.
Un escrito destinado a profundizar la importancia de la intervención del profesionista en Criminología en el ámbito escolar, para atender la problemática actual en las redes sociales, como lo son el Ciberbullying, Grooming y Sexting. Todo esto en relación a una campaña de prevención del delito llevada a cabo en la escuela Cesuver (Centro de Estudios Superiores de Veracruz) a nivel secundaria, para conocer la vulnerabilidad de los adolescentes ante esta problemática.
El presente trabajo tiene el objetivo de abordar dos problemáticas que existen en las escuelas y que hacen necesario la intervención del criminólogo escolar. Las problemáticas que se presentan en este trabajo son dos: la violencia escolar y el bullyng; y las conductas antisociales y delictivas de los adolescentes. Las estadísticas indican una alta prevalencia de estas problemáticas en las escuelas y aunque existen leyes que indican quiénes y cómo se debe proceder en los casos de violencia; es el criminólogo quien debe demostrar con sus conocimientos y formación que es competente para realizar con éxito estrategias que permitan a las escuelas prevenir la violencia y el delito.
Este articulo tiene como objetivo identificar que drogas son consumidas por los adolescentes que delinquen en la ciudad mexicana de Hermosillo, Sonora y como estas influyen en su comportamiento delictivo, para esto, se utilizó un enfoque cualitativo y la herramienta empleada para la metodología, fue la entrevista de opinión, que se le aplico a 3 trabajadores de la Fiscalía Especializada en la Procuración de la justicia para Adolescentes y Corrupción de Menores del Estado de Sonora, México, la cual consistió en 10 preguntas previamente estructuradas para obtener la información relevante para la investigación y al final contrastar las diferentes respuestas otorgadas por los expertos, los cuales coinciden principalmente en que es muy frecuente que los adolescentes que son detenidos por algún delitos tengan un consumo frecuente de drogas o que incluso se les detenga bajo el influjo de estas mismas.
La seguridad resulta un aspecto fundamental en la vida de los seres humanos. Estos, con frecuencia, buscan escenarios que elevan su nivel de certidumbre. La inseguridad extrae a la mayor parte de las personas y organizaciones de su zona de confort. Esta deriva de la aparición o materialización de potenciales riesgos y amenazas que provocan crisis de magnitudes diversas. Por ello, deben desarrollarse capacidades de prevención, respuesta y reacción y fomentar la resiliencia ante posibles eventos críticos.
El Segundo Congreso Internacional de Análisis Criminológico se centró en temas como los feminicidios, la violencia de género, la seguridad pública y la prevención del delito. El congreso virtual reunió a aproximadamente 300 asistentes de universidades e instituciones de México, Argentina, Italia, Nicaragua, Venezuela y Panamá. Las conferencias abordaron causas multidimensionales de la violencia contra la mujer y mapas de feminicidios, así como protocolos de investigación forense y estrategias de resiliencia contra la criminalidad
El objetivo del presente artículo se basó en explorar el panorama sobre la violencia de género en el ámbito familiar que se presentó durante el confinamiento SARS-COV2 (Covid-19) en la ciudad mexicana llamada Hermosillo, ubicada al norte de México. Este estudio forma parte de una investigación cuantitativa de tipo cuasiexperimental, siendo realizada con una muestra representativa de 69 de mujeres entre 15 y 45 años de edad, con base a una encuesta online. Entre los resultados generales obtenidos evidencian que durante el confinamiento más del 80% de las mujeres encuestadas han experimentado estados de estrés, tensión o ansiedad por preocupaciones tanto sociales, económicas o emocionales. Sin embargo, no se observan altos índices de aumento de violencia doméstica o familiar durante la pandemia.
En este artículo veremos la evolución histórica de la idea del delito y su fundamento para la aplicación del castigo, abordando las teorías más relevantes que aparecieron durante el transcurso del tiempo, como lo son: la teoría de los derechos subjetivos, la teoría del bien jurídico, la teoría jurídico-constitucional, la teoría funcionalista y la teoría personalista; cabe destacar que según fueron surgiendo las líneas de pensamiento, no se puede considerar que desplazaran plenamente a la anterior, más bien en cada una de estas etapas subsistía la convivencia de ideas opuestas.
El documento discute el concepto de seguridad ciudadana y las políticas públicas en México para prevenir la violencia. Explica que la seguridad ciudadana atiende las necesidades de seguridad de un país mediante la prevención de conductas delictivas. Sin embargo, las acciones en México no han mitigado los niveles de violencia. También analiza los desafíos de México como la migración, el crimen organizado y la corrupción, y cómo estos impactan la seguridad ciudadana. Finalmente, examina algunas de las políticas públicas implement
El objetivo del presente tema de investigación se enfoca en analizar los problemas por los que está pasando el sistema penitenciario mexicano, para finalizar con una reflexión final de los detallado en este artículo, además, se analizará en qué consiste el tratamiento penitenciario y se abordará el tema de la reincidencia delictiva y sus posibles causas. El tipo de investigación que se llevó a cabo para este artículo es de tipo mixto, de forma que utilizo el método cualitativo Y cuantitativo, debido a que se realizó un análisis y explico el comportamiento de las personas que participan en actividades ilícitas y que continuamente se ingresan a los centros de reinserción social, obteniendo como resultado emitidos por medio del INEGI que en el año 2019, 112 811 personas ingresaron a un centro penitenciario mientras que 102 799 personas egresaron detonando más ingresos que egresos.
Plus de Archivos de Criminología, Seguridad Privada y Criminalística (20)
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
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إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
The life of others and the cult of Feliks Dzierzynsky/La vida de otros y el culto a Feliks Dzierzynsky
1. Fecha de recepción: 04/06/2008
Fecha de aceptación: 01/07/2008
THE LIFE OF OTHERS AND THE CULT OF FELIKS DZIERZYNSKY
LA VIDA DE OTROS Y EL CULTO A FELIKS DZIERZYNSKY
Dr. Marc Cools
Universidad Libre de Bruselas
marc.cools@brutele.be
Bélgica
ABSTRACT
Narrative knowledge is highly important for intelligence scholars and practitioners
and cannot be left aside. The German movie ‘Das Leben der Anderen’ or ‘The Lives of
Others’ by movie director Florian Henckel von Donnersmarck is a brilliantly
visualized, realistic but romantic introduction into the daily life of citizens and the
organization, tasks and corporate culture of the former ‘Ministerium für
Staatssicherheit’, ‘MfS’ or ‘Stasi’ in the ‘Deutsche Demokratische Republik’ or German
Democratic Republic, ‘GDR’. Highlighting the (cult) figure of Feliks Dzierzynsky is
used to bring a historical note on his importance towards the Soviet Union and East
German intelligence community. In reviewing the structure of the ‘Stasi’ we argue the
functioning of an intelligence organization without any form of oversight tends to
Año 1, vol. I agosto-diciembre 2008/Year 1, vol. I august-december 2008
www.somecrimnl.es.tl
1
2. become a totalitarian and arbitrary institution. The disappearance of the ‘Stasi’ and
the cult of Feliks Dzierzynsky can be studied and researched as an evil narrative
example within the history of the intelligence agencies.
KEY WORDS: Study case, History, Development.
RESUMEN
El conocimiento narrativo es muy importante para los profesionales y estudiosos de la
inteligencia y no puede ser dejada de lado. La película alemana 'Das Leben der
Anderen' o 'La vida de otros' por el director de cine Florian Henckel von Donnersmarck
es una introducción brillantemente visualizada, realista pero romántica en la vida
cotidiana de los ciudadanos y la organización, tareas y cultura corporativa de la ex
'Ministerium für Staatssicherheit', 'MfS' o 'Stasi' en la 'Deutsche Demokratische
Republik' o la República Democrática Alemana, el 'RDA'. Resaltando la figura de culto
de Feliks Dzierzynsky. Se utiliza para traer una nota histórica sobre su importancia
hacia la comunidad de inteligencia de la Unión Soviética y Alemania Oriental. En la
revisión de la estructura de la 'Stasi'. Sostenemos el funcionamiento de una
organización de inteligencia sin ningún tipo de supervisión tiende a convertirse en una
institución arbitraria y totalitaria. La desaparición de la 'Stasi' y el culto de Feliks
Dzierzynsky pueden estudiados e investigados como un mal ejemplo narrativo dentro
de la historia de las agencias de inteligencia.
PALABRAS CLAVE: Caso de estudio, Historia, Desarrollo.
Wir,
Mitarbeiter
des
Ministeriums
für
Staatssicherheit, sind jederzeit bereit, die Deutsche
Demokratische Republik, in der die unsterblichen
Ideen von Marx, Engels und Lenin revolutionäre
Wirklichkeit wurden, mit unseren ganzen Person,
bis zum Einsatz des eigenen Lebens, entschlossen
zu verteidigen
Gelöbnis der Mitarbeiter des Ministeriums für
Staatssicherheit der Deutsche Demokratische
Republik.
BERLIN, SO LOST AND BACK AGAIN
Lou Reed once sang ‘in Berlin, by the Wall’. This totalitarian wall, built on 13 August
1963, became the Cold War symbol ‘par excellence’. During his first visit to Berlin,
Ronald Reagan said ‘we have got to find a way to knock this thing down’. Later he
would utter the historic words ‘Mr. Gorbachev, tear down this wall’. Going to this city
is a fascinating experience for scholars and practitioners who are interested in the
history and functioning of state intelligence and or state security agencies. Over there
Frederic the Great invented the so called rational nation-state with his punctual civil
servants. Prussia would become the scholar example for 19th century state building. In
order to unify all the German prince- and kingdoms including the noble ‘Junkers’, he
and his successors were willing to destroy the so rational Prussia for the wellbeing of
2
3. the later German Empire or ‘Reich’. The imperial, the national-socialist and the
socialist (East) Germany became 20th century nation-state realities, which were at the
core of the destruction of so many totally depersonalised human beings and souls.
Walking through Berlin is amazing. The confrontation with state power is so
immense that you lose track in observing buildings and nowadays restorations.
Imperial ‘Pickelhaube’ helmeted warriors, national-socialist brown and black shirts
and socialist ‘soviet’ inspired security personnel were once king of the streets and the
state. They didn’t only possess the legal state monopoly on violence but they also were
physical and psychological criminal violence in themselves. ‘Tomorrow belongs to me’
is so chilling that it defined the ‘Cabaret’ movie as an exponent of the evil forces who
were home for so long in Berlin.
Frederic the Great, being an enlightened ruler, tried to create a rational nationstate to get rid of mercenaries and relied on a professional army, which needed a good
‘policing’ of society and a bureaucratically well organized ‘corps’ of public servants.
Taxes were so high and controlled by a ‘central bank’ that the only way to avoid inner
noble and ‘bourgeois’ revolts was to go and search for ‘Lebensraum’ outside the
national borders. Within this paradox, the birth of the police, inspection, intelligence
and military complex took place.
NARRATIVE KNOWLEDGE AND ‘DAS LEBEN DER ANDEREN’
Next to ‘Cabaret’ the movie ‘The Lives of Others’ by the movie director Florian
Henckel von Donnersmarck received nominations and prizes (Oscar, European Film
Awards, German Film Awards and Audience Award) as if Berlin can only be filmed in
its darkest totalitarian corners to have international movie fame. This 2006 movie on
the ‘Ministerium für Staatssicherheit’ or ‘Stasi’ should be subject to academical
research and teaching. Intellectual interest cannot only be found in popular arts such
as novels, police detective and spy literature but also in the popular movie. This so
called ‘dangerous knowledge’ as subjective in the narratives is part of the necessary
‘illegal science’ and does have an added value in order to learn and to break rules
getting a-dogmatic scientific progress. Narratives or stories are not synonymous with
fiction. A story is a sequence of events invented, selected, emphasized or arranged in
such a way as to vivify, explain, inform or edify. They need not be true, but coherent,
intelligible and significant. They act as searchlights.
In this movie, East Berlin 1984 - 1985, the country’s leading playwright Georg
Dreyman, codename ‘Lazlo’ and his girlfriend, the actress Christa-Maria Sieland,
codename ‘CMS’, became subject to ‘Stasi’ interest in their political, philosophical,
societal and sexual behaviour due to Dreyman’s lobbying for his blacklisted friend,
stage director, Albert Jerska. The Minister Bruno Hempf, member of the ‘Central
Committee of the Socialist Unity Party’ is also blackmailing Christa-Maria Sieland
and having an affair with her. The aggressive seduction of Christa-Maria Sieland in
the official Bruno Hempf car is near to rape. Lieutenant Colonel Anton Grubitz who
leads the ‘Stasi’ culture department appoints Captain Gerd Wiesler to eavesdrop on
the artist couple. After Albert Jerska’s suicide, Georg Dreyman decides to write an
article on the high suicide rate in the ‘GDR’ and will have it published by the ‘Spiegel’
journalist Gregor Hessenstein in the West. This ‘subversive’ article is composed on a
smuggled typewriter. Gerd Wiesler is aware of this and doesn’t report it to Anton
Grubitz. After a ‘schizophrenic’ interrogation by Gerd Wiesler, under strict order and
suspicion of Anton Grubitz, Christa-Maria Sieland betrays her boyfriend as the author
3
4. of the article and owner of the typewriter. The ‘Stasi’ raid Georg Dreyman’s apartment
trying to find the typewriter which will incriminate him. The typewriter being
removed, by the already turned Gerd Wiesler, to protect Georg Dreyman proves
Christa-Maria Sieland’s guilt racked mind and she runs into the road and gets killed
by a truck. Anton Grubitz distrusts the surveillance done by Gerd Wiesler and
punishes him by removing him to the department of postal services to steam open
letters. After the fall of the Berlin Wall, Georg Dreyman knows from Bruno Hempf he
was subject to overall ‘Stasi-surveillance’ or ‘Operativer Vorgang’, ‘OV’ and ‘Operative
Personenkontrolle’, ‘OPK’. Georg Dreyman reads his ‘Stasi-files’. There he realises his
protection by ‘HGW XX/7’, codename for Gerd Wiesler, now being a postman and he
dedicates his book ‘Sonata for a Good Man’ to him. Gerd Wiesler’s turning sides
becomes reality to Beethoven’s ‘Apassionata’ about which Vladimir Lenin once stated
‘if I keep listening to this music, I won’t finish the revolution’.
A KIND OF ‘NEW JOURNALISM’, RELEVANT SCENES AND SUBJECTIVE
INTERPRETATIONS
The making of the movie was possible due to the research done by Florian Henckel von
Donnersmarck, interviewing victims and ‘Stasi-officials’. He also used original settings
and material. The actor Ulrich Mühe, playing Gerd Wiesler, who passed away
recently, was subject to ‘Stasi-surveillance’ himself. The Berlin ‘Stasi-spots’ in the
‘GDR’ are brilliantly shown in their most primitive nature. The ‘GDR’ being the first
workers’ and peasants’ paradise on German ground was nothing more than a primitive
and ‘Kafkaesque’ socialist state and society. In the movie are shown: the ‘Stasi-prison’
or ‘MfS-Haftanstalt Berlin-Hohenschönhausen’ called ‘UHA-I’, the ‘Stasi-legal
academy’ or ‘Juristische Hochschule’ at Potsdam-Eiche’, the ‘Karl Marx bookshop’, the
‘Stasi-headquarters’ in the ‘Normannenstrasse’ with his database and the
overwhelming taproom. Also the typical ‘IFA’ truck for transporting prisoners is
lifelike.
The story starts with the interrogation of a ‘GDR’ citizen who is not that
cooperative with his interrogator Gerd Wiesler in betraying one of his friends for
trying to escape the country or committing the crime of ‘Republikflucht’. Finally he
confesses. As everybody did in the ‘GDR’, even one’s proper parents, children, friends
and lovers. This picture is used in the Stasi-legal academy for training purposes.
Bugging people’s conversation was standard policy and good class material to
brainwash ‘Stasi-recruits’ in dealing with the enemies of socialism. Don’t forget to take
a ‘human smell sample’; it can be of good use for dogs in finding ‘comrades’ who turned
against the state. Watching a theatre performance a threefold conspiracy in
surveillance of Georg Dreyman is decided by Bruno Hempf, Anton Grubitz and Gerd
Wiesler. One because of his bureaucratic opinions, one because it can be useful for
further career opportunities and one for a sexual reason.
Whether he was loyal to the ‘Sozialistische Einheitspartei Deutschland’, ‘SED’ or
not, surveillance of Georg Dreyman came into reality. The flat of the playwright is
wired, bugged and taped some meters higher up in a spare floor. The neighbour, Frau
Meineke, who saw the breaking in by the ‘Stasi’, is threatened in the continuity of her
daughter’s medical study. All rooms are subject to bugging and taping. Nothing is held
secret.
4
5. The primitive but authoritarian practice of the ‘Stasi’ is shown in the ugly
furniture and the old-fashioned tape recording and typewriting machines as well as in
the cars used. The grey prisoner ‘IFA’ transporter for example makes people already
depressed and mentally broken before they are put in the ‘Stasi-prison’. In this prison,
which once was national-socialist welfare ‘canteen’ and a Soviet ‘special camp’, one
was never in contact with other prisoners. Moving through corridors was controlled by
a light signal device so that no prisoner could meet people except their security
guards. Disorientation, isolation, control and psychological torture became an
additional punishment in a ‘social’ community of ‘comrades’. The prison was active
until 1989.
Putting interrogated and/or bugged people in the system of ‘IM’ or ‘Inoffizieller
Mitarbeiter’ was an element in the final class struggle against the bad and capitalist
West. The ‘Stasi-minister’ Erich Mielke saw the ‘IM-system’ with his 173,081
informers as the main weapon in the protection of the ‘SED’ state. Not only the
regular servants of the ‘Stasi’ with a 1.3% of the state budget but also the ‘IM’ got into
the shield and sword or ‘Schild und Schwert’ apparatus of the ‘SED’. It was common
knowledge in the ‘GDR’ that ‘die Partei hat immer Recht’ or was always right. Even
Christa-Maria Sieland, no longer willing to have sex with Bruno Hempf becomes an
‘IM’. She had the choice, spy on your boyfriend and lover or you will never have
theatre performances and illegal drugs again. The only way to get out was committing
suicide, as she did. This was an act that officially didn’t exist in the socialist paradise.
In our opinion the sexual abuse of Christa-Maria Sieland by Bruno Hempf shocked
Gerd Wiesler. As a perfect ‘Weberian’ bureaucrat, living in a free of rent social high
rise flat, his frustrated sexual appetite is satisfied by using and paying for the services
of a state owned prostitute, Ute, who is also working for other ‘Stasi-members’.
Everything he knew was grey: his flat, clothes, food, car, pub, office and life.
Also the functioning within the ‘Stasi-hierarchy’ is shown in an extraordinary
view from inside. It was a military hierarchy using military ranks and doing service in
casual and/or in uniform, similar to the national-socialist ones. The ‘denazification’ in
the ‘GDR’ was pervert. Not so high-ranking national-socialist party members became
loyal members of the ‘SED’. Even the ‘Freie Deutsche Jugend’ or ‘GDR’ youth
movement kept the same uniform and magazine ‘Junge Welt’ as the former ‘HitlerYouth’. They only changed brown for blue shirts. The system was based on arbitrary
decisions taken by superiors without motivating. ‘Stasi-members’ were subject
themselves to a system of inner security and discipline using proper definitions of
deviant behaviour and punishments. The end of the ‘Stasi-career’ - as it was the case
for Gerd Wiesler getting emotionally to close to his target and Under lieutenant Axel
Stigler, joking on the Secretary-General of the ‘SED’, Erich Honecker - became
steaming open letters to fill the kilometer-long shelves of files in which almost every
citizen had his or her card. 122,000 meters of written material, 46,500 meters
microfiches, 360,000 photos, 600,000 negatives, 24,000 slides, 3,850 videos, 730 movies
and almost 99,600 sound recordings. Today 600,000,000 pieces of paper, destroyed by
the ‘Stasi’, are being put together with computer aid to reconstruct these files.
The 200-year period of the dominant rational nation-state started with the
French Revolution in 1789 and ended with the collapse of the Berlin Wall in 1989.
This so called ‘Wende’ in Germany was the beginning of a new world order. The
democratic and afterwards unified Germany could finally view her past to get judged
by history. Today the ‘Information and Documentation Center of the Office in Charge
of Stasi Documents’ or ‘Gauck-Behörde’is a fact thanks to the job done by ‘ASTAKe.V.’
5
6. to protect the ‘Stasi-archives’ from destruction. The law or ‘Stasi-Unterlagen-Gesetz’
provides the possibility to consult one’s own file and track those who spied on you.
Georg Dreyman found his girlfriend Christa-Maria Sieland being an ‘IM’, codename
Marta, spying on him.
‘TSCHEKISTEN’ IN THE ‘GDR’
The leading elite in the ‘GDR’ always wanted to be the best schoolboy in the class. The
soviet ‘big bear’ was also their ‘big brother’. George Orwell knew by writing his
‘Animal Farm’ and his ‘1984’ that these novels would heal him from his political far
left wing sympathies. It was not the case for his colleague in the international
brigades in the Spanish civil war Erich Mielke. He became deputy to the ‘Komissariat
5’ or K-5 being the first German political police - since the Gestapo for whom he had a
great admiration - essentially an arm of the soviet secret police. Walter Ulbricht, the
former Secretary-General of the ‘SED’, put him in absolute power on 1 November
1957. Erich Mielke was appointed minister for state security and restructured the
‘Stasi’ immediately into a duplicate of the soviet ‘KGB’. From then on this ‘Chekist’
organization would become the ‘political combatant, the loyal son of the workers’ class,
standing at the head of the battle to strengthen the power of our workers’ and
peasants’ state’. The ‘Stasi’ strategy was simple, total control and psychological terror
on the society embedded in a ‘so called’ legal system.
The ‘Stasi’ was created on 8 February 1950 and reported directly to the
Secretary-General of the ‘SED’, till 1971 to Walter Ulbricht, till 1989 to Erich
Honecker and shortly to Egon Krenz. The organization was geographically (‘Bezirk’
and ‘Kreis’) and operational build on divisions and got the status of an authorised
‘Kontrollinstanz’ towards the state apparatus. The head divisions had diverse
responsibilities towards e.g. protection, training, observation, anti-terrorism, and
communications and to the army, the control on tourism, the party and the economy.
Other divisions dealt with e.g. the archives, press relations, tapping and emigration.
The ‘Stasi-personnel’ grew from less than 5,000 in 1950 to more than 90.000 in 1989.
Other sources go up to 105,000 members. There was approximately 1 ‘Stasicollaborator’ for 180 citizens. In ‘The Lives of Others’ special attention is given to the
intelligence techniques of the ‘OV’ and ‘OPK’ Georg Dreyman becomes subject to.
These techniques were also knowledge to get acquainted by the ‘Stasi-pupils’. Gerd
Wiesler asked to do this ‘OPK’ by himself.
The ‘OPK’ was used since 1 April 1981 against criminals, political dissidents and
high ranked citizens who were not conform to the state. Before starting the ‘OPK’ a
plan was made which ‘Stasi-collaborator’, which department of the police or
‘Volkspolizei’ and or ‘IM’ could be used and what technical and others means were
needed to know everything on the person’s life at work, during leisure time and at
home. The ‘OV’ existed since January 1956 and was an investigative instrument
towards political crimes existing next to the classical penal procedure. Next to the use
of criminalistics and forensics: ‘IM’, phone tapping and opening letters were common
practices.
THE CULT OF FELIKS DZIERZYNSKY
Intelligence is often seen as spying like in James Bond movies. In a more modern
approach one can refer to the popular ‘BBC’ television story ‘Spooks’. As shown until
6
7. now we hope scholars and practitioners are interested in popular and subjective
narratives whatever the medium in which they are brought. Even the fact that James
Bond movies are subject to unbelief and smiling it was Ian Fleming himself who
admitted his James Bond to be modelled after a real life spy, named Dusko Popov.
This double agent with the British codename ‘Tricycle’ and German codename ‘Ivan’
liked money, cigarettes, champagne, girlfriends, cars and living dangerously. He
survived World War II espionage and is nowadays recognized as a master spy who
additionally wrote his proper biography. Dusko Popov became a cult figure in the
public life of the ‘jet set’ liking to be in contact with a real spy. In the movie ‘The Good
Shepherd’ the life of ‘Edward Wilson’ can be seen as the one of James Jesus Angleton
and is subject to a kind of semi-real ‘biopic’ story. This spy catcher or ‘Cold Warrior’
with his love for ‘poetry and orchids’ became the legendary counter-espionage chief of
the CIA. Another cult figure in the world of intelligence was born.
Closer to our subject is Major General Markus Wolf. This ‘Stasi-official’ was one
of John Le Carré’s favourite novel opposite in the ‘GDR’. This ‘man without a face’ was
raised in the socialist tradition during his exile in the Soviet-Union. After a career as a
journalist and diplomat he joined the ‘Stasi’ and became one of his top officials heading
the ‘HVA’ or ‘Hauptverwaltung Aufklärung’ which was responsible for spying abroad
the ‘GDR’.
In modern strategic management theories the notion of ‘corporate culture’ is an
important management tool. Parts of the concept of ‘corporate culture’ are subjective
narratives, heroes and enemies. In the intelligence community those issues do have an
added value in organizing and managing their organizations. ‘Corporate culture’ and ‘communication’ are essential in speeding up intelligence organizations efficiency and
effectiveness. It was also the case in the Soviet Union. There they used the person of
Feliks Dzierzynsky as a cult figure in order to create and use a ‘Chekist-corporate
culture’ similar to what happened in the ‘GDR’. Unfortunately the cult of Feliks
Dzierzynski is not that seen in the movie. But this artistic freedom of the movie
director does not influence the totalitarian nature of bureaucratised evil the ‘Stasi’
was.
The Polish Feliks Dzierzynsky, nicknamed ‘Iron Feliks’ was born, on 8 august
1877, in Vilna in today’s Lithuania as a son of Edmund Dzierzynsky a high-school
teacher belonging to the lower Polish aristocracy. With his wife Sofia Sigizmundovna
Mushkat he had a son Ian. In 1895 Feliks Dzierzynsky became a member of the illegal
‘Lithuanian Social Democratic’ group and got elected in the ‘Central Committee’. He
was no longer interested in becoming a Roman Catholic priest. He participated in the
uprisings in the Kingdom of Poland, the Russian revolution in 1905 and met Vladimir
Lenin in 1906 in Stockholm. After years of exile, imprisonment and escapes he
managed the bolshevist Russian ‘Cheka’. The ‘Cheka’ or ‘Vserossiskaya
Chresvichaynaya Komissia po borbe z kontrrevolutsiyay I zabotazhem’ was created on
20 December 1917. This ‘Cheka’ immediately became the ‘shield and sword’ of the
revolution. As said by Feliks Dzierzynski, his organisation was not a tribunal but an
institution of organized terror, ‘we represent in ourselves organized terror, this must
be said very clearly’ In 1919 he was the ‘People’s Commissar for ‘Internal Affairs of the
Russian Socialist Federal Republic’ or ‘Narodny Komissariat Vnutrennikh Del’ known
as the ‘NKVD’ and combined this task in 1922 whit the chairmanship of the ‘GPU’ or
state political administration ‘Gossudarstvennoye Politicheskoye Upravleniye’. In
1924 he united the state political administration into the ‘OGPU’ or ‘Obyedinyonnoye
7
8. Gossudarstvennoye Politicheskoye Upravleniye’. On 20 July 1926 he died of a heart
attack during a meeting.
Vladimir Lenin has studied the classic works on how to conquer, keep and abuse
power. The Marxist ‘dictatorship of the proletariat’ was only a master plan to become
the dictator on the proletariat. The use of a secret police, as he had learned from the
former Tsarist ‘Ochrana’, was necessary to keep the proletariat in his so called
liberated dream from imperialism and capitalism. This dream later would become an
institutional nightmare. Vladimir Lenin chose Feliks Dzierzynsky, at that moment the
commandant of the Smolney headquarters in Petrograd, to lead the ‘Cheka’. He was
devoted to the ‘cause’ and the fight against the counterrevolutionaries. He was
cultivated by reading poetry, not that much speaking and sleeping in his office at the
‘Lubjanka’ headquarters. Under his command the ‘Cheka’ was responsible for the
internal political repression, the counterespionage, the espionage abroad especially in
France and England and the border control.
After the death of Feliks Dzierzynsky it was Josef Stalin who inculcated a cult on
him. Josef Stalin made up death masks of Feliks Dzierzynsky’s face and hands and his
corpse was displayed, clothed in uniform, in a glass coffin in the ‘GPU’ officers’ club.
The cult was renewed under Nikita Khrushchev who named the border guards school
in Alma-Ata after him as well as many streets and squares in the Soviet Union. He
also took the decision to raise a 14-ton statue of Feliks Dzierzynsky in front of the
‘KGB Lubjanka’ headquarters and renamed the square into ‘Dzierzynsky Square’.
Leonid Brezhnev, Yuriy Andropov and Mikhail Gorbachev continued this cult. Boris
Yeltsin established the new ‘KGB’ or ‘SVR’ by decree effective 20 December 1991 on
the seventy-first anniversary of the founding of the ‘Cheka’. Feliks Dzierzynsky was to
be found on stamps, coins, pins and pictures. His name was also given to factories,
schools, ships and culture palaces. Big statues were found in a lot of cities and
miniature ones in various poses were cast in aluminium, iron, white metal and bronze
for the adornment of offices. For long time intelligence officers received their paycheck
on the twentieth of the month being ‘Cheka-day’ in glorifying their ‘Knight of the
Revolution’. The big statute on ‘Dzierzynsky Square’ was desecrated on 27 August
1991 and removed to a ‘graveyard’ for soviet statues in a field near the ‘Tretjakov’
gallery.
It was Colonel General Erich Mielke, minister of state security, himself who
introduced his idol Feliks Dzierzynsky into the ‘Stasi’ and referred to himself as being
a ‘Chekist’ or ‘Tschekist’ who followed the ‘Chekist’ principles. These principles are
summarized as ‘we shall have a state within a state’.
The ‘GDR’ border guard regiment was also named after ‘Feliks Edmundowitsch
Dzierzynski’. Statues, big and miniature, and pictures of him were in all offices of the
‘Stasi’ and of course also in the personal office of Erich Mielke in the
‘Normannenstrasse’. Karl Werner, a ‘Stasi-poet’ even wrote the poem ‘Nach
Aufzeichnungen von Feliks Dzierzynski geschrieben in der Zelle Nr. 12 des ‘Pavillons’
idolizing him. The cult of Feliks Dzierzynsky was a fact in ‘Stasi-bureaucracy’. He was
omnipresent to guide, inspire and control the ‘Stasi-collaborator’. Erich Mielke, his
staff and personnel became soviet copycats. He died in 2000 after becoming senile and
calling the ‘KGB’ for help with a ‘toy phone’. The ‘Stasi’ already had came to an end on
3 October 1990.
8
9. INTELLIGENCE OVERSIGHT IN ONE LESSON
‘The Lives of Others’ is certainly subjective narrative knowledge for scholars and
practitioners in intelligence studies, however we can highlight a main critique. The
person of Gerd Wiesler could not have existed in real ‘GDR’ life. ‘Stasi-collaborators’
could never have changed sides and tried to save suspects. There was
compartmentalisation of duties and no one could have done the job in listening, typing
and interrogating alone. Above all the punishment for betrayal was death penalty and
not just being sent to steam open mail.
Why so many Western (public) intellectuals saw the realisation of their
dominant worldview in for example the ‘GDR’? After years this universal socialism
proved to be a dictatorship oppressing every citizen for the benefit of the ruling class.
This ‘Nomenklatura’ class depersonalised everybody and made them permanent
targets of ‘OPK‘ and ‘OV‘ techniques. For a very long period only three Western
political philosophers saw the evil and totalitarianism in socialism and informed us
about the threat to individual human freedom and responsibility. Friedrich von Hayek
did it with his ‘The road to serfdom’, Karl Popper in ‘The open society and its enemies’
and Hannah Arendt with her ‘The origins of totalitarianism’ and ‘Eichmann in
Jerusalem. The banality of evil’. Especially Hannah Arendt gave attention to secret
policing in totalitarian regimes. In her opinion they are instruments in permanently
switching reality into fiction so this new reality can be executed and controlled.
Today’s novelists of East German origin also write about the absurd life in the ‘GDR’
and the role of the ‘Stasi’. This is the case in ‘Meine Freie Deutsche Jugend’ by Claudia
Rusch and in ‘Das Verhör’ from Andreas Sinakowski who worked for the ‘Stasi’. We
can conclude the ‘GDR’, formally having a rule of law, was nothing more than an
‘Unrechtsstaat’ or even a state based on internal terror.
Political history showed examples of small sized nations with a limited state as
being democratic and humanitarian. Big sized nations can also be of a democratic
naturknowing members of parliament are often limited in their knowledge on
intelligence, to avoid political abuse, upholding the rule of law and ensuring the
proportionate use of exceptional powers in order to protect civil rights Oversight is a
means of ensuring public accountability for the decisions and actions of security and
intelligence agencies. Most countries allow parliamentary oversight done through
special commissions, e.g. the Netherlands, Germany and Belgium. Today’s effective
oversight consists out of five vital elements. An oversight body needs to be
independent from the executive and the intelligence services. It should have
investigative powers as to decide to inquire into whatever subject it chooses. The body
needs to have access to classified documents and information, be able to maintain
secrets and have enough support staff, legal powers and financial resources.
This article was written while ‘Iron Feliks’ was literally in oversight on us.
Visiting the Moscow based museum for the revolution in the early 1990’s was as going
to the supermarket. One could buy everything in the official museum shop, even
original collector items if they were dated after the revolution of 1917. So a present for
a former ‘KGB-official’, inscription included, bought there, being an iron miniature
statue of Feliks Dzierzynsky now adorns one of our bookshelves. Also Berlin,
‘Hauptstadt der DDR’ learned fast. In the ‘Normannenstrasse’ and on the flea markets
one could by Feliks Dzierzynsky artefacts, as we also did there. The cult of Feliks
Dzierzynsky in the former Soviet Union and East German intelligence community has
now left Berlin but still influences scholars and researchers everywhere.
9
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