Diaporama consacré à l'artiste peintre Egon Schiele (12 Juin 1890 - 31 Octobre 1918), à l'occasion de l'exposition double "Egon Schiele / Jean-Michel Basquiat" à la Fondation Louis Vuitton de Paris, du 03 octobre 2018 au 14 janvier 2019.
This document provides examples of artworks and artists that engage with social and political issues. It discusses Honoré Daumier's painting The Third Class Carriage which depicts the hardships of travelers on a train. It also summarizes Dorothea Lange's photograph Migrant Mother which brought awareness to the struggles of migrant farm workers during the Great Depression. Additionally, it mentions several artists like Ai Weiwei, Keith Haring, Tsubasa Kato, eL Seed, and the Guerrilla Girls who use their art to promote social causes and activism.
Chapter 16 abstract expressionism and the new american sculpturePetrutaLipan
This document provides an overview of Abstract Expressionism and its emergence as the first American art movement to achieve worldwide influence in the mid-20th century. It discusses major Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman who developed new approaches to non-representational painting in New York during the 1940s-1950s. It also covers the movement's expansion to include constructed sculpture and biomorphic forms through the works of artists such as David Smith, Louise Bourgeois, and Joseph Cornell.
The Barbican's exhibition on the Bauhaus school of art and design showcased a wide range of documentary materials and works that spanned the school's history. Key pieces from the founding visionary works of Feininger and Kandinsky to iconic designs by Breuer, Albers, and others demonstrated the school's emphasis on form following function and its holistic approach integrating art, craft, and architecture. The exhibition provided visitors with a sweeping overview of the Utopian aims, teachings, and influential outcomes of the pioneering Bauhaus school.
El documento describe el movimiento artístico del informalismo en Europa y España en las décadas de 1940 y 1950. Rechazaba los medios tradicionales de la pintura y utilizaba materiales no convencionales como yeso, cola y sacos. En España, el informalismo tomó dos vertientes, uno expresionista en Madrid con artistas como Saura y Millares, y uno matérico en Cataluña con Tàpies y otros que enfatizaban texturas y relieves.
El grafiti se originó en la década de 1960 en Nueva York cuando un joven griego llamado Demetrius se hizo famoso pintando su firma en lugares públicos. El grafiti evolucionó de simples firmas a diseños más elaborados con letras estilizadas y pinturas. Aunque algunos lo consideran un arte, otros lo ven como un acto de vandalismo debido a que originalmente se pintaba sin permiso en propiedades privadas. Algunos grafiteros renombrados incluyen a Dr. Hoffman de España y Invader de Francia.
Hiperrealismo y Neoexpresionismo Cristina Parra, Mariel Baltiérrez y Mariso...Fabiola Aranda
El documento analiza los movimientos artísticos del neexpresionismo e hiperrealismo. Explica que el neexpresionismo surgió a finales de los 70 como reacción al minimalismo y arte conceptual, caracterizado por su agresividad y temas crudos. El hiperrealismo busca reproducir la realidad con mayor detalle que la fotografía mediante pintura hiperdetallada. Describe exponentes clave de ambos movimientos como Anselm Kiefer, Richard Estes y Chuck Close.
Houses at l’estaque by Georges Braque (Cubism)Chloe Munro
This painting by Georges Braque depicts houses in the village of L'Estaque. It is one of the earliest Cubist works, simplifying forms into geometric blocks without traditional perspective or distinction between foreground and background. Braque eliminates details and reduces foliage to reveal the geometric structure of the houses. The limited color palette and composition of intersecting lines and planes helped establish Braque's signature Analytical Cubism style.
Chapter 6 expressionism in germany and austriaPetrutaLipan
The document provides information on several German and Austrian expressionist artists that were part of the Die Brücke and Der Blaue Reiter movements in the early 20th century. It discusses key figures like Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Vasily Kandinsky, Franz Marc, Gabriele Münter, and Marianne von Werefkin. It describes their expressive styles using color and form to convey emotion, as well as symbols and subjects important in their work like animals and landscapes. It also gives biographical details and contexts around the founding and influences of the Die Brücke and Der Blaue Reiter groups on the development of German expressionism
This document provides examples of artworks and artists that engage with social and political issues. It discusses Honoré Daumier's painting The Third Class Carriage which depicts the hardships of travelers on a train. It also summarizes Dorothea Lange's photograph Migrant Mother which brought awareness to the struggles of migrant farm workers during the Great Depression. Additionally, it mentions several artists like Ai Weiwei, Keith Haring, Tsubasa Kato, eL Seed, and the Guerrilla Girls who use their art to promote social causes and activism.
Chapter 16 abstract expressionism and the new american sculpturePetrutaLipan
This document provides an overview of Abstract Expressionism and its emergence as the first American art movement to achieve worldwide influence in the mid-20th century. It discusses major Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman who developed new approaches to non-representational painting in New York during the 1940s-1950s. It also covers the movement's expansion to include constructed sculpture and biomorphic forms through the works of artists such as David Smith, Louise Bourgeois, and Joseph Cornell.
The Barbican's exhibition on the Bauhaus school of art and design showcased a wide range of documentary materials and works that spanned the school's history. Key pieces from the founding visionary works of Feininger and Kandinsky to iconic designs by Breuer, Albers, and others demonstrated the school's emphasis on form following function and its holistic approach integrating art, craft, and architecture. The exhibition provided visitors with a sweeping overview of the Utopian aims, teachings, and influential outcomes of the pioneering Bauhaus school.
El documento describe el movimiento artístico del informalismo en Europa y España en las décadas de 1940 y 1950. Rechazaba los medios tradicionales de la pintura y utilizaba materiales no convencionales como yeso, cola y sacos. En España, el informalismo tomó dos vertientes, uno expresionista en Madrid con artistas como Saura y Millares, y uno matérico en Cataluña con Tàpies y otros que enfatizaban texturas y relieves.
El grafiti se originó en la década de 1960 en Nueva York cuando un joven griego llamado Demetrius se hizo famoso pintando su firma en lugares públicos. El grafiti evolucionó de simples firmas a diseños más elaborados con letras estilizadas y pinturas. Aunque algunos lo consideran un arte, otros lo ven como un acto de vandalismo debido a que originalmente se pintaba sin permiso en propiedades privadas. Algunos grafiteros renombrados incluyen a Dr. Hoffman de España y Invader de Francia.
Hiperrealismo y Neoexpresionismo Cristina Parra, Mariel Baltiérrez y Mariso...Fabiola Aranda
El documento analiza los movimientos artísticos del neexpresionismo e hiperrealismo. Explica que el neexpresionismo surgió a finales de los 70 como reacción al minimalismo y arte conceptual, caracterizado por su agresividad y temas crudos. El hiperrealismo busca reproducir la realidad con mayor detalle que la fotografía mediante pintura hiperdetallada. Describe exponentes clave de ambos movimientos como Anselm Kiefer, Richard Estes y Chuck Close.
Houses at l’estaque by Georges Braque (Cubism)Chloe Munro
This painting by Georges Braque depicts houses in the village of L'Estaque. It is one of the earliest Cubist works, simplifying forms into geometric blocks without traditional perspective or distinction between foreground and background. Braque eliminates details and reduces foliage to reveal the geometric structure of the houses. The limited color palette and composition of intersecting lines and planes helped establish Braque's signature Analytical Cubism style.
Chapter 6 expressionism in germany and austriaPetrutaLipan
The document provides information on several German and Austrian expressionist artists that were part of the Die Brücke and Der Blaue Reiter movements in the early 20th century. It discusses key figures like Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Vasily Kandinsky, Franz Marc, Gabriele Münter, and Marianne von Werefkin. It describes their expressive styles using color and form to convey emotion, as well as symbols and subjects important in their work like animals and landscapes. It also gives biographical details and contexts around the founding and influences of the Die Brücke and Der Blaue Reiter groups on the development of German expressionism
Banksy is a pseudonym for a British graffiti artist whose true identity is unknown. He was born in 1974 in Bristol, England and began doing graffiti in the late 1980s. Banksy's street art combines graffiti writing with stenciling and often features political or social commentary. While his identity is secret, his artworks have appeared in cities around the world.
The document discusses Post-Minimalist artist Lynda Benglis and her critiques of Minimalism through her sculptures using poured latex and other materials. It notes that Benglis used industrial techniques coded as masculine but created soft, melting forms rather than rigid structures. Her works referenced Minimalist artists like Carl Andre but with malleable materials and invited sexual associations where Minimalism was austere. The document also provides biographical information on Eva Hesse and how her organic, hanging sculptures have been interpreted as a feminist critique of Minimalism's rigid forms.
El arte Op surgió en Estados Unidos en 1958 y se caracteriza por producir la ilusión de movimiento a través de colores y formas geométricas que crean efectos ópticos. Representantes importantes incluyen a Victor Vasarely, Bridget Riley y Kenneth Noland, cuyas obras utilizan patrones y colores para generar vibraciones en la retina del espectador.
El expresionismo abstracto fue un movimiento pictórico de mediados del siglo XX liderado por artistas como Jackson Pollock y Willem de Kooning. Se caracterizó por la expresión espontánea del individuo a través de la acción de pintar mediante manchas, líneas y trazos gestuales, rechazando las convenciones estéticas. Algunos de sus artistas más destacados fueron Pollock, de Kooning, Arshile Gorky y Esteban Vicente.
Chapter 19 taking chances with popular culturePetrutaLipan
Pop Art began in England in the 1950s as a reaction against Abstract Expressionism. Key early figures included Richard Hamilton, who coined the term "Pop art", and Eduardo Paolozzi, whose collages incorporated imagery from mass media and popular culture. Pop Art spread to the United States in the 1960s, where artists like Andy Warhol, Jasper Johns, Robert Rauschenberg, Claes Oldenburg, and Jim Dine incorporated everyday objects and imagery into their work. They challenged definitions of art and blurred lines between high and low culture.
El Fauvismo fue un movimiento pictórico francés de principios del siglo XX caracterizado por el uso de colores puros y vivos aplicados de forma plana e independiente de la realidad. Sus principales representantes fueron Henri Matisse, André Derain, Maurice de Vlaminck, Albert Marquet y otros, quienes buscaban la expresión de sentimientos a través del color de forma espontánea e intuitiva.
The feminist art movement began in the 1960s as women artists sought to define and express their experiences, which had long been ignored or trivialized in the male-dominated art world. Key events and groups in the 1970s helped promote feminist art and address the lack of opportunities for women artists. While feminist art brought greater recognition to women's experiences and perspectives, it also faced criticism for issues like an essentialist view of women's experiences. The movement significantly influenced later generations by questioning artistic norms and canonical views of art history.
La escultura organicista se caracteriza por formas orgánicas inspiradas en la naturaleza. Dos de sus principales exponentes fueron los escultores ingleses Henry Moore y Barbara Hepworth, quienes crearon obras con formas curvas que evocan la figura humana o elementos naturales. El documento también menciona trabajos realizados por alumnos en esta técnica escultórica.
El graffiti tiene sus orígenes en la antigüedad cuando los romanos escribían en las paredes con profecías, protestas o anuncios. En la Segunda Guerra Mundial, las tropas estadounidenses encontraron el graffiti "Kilroy was here" en varios lugares de Europa. En la década de 1960 en Nueva York, un joven griego comenzó a pintar su apodo "Taki 183" en los vagones del metro, dando inicio al graffiti moderno. A finales de los 70, el graffiti alcanzó su máximo esplendor
The feminist art movement grew out of 1960s activist movements and aimed to reclaim women's rights as artists, challenge stereotypical representations of women, recover women's history, and reaffirm feminine craft traditions. Artists like Alice Neel, Sylvia Sleigh, and Lynda Benglis sought to overturn traditional gender roles that portrayed men as active subjects and women as passive objects by creating role-reversing artwork. The movement also aimed to address how women were typically depicted in stereotypical roles as sex objects, ideal mothers, or witches and question women's prescribed roles in society.
El impresionismo llegó a Argentina a fines del siglo XIX, introducido por artistas como Fernando Fader. Se formó el Grupo Nexus, integrado por siete pintores que se caracterizaron por exaltar la tradición y el folklore locales usando la técnica impresionista. En Argentina, el impresionismo se dividió en tres grandes grupos - Grupo Florida, Grupo Boedo y Grupo La Boca - influenciados por los cambios políticos y sociales de la época y enfocados en diferentes temas.
The American Indian Movement (AIM) was formed to advocate for Native American rights and liberation from oppressive systems established during colonization. AIM fought to abolish the papal bulls used to justify the Doctrine of Discovery, which dispossessed indigenous peoples of their lands. They also worked to eliminate Columbus Day celebrations and replace them with Indigenous Peoples' Day due to the devastating impacts explorer Christopher Columbus had on Native populations. AIM highlighted the differences between traditional Native American systems of governance, which emphasized consensus and spiritual leadership, compared to the top-down control of the U.S. government.
This document discusses theories of subcultures from various thinkers from the 1950s to the 1980s. It outlines how subcultures form in reaction to feelings of alienation from mainstream society due to factors like class, age, or ethnicity. Members of subcultures try to resist the dominant culture through distinctive styles of dress, music, art, and rituals. However, capitalism can commodify the symbolic styles of subcultures and mass produce them, absorbing the subculture into mainstream culture and undermining its message of resistance.
Our major goal is to help you achieve your academic goals. We are commited to helping you get top grades in your academic papers.We desire to help you come up with great essays that meet your lecturer's expectations.
Cubism was the first abstract art movement developed by Pablo Picasso and Georges Braque in the early 20th century. They were influenced by Paul Cézanne's geometric shapes and multiple perspectives in paintings as well as African masks. Cubist works depict objects from various angles simultaneously on a two-dimensional surface using geometric forms rather than realistic renderings. Early Cubist works incorporated collage elements and were abstract, while later Synthetic Cubism allowed objects to be more discernible through brighter colors. Other notable Cubist artists included Juan Gris, Fernand Léger, and Marcel Duchamp.
The document discusses several religious and social reform movements that emerged in the early to mid-1800s in America, including the Second Great Awakening, Transcendentalism, abolitionism, and women's rights. It specifically mentions the abolitionist Frederick Douglass and his anti-slavery newspaper, and the slave rebellion led by Nat Turner in response to the constant degradation of slavery. It also notes that women actively participated in all reform movements of the time and that the Women's Rights Movement emerged from these earlier reforms.
Influencia de las Vanguardias en el Diseño GráficoJuan Hernández
El documento describe los orígenes y principales exponentes de los movimientos de vanguardia en el arte y el diseño gráfico como el futurismo, el constructivismo, el cubismo y el pop art. Menciona artistas clave de cada movimiento como Marinetti, Boccioni, Sant'Elia y Balla para el futurismo; Malévich, Rodchenko, Mondrian y Van Doesburg para el constructivismo; Picasso, Gris y Braque para el cubismo; y Warhol y Lichtenstein para el pop art. Explica brevemente sus aportaciones y la influencia
El arte del siglo XX se alejó de la representación realista del mundo debido a las crisis y guerras que marcaron el siglo. Los artistas buscaron expresar sus experiencias personales y denunciar problemas sociales a través de formas y colores alterados. La arquitectura utilizó nuevos materiales e integró los edificios en el entorno, mientras que la pintura y escultura experimentaron con formas no figurativas para buscar la expresividad.
František Kupka (23 September 1871 – 24 June 1957), also known as Frank Kupka or François Kupka, was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism and heavy symbolism (under the viennese influence), but later evolved into pure abstract art.
Banksy is a pseudonym for a British graffiti artist whose true identity is unknown. He was born in 1974 in Bristol, England and began doing graffiti in the late 1980s. Banksy's street art combines graffiti writing with stenciling and often features political or social commentary. While his identity is secret, his artworks have appeared in cities around the world.
The document discusses Post-Minimalist artist Lynda Benglis and her critiques of Minimalism through her sculptures using poured latex and other materials. It notes that Benglis used industrial techniques coded as masculine but created soft, melting forms rather than rigid structures. Her works referenced Minimalist artists like Carl Andre but with malleable materials and invited sexual associations where Minimalism was austere. The document also provides biographical information on Eva Hesse and how her organic, hanging sculptures have been interpreted as a feminist critique of Minimalism's rigid forms.
El arte Op surgió en Estados Unidos en 1958 y se caracteriza por producir la ilusión de movimiento a través de colores y formas geométricas que crean efectos ópticos. Representantes importantes incluyen a Victor Vasarely, Bridget Riley y Kenneth Noland, cuyas obras utilizan patrones y colores para generar vibraciones en la retina del espectador.
El expresionismo abstracto fue un movimiento pictórico de mediados del siglo XX liderado por artistas como Jackson Pollock y Willem de Kooning. Se caracterizó por la expresión espontánea del individuo a través de la acción de pintar mediante manchas, líneas y trazos gestuales, rechazando las convenciones estéticas. Algunos de sus artistas más destacados fueron Pollock, de Kooning, Arshile Gorky y Esteban Vicente.
Chapter 19 taking chances with popular culturePetrutaLipan
Pop Art began in England in the 1950s as a reaction against Abstract Expressionism. Key early figures included Richard Hamilton, who coined the term "Pop art", and Eduardo Paolozzi, whose collages incorporated imagery from mass media and popular culture. Pop Art spread to the United States in the 1960s, where artists like Andy Warhol, Jasper Johns, Robert Rauschenberg, Claes Oldenburg, and Jim Dine incorporated everyday objects and imagery into their work. They challenged definitions of art and blurred lines between high and low culture.
El Fauvismo fue un movimiento pictórico francés de principios del siglo XX caracterizado por el uso de colores puros y vivos aplicados de forma plana e independiente de la realidad. Sus principales representantes fueron Henri Matisse, André Derain, Maurice de Vlaminck, Albert Marquet y otros, quienes buscaban la expresión de sentimientos a través del color de forma espontánea e intuitiva.
The feminist art movement began in the 1960s as women artists sought to define and express their experiences, which had long been ignored or trivialized in the male-dominated art world. Key events and groups in the 1970s helped promote feminist art and address the lack of opportunities for women artists. While feminist art brought greater recognition to women's experiences and perspectives, it also faced criticism for issues like an essentialist view of women's experiences. The movement significantly influenced later generations by questioning artistic norms and canonical views of art history.
La escultura organicista se caracteriza por formas orgánicas inspiradas en la naturaleza. Dos de sus principales exponentes fueron los escultores ingleses Henry Moore y Barbara Hepworth, quienes crearon obras con formas curvas que evocan la figura humana o elementos naturales. El documento también menciona trabajos realizados por alumnos en esta técnica escultórica.
El graffiti tiene sus orígenes en la antigüedad cuando los romanos escribían en las paredes con profecías, protestas o anuncios. En la Segunda Guerra Mundial, las tropas estadounidenses encontraron el graffiti "Kilroy was here" en varios lugares de Europa. En la década de 1960 en Nueva York, un joven griego comenzó a pintar su apodo "Taki 183" en los vagones del metro, dando inicio al graffiti moderno. A finales de los 70, el graffiti alcanzó su máximo esplendor
The feminist art movement grew out of 1960s activist movements and aimed to reclaim women's rights as artists, challenge stereotypical representations of women, recover women's history, and reaffirm feminine craft traditions. Artists like Alice Neel, Sylvia Sleigh, and Lynda Benglis sought to overturn traditional gender roles that portrayed men as active subjects and women as passive objects by creating role-reversing artwork. The movement also aimed to address how women were typically depicted in stereotypical roles as sex objects, ideal mothers, or witches and question women's prescribed roles in society.
El impresionismo llegó a Argentina a fines del siglo XIX, introducido por artistas como Fernando Fader. Se formó el Grupo Nexus, integrado por siete pintores que se caracterizaron por exaltar la tradición y el folklore locales usando la técnica impresionista. En Argentina, el impresionismo se dividió en tres grandes grupos - Grupo Florida, Grupo Boedo y Grupo La Boca - influenciados por los cambios políticos y sociales de la época y enfocados en diferentes temas.
The American Indian Movement (AIM) was formed to advocate for Native American rights and liberation from oppressive systems established during colonization. AIM fought to abolish the papal bulls used to justify the Doctrine of Discovery, which dispossessed indigenous peoples of their lands. They also worked to eliminate Columbus Day celebrations and replace them with Indigenous Peoples' Day due to the devastating impacts explorer Christopher Columbus had on Native populations. AIM highlighted the differences between traditional Native American systems of governance, which emphasized consensus and spiritual leadership, compared to the top-down control of the U.S. government.
This document discusses theories of subcultures from various thinkers from the 1950s to the 1980s. It outlines how subcultures form in reaction to feelings of alienation from mainstream society due to factors like class, age, or ethnicity. Members of subcultures try to resist the dominant culture through distinctive styles of dress, music, art, and rituals. However, capitalism can commodify the symbolic styles of subcultures and mass produce them, absorbing the subculture into mainstream culture and undermining its message of resistance.
Our major goal is to help you achieve your academic goals. We are commited to helping you get top grades in your academic papers.We desire to help you come up with great essays that meet your lecturer's expectations.
Cubism was the first abstract art movement developed by Pablo Picasso and Georges Braque in the early 20th century. They were influenced by Paul Cézanne's geometric shapes and multiple perspectives in paintings as well as African masks. Cubist works depict objects from various angles simultaneously on a two-dimensional surface using geometric forms rather than realistic renderings. Early Cubist works incorporated collage elements and were abstract, while later Synthetic Cubism allowed objects to be more discernible through brighter colors. Other notable Cubist artists included Juan Gris, Fernand Léger, and Marcel Duchamp.
The document discusses several religious and social reform movements that emerged in the early to mid-1800s in America, including the Second Great Awakening, Transcendentalism, abolitionism, and women's rights. It specifically mentions the abolitionist Frederick Douglass and his anti-slavery newspaper, and the slave rebellion led by Nat Turner in response to the constant degradation of slavery. It also notes that women actively participated in all reform movements of the time and that the Women's Rights Movement emerged from these earlier reforms.
Influencia de las Vanguardias en el Diseño GráficoJuan Hernández
El documento describe los orígenes y principales exponentes de los movimientos de vanguardia en el arte y el diseño gráfico como el futurismo, el constructivismo, el cubismo y el pop art. Menciona artistas clave de cada movimiento como Marinetti, Boccioni, Sant'Elia y Balla para el futurismo; Malévich, Rodchenko, Mondrian y Van Doesburg para el constructivismo; Picasso, Gris y Braque para el cubismo; y Warhol y Lichtenstein para el pop art. Explica brevemente sus aportaciones y la influencia
El arte del siglo XX se alejó de la representación realista del mundo debido a las crisis y guerras que marcaron el siglo. Los artistas buscaron expresar sus experiencias personales y denunciar problemas sociales a través de formas y colores alterados. La arquitectura utilizó nuevos materiales e integró los edificios en el entorno, mientras que la pintura y escultura experimentaron con formas no figurativas para buscar la expresividad.
František Kupka (23 September 1871 – 24 June 1957), also known as Frank Kupka or François Kupka, was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism and heavy symbolism (under the viennese influence), but later evolved into pure abstract art.
Choix (difficile) dans le grand oeuvre d'Henri Matisse, qui se mit à peindre alors qu'il était allité, à 20 ans. Sur ses fameuses dernières années, il retrouvera cette position, celle d'un artiste qui s'allonge pour mieux caresser les formes et flatter les couleurs ...
Les Nabis, groupe d'artistes post-impressionnistes rassemblés autour de Paul Gauguin, par Maurice Denis, Paul Serusier, Pierre Bonnard et Edouard Vuillard.
Diaporama revenant sur le mouvement surréaliste, mouvement d'abord littéraire né sur les cendres de Dada à Paris, puis essaimant dans tous les arts, photographie, cinéma, peinture et inventant de nouvelles façons de créer des formes, via l'automatisme, le rêve, la libération totale de la pensée.
L'EXPRESSIONNISME : UNE ESTHÉTIQUE DE LA RÉVOLTE - Les origines de l'expressi...Amel Ferhat
Ce cycle de conférences a pour objectif de vous présenter les origines et les différentes manifestations de l’expressionnisme tout en analysant les tendances disparates de ce grand mouvement artistique. Nous accorderons une attention particulière à la peinture, aux questions relatives à la formation du terme d’« expressionnisme », aux relations que ce courant a entretenu avec les autres mouvements novateurs, sans oublier l’héritage littéraire et philosophique revendiqué par ces principaux adeptes. Ce tour d’horizon axé sur un moment particulier de l’histoire des avant-gardes historiques vous permettra de vous forger un jugement critique sur des pratiques culturelles englobant plusieurs tendances.
Il aura fallu attendre les années 30, et l'ouvrage de Mario Praz ("La chair, la mort et le diable") pour comprendre le "romantisme noir", qui n'est pas un style mais un courant qui traverse la modernité, et s'oppose aux lignes claires, au progrès (aussi bien celui des sciences que celui des religions). L'Ange du bizarre provient en revanche d'un conte d'Edgar Allan Poe. Ce diaporama a été créé et présenté à l'occasion de l'exposition d'Orsay (Paris, printemps 2013). L'exposition été organisée selon trois grandes sections : le romantisme noir (1780-1850), le symbolisme comme fleur bizarre (1860-1910) et le surréalisme (1920-40). Elle présentait en outre de nombreuses correspondances avec le cinéma, ici ignorées. En revanche, on insistera sur les rôles pionniers de Johann Heinrich Füssli et de Goya.
Some works by Joan Miró, who described himself as an "international catalan". First picture is from Man Ray and the famous episode during which the surrealists (Max Ernst uopn them) tried to hang him out, for laughing. Joan Miró n'était pas un mondain, ça lui coupait sa journée de travail. And he was a brilliant worker.
Diaporama sur Niki de Saint Phalle (29 octobre 1930- 21 mai 2002) et sur les nouveaux réalistes, réalisé à l'occasion de la rétrospective de l'artiste au Grand-Palais, Paris (novembre 2014-février 2015)
Vincent Willem van Gogh (1853-1890) & his times. 2100 artworks, 860 oil paintings, 1300 watercolors, sketches, drawings ... a small selection from a huge work (mostly done during less than ten years, which is rather unique in art history).
Diaporama sur l’œuvre de Victor Vasarely (19806-1997) à l'occasion de l'exposition "Vasarely, le partage des formes" au Centre Pompidou de Paris, du mercredi 6 février 2019 au lundi 6 mai 2019.
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The three founders were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form the seven-member "brotherhood". Their principles were shared by other artists, like Edward Burne-Jones, and they influenced many painters throughout their century : John Collier, John William Waterhouse and even James McNeill Whistler, who pushed the pre raphaelite art in its very lasts conclusions.
Diaporama consacré à Alfons Maria Mucha - Alphonse Mucha en français- (1860-1939), à l'occasion de l'exposition rétrospective que lui consacrait le Palais du Luxembourg du 27 septembre 2018 au 27 janvier 2019. Artiste tchèque de renommée internationale, Alphonse Mucha reste indissociable de l’image du Paris 1900. Sa célébrité lui vient surtout de ses élégantes affiches d’un style très affirmé, emblématique de l’Art nouveau. Mais son activité d’affichiste occulte trop souvent les autres aspects de sa production comportant aussi des peintures, des sculptures, des dessins, des décors, des objets d’art… Au travers de toutes ces œuvres, c’est la figure d’un homme qui se dessine, mystique et visionnaire, animé d’une véritable pensée politique, à l’heure du renouveau national tchèque et de l’éclatement de l’Empire austro-hongrois. Tout le travail préparatoire pour L’Épopée slave qui l’occupe entre 1911 et 1928 témoigne de son attachement à son pays natal et de son rêve d’unité entre les peuples slaves. Au-delà du maître de l’Art nouveau, c’est donc l’œuvre foisonnante et la personnalité singulière de cet artiste que l’exposition entend révéler aux visiteurs. (texte préentation
Diaporama consacré au peintre, sculpteur et plasticien catalan Joan Miró (20 Avril 1893- 25 Décembre 1983), à l'occasion de la rétrospective "Joan Miró" présentée au Grand-Palais de Paris, du 03 Octobre 2018 au 04 Février 2019
Diaporama sur Michelangelo Merisi da Caravaggio, en français Caravage ou le Caravage, qui est un peintre italien né le 29 septembre 1571 à Milan et mort le 18 juillet 1610 à Porto Ercole
Diaporama consacré au peintre romantique Eugène Delacroix (1798-1863), à l'occsion de l'exposition "Delacroix. La fureur de peindre", au Musée du Louvre à Paris, du 29 mars 2018 au 23 Juillet 2018.
Diaporama sur la danse telle qu'elle est représentée dans les arts plastiques, dans la peinture en particulier.
Le diaporama insiste particulièrement sur la période moderne, les décors de ballets, les costumes et la libération des corps en mouvement, en gros jusqu'aux années folles (les années 20).
Diaporama réalisé à l'occasion de l'exposition "Gauguin l'Alchimiste" au Grand Palais (du 11 Octobre 2017 au 22 Janvier 2018), ainsi que de la sortie du film "Gauguin - Voyage de Tahiti" réalisé par Edouard Deluc, avec Vincent Cassel dans le rôle de Gauguin et sorti le 20 Septembre 2017. Le diaporama retrace l'ensemble du parcours artistique de Gauguin, en insistant naturellement sur la dernière période, celle des vahinés et des voyages à Tahiti, où l'artiste pensait trouver le paradis...
Diaporama consacré à Pieter Paul Rubens, à l'occasion de l'exposition "Rubens, peintre des princes (et prince des peintres)" au Grand Palais de Paris (Octobre 2017- Janvier 2018)
Diaporama sur l’œuvre du peintre belge René Magritte (1898-1967), à l'occasion de la rétrospective qui lui sera consacré au Centre Pompidou à la rentrée 2016.
Diaporama sur l’œuvre de Pierre Bonnard (1867-1947), réalisé à l'occasion de la Rétrospective "Pierre Bonnard, peindre l'Aracadie" présentée au Musée d'Orsay du 17 mars au 19 juillet 2015 (puis Madrid, Fondation Mapfre, du 10 septembre 2015 au 6 janvier 2016
San Francisco, Legion of Honor, du 6 février au 15 mai 2016).
67. « Femme agenouillée à moitié nue »
(1917, crayon et tempera sur papier, 28 x 45 cm. , coll. privée)
68. « Couple de femmes amoureuses »
(1914, crayons et aquarelle, 32,5 x 49,5 cm. Albertina, Vienne)
69. Egon Schiele (1890-1918)
« Deux amies (femmes s'embrassant) »
(1915, gouache, crayon et aquarelle sur papier, 48 x 32,7 cm. Musée des Beaux-Arts, Budapest)