UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
Présentation de Jean-Baptiste Larramendy
1. THE NEW FRENCH
CINEMA
3 movies
- Eden Sept.06
- StruggleforLife Sept.13
- Raw Sept.20
1 conference Sept.27
withJean-BaptisteLarramendy
2. THE NEW FRENCH CINEMA
PART I
The Death of French Culture
Donald Morrison’s article in The Times’ magazine.
The last French filmmakers to have emerged on the global stage
A contrasted look at the selections of the greatest film festivals
A new generation of filmmakers growing in the shadow of ‘the Greats’
Culture is not a product, a lesson by Jean-Luc Godard
About Desplechin, Assayas & Co.
Can we talk about the emergence of a new ‘French Cinema’?
3. THE NEW FRENCH CINEMA
PART II
The New French Cinema
The new comedy
A daring approach to genre films
The new rules of storytelling
The first rule is that there’s no rule anymore
Don’t try to be popular and be yourself
4. The Death of French Culture
Donald Morrison’s article in Time magazine
2007: a 6-pages article in Time magazine
2010: a 200-pages book
5. The Death of French Culture
Do you think a film should be considered a film a
(cultural) product?
Has French ‘soft power’ waned in the XXIst century?
Is there a correlation between the two?
6. The Death of French Culture
In 2001, Amelie made 33M$ at the US box-office
In 2002, Christopher Gans’ Brotherhood of the Wolves made 11M$
In 2007, La Vie en Rose made 10M$
In 2012, The Intouchables made 10M$
7. The last French filmmakers to have emerged on the
global stage
Who do you know among those filmmakers:
Jean-Luc Godard
François Truffaut
Olivier Assayas
Agnès Varda
Jacques Audiard
Luc Besson
Jean-Jacques Annaud
Leo Carrax
Jean-Jacques Beneix
Mia Hansen-Love
Justine Triet
8. The last French filmmakers to have emerged on
the global stage
Yann Gonzales
Arnaud Desplechin
Jacques Demy
Christopher Gans
Julia Ducournau
Matthieu Kassovitz
Jean-Pierre Jeunet
Antonin Peretjatko
Maïwenn
Emmanuelle Bercot
Bertrand Bonello
Robin Campillo
François Ozon
Jacques Doilon
Bruno Dumont
Nicole Garcia
Alain Guiraudie
Stéphane Brizé
Valérie Donzelli
Guillaume Nicloux
Michel Hazanavicius
Abdellatif Kechiche
9. The last French filmmakers to have emerged on
the global stage
Luc Besson:
first movie in 1983 => 280 000 admissions
second movie in 1985 => 2 920 000 admissions
Jean-Jacques Annaud:
first movie in 1976 => 170 000 admissions
second movie in 1979 => 900 000 admissions
third movie in 1981 => 4 950 000 admissions
Antonin Peretjatko:
first movie in 2013 => 50 000 admissions
second movie in 2016 => 100 000 admissions
10. A contrasted look at the selections of the greatest film
festivals
Yann Gonzales
Arnaud Desplechin
Jacques Demy
Christopher Gans
Julia Ducournau
Matthieu Kassovitz
Jean-Pierre Jeunet
Antonin Peretjatko
Maïwenn
Emmanuelle Bercot
Bertrand Bonello
Robin Campillo
François Ozon
Jacques Doilon
Bruno Dumont
Nicole Garcia
Alain Guiraudie
Stéphane Brizé
Valérie Donzelli
Guillaume Nicloux
Michel Hazanavicius
Abdellatif Kechiche
11. A contrasted look at the selections of the greatest
film festivals
Dheepan received the Golden Palm in 2015
Blue is the warmest color received the Golden Palm in 2013
The Class received the Golden Palm in 2008
12. A contrasted look at the selections of the greatest
film festivals
Venise Film Festival
Berlin Film Festival
13. A new generation of filmmakers growing in the shadow
of ‘the Greats’
Culture is not a product, a lesson by Jean-Luc Godard
In 2001, In Praise of Love (Éloge de l'amour) was
released. The film is notable for its use of both film
and video—the first half captured in 35-mm black
and white, the latter half shot in color on DV—and
subsequently transferred to film for editing. The
blending of film and video recalls the statement
from Sauve Qui Peut, in which the tension
between film and video evokes the struggle
between Cain and Abel. The film is also noted for
containing themes of aging, love, separation, and
rediscovery as it follows the young artist Edgar in
his contemplation of a new work on the four
stages of love.
15. Can we talk about the emergence of a new
‘French Cinema’?
Antonin Peretjatko
16. The New French Cinema
The new comedy
Quentin Dupieux
Wrong (2012)
Rubber (2010)
Antonin Peretjatko
Justine Triet
La Bataille de Solférino
In Bed with Victoria
Valérie Donzelli
Declaration of War
Hand in Hand
17. A daring approach to genre films
Hardcore horror movies and more
Xavier Gens
Alexandre Aja
Pascal Laugier
18. A daring approach to genre films
The new genre films
Raw
After ‘Raw’
Revenge
Dans la Brume
La Nuit a dévoré le Monde
19. The new rules of storytelling
The first rule is that there’s no rule anymore
Don’t try to be popular and be yourself
Les Garçons sauvages
20. The new rules of storytelling
The first rule is that there’s no rule anymore
Don’t try to be popular and be yourself
Yann Gonzales’s Knife + Heart