The candidate scored 98.3% on a management accounting mock exam consisting of 60 multiple choice questions covering topics such as responsibility accounting, cost behavior analysis, variance analysis, budgeting, and cash flow forecasting. The candidate answered 59 out of 60 questions correctly. The exam assessed the candidate's understanding of key management accounting concepts and calculations over a test duration of 46 minutes.
El documento habla sobre diferentes monedas del mundo. Menciona las monedas principales como el dólar estadounidense, el euro, el yen japonés, la libra esterlina y el franco suizo. También describe otras monedas menores como el peso mexicano, el real brasileño, el nuevo sol peruano y el quetzal guatemalteco.
The candidate scored 98.3% on a management accounting mock exam consisting of 60 multiple choice questions covering topics such as responsibility accounting, cost behavior analysis, variance analysis, budgeting, and cash flow forecasting. The candidate answered 59 out of 60 questions correctly. The exam assessed the candidate's understanding of key management accounting concepts and calculations over a test duration of 46 minutes.
El documento habla sobre diferentes monedas del mundo. Menciona las monedas principales como el dólar estadounidense, el euro, el yen japonés, la libra esterlina y el franco suizo. También describe otras monedas menores como el peso mexicano, el real brasileño, el nuevo sol peruano y el quetzal guatemalteco.
Poynton Egyptology Group Presentation - March 2016Sarah Shepherd
'Thank you Sarah Shepherd, for a wonderful, and truly fascinating talk about 'Soldiering in Egypt: A Friendly Invasion?' last night at Poynton. There was so much information in the talk, and being about the personal writings and recollections of Commonwealth soldiers stationed in Egypt during the First and Second World Wars, a lot of it is still relevant to the current generation and their parents and grandparents. I'm looking forward to seeing the book in print ('Soldiers, Sand and Syphilis' would actually have made a wonderful title!), and also any future information you can present. It's a pity that much of the topic has gone unnoticed by the Egyptology community at large in the past, but I hope that is now being addressed by your own researches and the work of ASTENE!
Poynton Egyptology Group Feedback - March 2016
This document provides an agenda and highlights for a risk management and insurance solutions conference for Mongolian industries. The agenda includes registration, welcoming snacks, two sessions on mining and political risks, and an evening reception. Session 1 will give an overview of risks for mining assets and available insurance solutions. Session 2 will focus on protection of investors and trade operations from political risks. The evening reception will be held at a restaurant. The conference language will be English and Mongolian with simultaneous translation.
The document discusses the effectiveness of combining a music artist's main product (music video) with ancillary tasks (album digipak, magazine ads, billboards).
It finds the combination is effective because the ancillary tasks use consistent themes, costumes, locations, and imagery as the music video, allowing audiences to easily recognize and link all of the products together. Quotes from the song and the artist's facial expressions are also consistently featured. Using the same visual elements makes the artist and their brand more memorable and recognizable to audiences.
The document discusses comparisons between shots and elements used in the music video for the song "Don't Be So Hard on Yourself" and images featured on the album digipak and advertisements. Several key similarities are highlighted:
1) Costume, lighting, and poses are consistent between the digipak cover and shots in the music video.
2) Brick wall backgrounds and locations are the same in the music video and billboard advertisement.
3) Flags of France and Britain, which are a theme of the song, are portrayed consistently across contexts.
4) Smiling poses aim to convey a positive message about the album across formats.
5) Consistent elements aim to help the
The document discusses comparisons between shots in a music video and images used in promotional materials like a digipak cover and billboard advertisement. Several key similarities are highlighted:
1) Costume, lighting, location, and poses are consistent between the music video and digipak cover photos.
2) Brick wall backgrounds are used in both the music video and billboard advertisement.
3) Flags are a theme throughout the music video and are also featured on the digipak cover, representing the friendship theme.
4) Smiling poses promote a positive message in both the digipak and music video.
The goal is to create recognizable visual connections that will help audiences link the artist
The document discusses comparisons between shots in a music video and images used in promotional materials like a digipak cover and billboard advertisement. Several key similarities are highlighted:
1) Costume, lighting, location, and poses are consistent between the music video and digipak cover photos.
2) Brick wall backgrounds and flag themes are shared between the music video, digipak, and billboard.
3) Smiling poses in the digipak convey the same happy, positive vibe as in the music video.
The document discusses how the media product uses conventions of real music videos. It analyzes shots in the video that link visuals to lyrics or narrative. It also examines how the shots represent how a record company would want their artist portrayed as edgy or popular. Genre conventions like the use of sexuality in pop videos and intertextual references are discussed. Camera shots, lighting, mise-en-scene, and inspiration from other music videos are evaluated in terms of how they develop conventions of the genre.
Glamour Magazine would be the best magazine to feature an advertisement for Jess Glynne's new album. It often showcases young female artists and celebrities. This would allow the advertisement to directly target Glynne's primary audience while also attracting a wider peripheral audience. Glamour Magazine also has connections to other celebrities, helping Glynne become better known in the public eye. While Glamour would be the primary magazine, advertisements would also be placed in other magazines to appeal to a broader range of people and increase album sales and profits from merchandise.
The video for Robin Thicke's "Blurred Lines" portrays women in a sexualized and stereotypical manner through their revealing clothing, positioning as followers like goats, and portrayal as objects for the male gaze. Throughout the video, the men observe and sing to the women, treating them as animals and taking advantage of them sexually. The location is constantly pink/white, reinforcing stereotypes of femininity, and the lyrics further objectify and insult the women. Overall, the video uses its visuals and sounds to sexually objectify and assert male dominance over women.
The document discusses new costumes created for characters in a music video being filmed in different locations. It explains that wearing different costumes in each location makes the story more realistic and interesting for viewers compared to wearing the same costume everywhere. It then provides details on the costumes for Charley, who wears 3 outfits, and Beckie, the new character, whose outfit is meant to show equality with Charley and emphasize the French flag. Both characters wore natural makeup to make their eyes stand out, which research suggested makes artists look more like pop stars.
Ellie Goulding's 2013 album "Halcyon Days" was very successful in part due to her effective digipak design. The front cover portrayed Goulding in a way that reflected her pop/dance genre, with her hair flowing as if dancing in a club under a purple gradient effect. Although part of her face was covered, her identity was still recognizable as she was already a well-known artist. Close-up shots of artists are commonly used in digipaks to make them look attractive and entice buyers. The consistent purple color scheme throughout created a mysterious yet creative feel and hinted at the album's powerful themes. An effective digipak follows a color scheme for coherence and uses simple, non
Ellie Goulding's 2013 album "Halcyon Days" was very successful in part due to her effective digipac design. The front cover portrayed Goulding in a way that reflected her pop/dance genre, with her hair flowing as if dancing in a club under a purple gradient effect. Close-up shots showed her identity while emphasizing her attractiveness through makeup. A consistent purple color scheme throughout created a mysterious yet creative feel and hinted at the album's themes of power and strength. This well-designed digipac demonstrates how intentional color schemes, simple images and identity-focused portraits can help promote an album effectively.
The front cover of Jess Glynne's album focuses solely on the artist with a close-up shot of her wet hair and gold jewelry to portray her as a fresh, wealthy new artist. The torn page and basic font help show she is honest and unique. The title uses "I" to connect emotionally with audiences. The disc cover mixes pop pink with a sea image to show she can now express her true self through song. The back keeps the front's font for consistency and centers the track list to emphasize the music is central to her life.
This document discusses psychographic and demographic audiences. It defines psychographics as categorizing personalities and lifestyle traits. The document identifies six common psychographic categories - Resigned, Aspirers, Succeeders, Explorers, Strugglers, and Reformers. It states the music video's target psychographic audience will be Aspirers and Explorers, who are typically younger. Demographics categorize by age, gender, race, and job/status. It outlines five common demographic bands from A to E. The target demographic for the video is bands B and C1, which represent middle-class working professionals and younger people aspiring to those careers.
The document discusses the reasons for linking a song to the 2012 Olympics in the UK through its music video. It aims to inspire younger generations by portraying the artist as down-to-earth compared to others in the music industry. Using the Olympic Park location and themes ties the narrative to the 2012 London Olympics and targets a wide global audience impacted by the Olympic games. Both British and French flags are featured to celebrate Anglo-French relations and commemorate attacks in Paris in November 2015.
The document provides advice on issues with a music video rough cut and solutions to address the problems. The rough cut used only white backgrounds, had shots that were too long or where the actress wasn't looking at the camera. Some shots seemed half-hearted or poorly taken, implying a lack of care. To solve this, the video will re-shoot unprofessional footage and improve the actress's professionalism to collect suitable footage for the final video. This will help achieve good grades and a high quality final product.
The car park was chosen as a location for a pop video because it is not commonly used and would show pop music in a different, industrial setting, focusing attention on the artist. The layout of the old terminus station car park allows filming under an archway for a professional look and predictability of car placement. Surrounding buildings shelter the car park from unpredictable weather, making it a predictable location to use for filming.
This music video by Taylor Swift called "You Belong With Me" is one of the author's favorite videos because the storyline connects well with the song's lyrics. The video portrays stereotypical high school experiences like having a crush that the author could relate to as a teenager. It follows conventions of a typical love song video with exaggerated stereotypes of popular girls, football boys, and geeks that make it funny and relatable because most people are familiar with those archetypes in their own high schools.
Music videos serve several purposes: to promote new singles and keep artists' songs in the charts as piracy has reduced music sales; to advertise other merchandise and products through product placement; and to generate revenue, as the struggling music industry relies on alternative income sources like brand partnerships displayed in popular music videos seen by millions online.
Music videos are important for promoting new singles and keeping artists' songs in the charts. They advertise the single, help the artist gain recognition, and allow other products to be promoted like perfumes or merchandise. Brands also partner with popular artists to advertise their own products through product placement in music videos. This has become necessary for artists and the music industry to make money, as album and single sales have declined due to piracy and streaming services. Music videos are one way for artists to release new music and multiple products at once, while also providing branded entertainment for companies.
Code & conventions of a pop music videozincrecords
This document discusses conventions and techniques commonly used in pop music videos. It notes that pop music videos typically feature bright colors, costumes, makeup, partying and attractive people. They aim to portray an exaggerated, fantastical world. Other conventions include following stereotypical formulas, using loud/bold personalities, and focusing on entertainment over unique artistic expression. Camerawork often focuses closely on women's physical features in a voyeuristic way according to theories of the "male gaze."