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Copyright Law :
Its Academic Applicability and Implications


                                   by
             Fe Angela M. Verzosa


Lecture presented at the Forum held at St. Thomas of Villanova Libraries
of San Sebastian College-Recoletos de Cavite in the observance of the 2008
 Library and Information Services Month, Cavite City, 2008 November 24
Scope of the Lecture
 What is protected by Copyright
   Law?
 What reproduction rights do
   libraries/archives have under
   the law?
 How can libraries/archives avoid
   copyright liability?
 What can we do to help in the
   enforcement of the law?
When may libraries or archives reproduce
             a literary work without permission
                     from its copyright owner?


If the work is not available in their
collection?
If the original copy is expensive?
If the work is a prescribed course
reading of a faculty for his class?
If the work is fragile/rare and cannot
be lent out in its original form?
When may libraries or archives reproduce
              its own copy of a sound recording
              or a videotape ?


When it is needed by the library for
rental purposes.
When it is needed to provide a copy to
another library.
When it is needed for public showing in
a place where no admission fee is
charged.
When permission from the
creator/producer has been obtained.
How many copies of a book or pamphlet
  may libraries or archives make for
  preservation or security?



              One copy
              Two copies
              Three copies
              Ten copies
Survey on copyright issues
encountered by librarians:

• students photocopy textbooks to avoid cost
  of expensive original copies (60%)
• readers photocopy portions of theses without
  permission (55.1%)
• requests to copy entire books by researchers
  from other institutions (48%)
                        (From Felicitas de la Rosa, thesis on
 Copyright Law Awareness and Compliance in Selected University
 Libraries in Metro Manila, 2000 )
Copyright problems
o Photocopying multiple copies of textbooks to avoid
      purchase
o Photocopying theses without author’s permission
o Arranging with faculty multiple copying of materials for
      class use
o Requesting thru interlibrary loan photocopy of an entire
      book to accommodate user request
o Allowing unsupervised copying
o Making extra copies of films/videos
o Supplying chapters or articles
      from journal for document delivery
o Buying pirated editions to economize
What is Intellectual Property
Code (RA No. 8293) ?
• Prescribes the law on –
      Copyright and Related rights
      Trademarks and Service Marks
      Geographic Indications
      Industrial Designs
      Patents
      Layout Designs of Integrated Circuits
      Protection of Undisclosed Information
• Establishes the Property
  Intellectual Office, providing for
  its powers and functions
Copyright is
• an intangible, incorporeal right
• granted by statute to the author or
  originator of certain literary or artistic
  productions
• whereby he is invested, for a limited
  period,
• with the sole and exclusive privilege of
  multiplying copies of the same and
  publishing and selling them. (Sibal, 1986)
Copyright -
• Works are protected from the moment
  of creation
• Not protected are ideas, procedure,
  system, method of operation, discovery,
  concept or mere data
• No copyright for government works (but
  prior approval from the gov’t agency is
  required for the exploitation of such
  work for profit)
Copyright protects creators of:

       Original works
       • literary
       • dramatic
       • musical
       • artistic
       • other forms of expressions
           sound recordings
         -
           cinematographic works
         -
           sound/tv broadcasts
         -
           pictorial illustrations and
         -
           advertisements
         - other scholarly or scientific works
Copyright protects creators of:

     Derivative (or new) works
     •   Dramatizations, translations,
         adaptations, abridgements,
         arrangement, and other alterations of
         literary or artistic works
     •   Collections of literary, scholarly or
         artistic works, and compilations of
         data and other materials which are
         original by reason of the selection or
         coordination or arrangement of their
         contents
New Works Protected

       ➥ Multi-media e.g.
           cd-roms
       ➥ Databases
       ➥ Software protected
         as a literary work
Exclusive rights of creators of:
  literary, dramatic, &
  musical works
                              artistic work
• reproduce
                              •reproduce
• publish if unpublished
• perform in public/ or
                              •include in a tv
  display in public
                                    broadcast
• broadcast
• include in cable program    •display in public
• make an adaptation/
                              •include in a cable
  dramatization/translation
                                    program
• Right to first sale
• Rental right
                              •Right to first sale
RENTAL RIGHT -
Right to make commercial
rental arrangements
            applies to :
            • computer
              programs
            • sound recordings
            • cinematographic
              works
Ownership and
            Duration
  Generally owned by Generally lifetime
 author/creator      of author/creator
 except:
                          plus 50 years, except
• journalists’ works
                          •unpublished works
• commissioned photos,
  engravings, drawings,   •anonymous/pseudonymous
  paintings, etc.
                          •photos
• employee works
                          •government works
• government works
Terms of Protection

Authors/creators : 50 years after death
Joint authors : 50 years after death of last
                surviving author
Anonymous/pseudonymous works : 5o years from date
    when work was first lawfully published
Applied art : 25 years from date of making
Photographic works : 50 years from publication, and if
          unpublished, 50 years from the making
Performers :    50 years from the end of year when
                performance took place
Recording companies: 50 years from end of year when
          recording took place
Broadcasters : 20 years from date broadcast took place
Deposit requirements

2 copies of all works must be
deposited with The National
Library and Supreme Court
Library.
Failure to deposit despite written
demand would subject copyright
owner to daily fine.
Copyright Infringement
Violating exclusive rights of
copyright owner
Possession for sale, hire,
distribution or trade exhibit by
person who knows or ought to
know that copies are pirated
Penalties
First Offense: imprisonment of 1 to
3 years and fine of P 50,000 to P
150,000
Second Offense: imprisonment of 3
to 6 years and fine of P 150,000 to
P 300,000
Third Offense: imprisonment of 6 to
9 years and fine of P 500,000 to P
1.5 M
When a single copy may be
   reproduced:

• works of fragile character or
  rarity
• isolated articles or brief
  portions of works... for study
  or research
• for preservation
• for replacing lost or destroyed
  copies, if no longer available
  with publisher
What cannot be reproduced even
for PRIVATE study and
research:
•   works of architecture
•   entire book or substantial part thereof
•   musical works in graphic form
•   compilations
•   computer program (except back-up)
•   any reproduction that will conflict with
    normal use or prejudice author’s
    interests
Library right to
                reproduce one copy of:
Original works whose fragility/rarity justifies
their not being lent out ;
Articles contained in composite works or brief
portions of other published works, for reason
of expediency, may be copied for purposes of
research and private study, instead of lending
the entire volumes containing them;
For preservation or replacement of lost,
stolen, destroyed, unusable copy in the
library’s collection or in another
library/archives collection, provided, they are
NO LONGER available from publisher.
General defenses
                 against Copyright

out of print, out of stock, rare
for preservation
For security (as in back-up copy for
computer programs)
Fair use for purposes of scholarship,
research and private study, criticism and
review, news reporting, classroom teaching
and similar purposes (provided it is not for
an entire book or a substantial part of it)
Factors in determining
    what is “fair use”

purpose and character of the use -
-- commercial or non-profit,
educational purposes
nature of the copyrighted work -
for general audience or textbook
amount and substantiality of the
portion used in relation to the work
as a whole
effect of the use on the potential
market for or value of the work
Philippine law
                  on “fair use”
• for criticism, comment
• news reporting
• teaching, including multiple copies
  for classroom use
• scholarship, research and similar
  purposes
Acceptable conditions for
        classroom copying
      • single copy (not an entire book, or
        database, or computer program) for
        teaching / research
      • multiple copies, provided copy is brief,
        and for one course
      • provided such copy is not repeated by
        the same faculty for the same
        material from term to term
      • provided such copying is done at the
        instance of the individual faculty and
        not by a higher authority
      • provided only the actual photocopying
        cost is charged to the student
Infringement under
   E-Commerce Act
    Piracy or the unauthorized copying,
    Reproduction, dissemination,
    distribution
    Importation, use
    Removal, alteration, substitution,
    modification
    Storage, uploading, downloading
    Communication, making available to
    the public, or broadcasting

    of protected material, electronic
    signature, or copyrighted works
Infringement under
e-Commerce Act


  legally protected sound through
    the use of telecommunication
    networks, such as, but not
    limited to, the Internet, in a
    manner that infringes
    intellectual property rights.
Optical Media
            Act of 2003
Prohibits
  • mastering, manufacture or replication
  • of any intellectual property in optical
    media
  • intended for commercial profit or
    pecuniary gain
  • without authority or consent of the
    owner
How can Libraries/Archives
 avoid copyright liability
    Post a warning sign/notice on every
    location of unsupervised copying
    machines concerning copyright
    restrictions
    Include in published rules that the
    library reserves the right to refuse to
    accept a copying request
    In circulating materials for home use,
    users must be reminded that copying
    the books lent out may exceed fair
    use privileges in violation of copyright
Library policies implementing
                 Copyright Law
• Include photocopying guidelines in Library Guide and
  library orientation program
• Avoid library arrangement for systematic reproduction of
  multiple copies for users
• Include policy of requesting author’s / publishers
  permission to photocopy his textbook
• Prohibit copying of copyrighted materials not allowed by
  fair use, license agreement, or permission of copyright
  owner
• Include in student/faculty handbook rules that place
  liability for willful infringement on student/faculty
  violators
• Keep records regarding requests for permissions,
  responses to requests, and license agreements
OTHER Library policies…

Document delivery policy
Interlibrary loan policy
Photocopying/digitizing Preservation Copies
Policy on Nonbook materials Reproduction
Guidelines for Fair Use of Copyrighted Materials
Guidelines for Fair Use of Unpublished Materials
Guidelines for Use of Films and Video
Guidelines on Photographic Services
Promoting Copyright Law
         enforcement…

By discussing copyright problems encountered in
the workplace during meetings with staff
By discussing copyright policies during
Student/Faculty Orientation
By encouraging librarians and staff to attend
seminars on Copyright Law
By strict implementation of library policies
related to copyright protection
By reporting violations to proper authorities
When may libraries or archives reproduce
             a literary work without permission
                     from its copyright owner?


If the work is not available in their
collection?
If the original copy is expensive?
If the work is a prescribed course
reading of a faculty for his class?
If the work is fragile/rare and cannot
be lent out in its original form?
When may libraries or archives reproduce
              its own copy of a sound recording
              or a videotape ?


When it is needed by the library for
rental purposes.
When it is needed to provide a copy to
another library.
When it is needed for public showing in
a place where no admission fee is
charged.
When permission from the
creator/producer has been obtained.
How many copies of a book or pamphlet
  may libraries or archives make for
  preservation or security?



              One copy.
              Two copies.
              Three copies.
              Ten copies.
You can get in touch with me at my email address –
verzosaf@dlsu.edu.ph – and at our PAARL website–
http://groups.yahoo.com/group/PAARL/

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Copyright Law Its Academic Applicability And Implications

  • 1. Copyright Law : Its Academic Applicability and Implications by Fe Angela M. Verzosa Lecture presented at the Forum held at St. Thomas of Villanova Libraries of San Sebastian College-Recoletos de Cavite in the observance of the 2008 Library and Information Services Month, Cavite City, 2008 November 24
  • 2. Scope of the Lecture What is protected by Copyright Law? What reproduction rights do libraries/archives have under the law? How can libraries/archives avoid copyright liability? What can we do to help in the enforcement of the law?
  • 3. When may libraries or archives reproduce a literary work without permission from its copyright owner? If the work is not available in their collection? If the original copy is expensive? If the work is a prescribed course reading of a faculty for his class? If the work is fragile/rare and cannot be lent out in its original form?
  • 4. When may libraries or archives reproduce its own copy of a sound recording or a videotape ? When it is needed by the library for rental purposes. When it is needed to provide a copy to another library. When it is needed for public showing in a place where no admission fee is charged. When permission from the creator/producer has been obtained.
  • 5. How many copies of a book or pamphlet may libraries or archives make for preservation or security? One copy Two copies Three copies Ten copies
  • 6. Survey on copyright issues encountered by librarians: • students photocopy textbooks to avoid cost of expensive original copies (60%) • readers photocopy portions of theses without permission (55.1%) • requests to copy entire books by researchers from other institutions (48%) (From Felicitas de la Rosa, thesis on Copyright Law Awareness and Compliance in Selected University Libraries in Metro Manila, 2000 )
  • 7. Copyright problems o Photocopying multiple copies of textbooks to avoid purchase o Photocopying theses without author’s permission o Arranging with faculty multiple copying of materials for class use o Requesting thru interlibrary loan photocopy of an entire book to accommodate user request o Allowing unsupervised copying o Making extra copies of films/videos o Supplying chapters or articles from journal for document delivery o Buying pirated editions to economize
  • 8. What is Intellectual Property Code (RA No. 8293) ? • Prescribes the law on – Copyright and Related rights Trademarks and Service Marks Geographic Indications Industrial Designs Patents Layout Designs of Integrated Circuits Protection of Undisclosed Information • Establishes the Property Intellectual Office, providing for its powers and functions
  • 9. Copyright is • an intangible, incorporeal right • granted by statute to the author or originator of certain literary or artistic productions • whereby he is invested, for a limited period, • with the sole and exclusive privilege of multiplying copies of the same and publishing and selling them. (Sibal, 1986)
  • 10. Copyright - • Works are protected from the moment of creation • Not protected are ideas, procedure, system, method of operation, discovery, concept or mere data • No copyright for government works (but prior approval from the gov’t agency is required for the exploitation of such work for profit)
  • 11. Copyright protects creators of: Original works • literary • dramatic • musical • artistic • other forms of expressions sound recordings - cinematographic works - sound/tv broadcasts - pictorial illustrations and - advertisements - other scholarly or scientific works
  • 12. Copyright protects creators of: Derivative (or new) works • Dramatizations, translations, adaptations, abridgements, arrangement, and other alterations of literary or artistic works • Collections of literary, scholarly or artistic works, and compilations of data and other materials which are original by reason of the selection or coordination or arrangement of their contents
  • 13. New Works Protected ➥ Multi-media e.g. cd-roms ➥ Databases ➥ Software protected as a literary work
  • 14. Exclusive rights of creators of: literary, dramatic, & musical works artistic work • reproduce •reproduce • publish if unpublished • perform in public/ or •include in a tv display in public broadcast • broadcast • include in cable program •display in public • make an adaptation/ •include in a cable dramatization/translation program • Right to first sale • Rental right •Right to first sale
  • 15. RENTAL RIGHT - Right to make commercial rental arrangements applies to : • computer programs • sound recordings • cinematographic works
  • 16. Ownership and Duration Generally owned by Generally lifetime author/creator of author/creator except: plus 50 years, except • journalists’ works •unpublished works • commissioned photos, engravings, drawings, •anonymous/pseudonymous paintings, etc. •photos • employee works •government works • government works
  • 17. Terms of Protection Authors/creators : 50 years after death Joint authors : 50 years after death of last surviving author Anonymous/pseudonymous works : 5o years from date when work was first lawfully published Applied art : 25 years from date of making Photographic works : 50 years from publication, and if unpublished, 50 years from the making Performers : 50 years from the end of year when performance took place Recording companies: 50 years from end of year when recording took place Broadcasters : 20 years from date broadcast took place
  • 18. Deposit requirements 2 copies of all works must be deposited with The National Library and Supreme Court Library. Failure to deposit despite written demand would subject copyright owner to daily fine.
  • 19. Copyright Infringement Violating exclusive rights of copyright owner Possession for sale, hire, distribution or trade exhibit by person who knows or ought to know that copies are pirated
  • 20. Penalties First Offense: imprisonment of 1 to 3 years and fine of P 50,000 to P 150,000 Second Offense: imprisonment of 3 to 6 years and fine of P 150,000 to P 300,000 Third Offense: imprisonment of 6 to 9 years and fine of P 500,000 to P 1.5 M
  • 21. When a single copy may be reproduced: • works of fragile character or rarity • isolated articles or brief portions of works... for study or research • for preservation • for replacing lost or destroyed copies, if no longer available with publisher
  • 22. What cannot be reproduced even for PRIVATE study and research: • works of architecture • entire book or substantial part thereof • musical works in graphic form • compilations • computer program (except back-up) • any reproduction that will conflict with normal use or prejudice author’s interests
  • 23. Library right to reproduce one copy of: Original works whose fragility/rarity justifies their not being lent out ; Articles contained in composite works or brief portions of other published works, for reason of expediency, may be copied for purposes of research and private study, instead of lending the entire volumes containing them; For preservation or replacement of lost, stolen, destroyed, unusable copy in the library’s collection or in another library/archives collection, provided, they are NO LONGER available from publisher.
  • 24. General defenses against Copyright out of print, out of stock, rare for preservation For security (as in back-up copy for computer programs) Fair use for purposes of scholarship, research and private study, criticism and review, news reporting, classroom teaching and similar purposes (provided it is not for an entire book or a substantial part of it)
  • 25. Factors in determining what is “fair use” purpose and character of the use - -- commercial or non-profit, educational purposes nature of the copyrighted work - for general audience or textbook amount and substantiality of the portion used in relation to the work as a whole effect of the use on the potential market for or value of the work
  • 26. Philippine law on “fair use” • for criticism, comment • news reporting • teaching, including multiple copies for classroom use • scholarship, research and similar purposes
  • 27. Acceptable conditions for classroom copying • single copy (not an entire book, or database, or computer program) for teaching / research • multiple copies, provided copy is brief, and for one course • provided such copy is not repeated by the same faculty for the same material from term to term • provided such copying is done at the instance of the individual faculty and not by a higher authority • provided only the actual photocopying cost is charged to the student
  • 28. Infringement under E-Commerce Act Piracy or the unauthorized copying, Reproduction, dissemination, distribution Importation, use Removal, alteration, substitution, modification Storage, uploading, downloading Communication, making available to the public, or broadcasting of protected material, electronic signature, or copyrighted works
  • 29. Infringement under e-Commerce Act legally protected sound through the use of telecommunication networks, such as, but not limited to, the Internet, in a manner that infringes intellectual property rights.
  • 30. Optical Media Act of 2003 Prohibits • mastering, manufacture or replication • of any intellectual property in optical media • intended for commercial profit or pecuniary gain • without authority or consent of the owner
  • 31. How can Libraries/Archives avoid copyright liability Post a warning sign/notice on every location of unsupervised copying machines concerning copyright restrictions Include in published rules that the library reserves the right to refuse to accept a copying request In circulating materials for home use, users must be reminded that copying the books lent out may exceed fair use privileges in violation of copyright
  • 32. Library policies implementing Copyright Law • Include photocopying guidelines in Library Guide and library orientation program • Avoid library arrangement for systematic reproduction of multiple copies for users • Include policy of requesting author’s / publishers permission to photocopy his textbook • Prohibit copying of copyrighted materials not allowed by fair use, license agreement, or permission of copyright owner • Include in student/faculty handbook rules that place liability for willful infringement on student/faculty violators • Keep records regarding requests for permissions, responses to requests, and license agreements
  • 33. OTHER Library policies… Document delivery policy Interlibrary loan policy Photocopying/digitizing Preservation Copies Policy on Nonbook materials Reproduction Guidelines for Fair Use of Copyrighted Materials Guidelines for Fair Use of Unpublished Materials Guidelines for Use of Films and Video Guidelines on Photographic Services
  • 34. Promoting Copyright Law enforcement… By discussing copyright problems encountered in the workplace during meetings with staff By discussing copyright policies during Student/Faculty Orientation By encouraging librarians and staff to attend seminars on Copyright Law By strict implementation of library policies related to copyright protection By reporting violations to proper authorities
  • 35. When may libraries or archives reproduce a literary work without permission from its copyright owner? If the work is not available in their collection? If the original copy is expensive? If the work is a prescribed course reading of a faculty for his class? If the work is fragile/rare and cannot be lent out in its original form?
  • 36. When may libraries or archives reproduce its own copy of a sound recording or a videotape ? When it is needed by the library for rental purposes. When it is needed to provide a copy to another library. When it is needed for public showing in a place where no admission fee is charged. When permission from the creator/producer has been obtained.
  • 37. How many copies of a book or pamphlet may libraries or archives make for preservation or security? One copy. Two copies. Three copies. Ten copies.
  • 38. You can get in touch with me at my email address – verzosaf@dlsu.edu.ph – and at our PAARL website– http://groups.yahoo.com/group/PAARL/