Imperialism is the natural vision of the United States of America on the world around them, starting just in front of their doors in their suburban neighborhoods. Each citizen has the right to impose his own vision and rights onto his community, his neighborhood, his neighbors, his city, his county, his state, the USA, and naturally the whole world. It is Monroe’s Manifest Destiny of the USA. Tragic ! ! ! ! But to believe that ONE BLACK AMERICAN will be able to bring down one of the biggest Mafia families in Sicily is as absurd as planning to land on the sun and have a stroll there. Why don’t Americans mind their own business: Homeland Terrorism, CIA Terrorism, FBI Terrorism, PD Terrorism? And this list is not exhaustive ! ! ! ! What about social media Terrorism, School terrorism, Pedagogical and Didactic Terrorism, and Pharmaceutical Terrorism with opioids and other fatal but legal drugs? And what about the Fourth age (beyond 80) Terrorism with unfair competition from the just-under-the-80-year-old-limit hooligans who brandish all types of HooliGUNS that are as holy and sanitary as a waterless restroom in the middle of the Sahara? The exile Abraham condemned Ishmail and his slave mother to: go and die for the glory of Isaac ! ! ! ! The imperialistic mind in the USA is so strong, that even a Black vigilante cannot resist five minutes to the violent desire to intervene in Italy and defeat a Mafia family, and waste a lot of good wine. That Black vigilante has nothing to do in Italy. Let hjim go back to Nerw York, Chicago or Los Angeles. He is not some OSS 117 secret agent.

2. DENZEL WASHINGTON – THE EQUALIZER
2014 – THE EQUALIZER 2 2018 – THE
EQUALIZER 3 2023 – 2023
The actor is good, and he is black, which is very important in this context. The context is urban crime
and violence, with no real effort from the police to do anything. The only change from one film to the next is
the type of crime, otherwise, it is always the same pattern. Crime – Passive Police – Robert McCall Tekes
Over. This pattern is extremely dangerous for any audience. It justifies the passivity of the police who cannot
do anything because criminals today are stopping nowhere and have no limits, hence they have a
tremendous future. Then the second line is simple: private citizens must be concerned and if they are they
have to take over and just plain get rid of these criminals. If we were in a Western film, a spaghetti western if
you want, the criminals would be white and that would be a family affair, and as such other white people
could take it into their own hands. Or the criminals would be Indians, and then in the good old Western racist
tradition: Kill them all and do not ask questions, especially when they a(re all dead.
But here the popular vigilante is black and that creates a feeling of justice in the black audience and a
feeling of fear in the white audience. In both directions, these films have it all wrong. They create a problem
more than they solve one, not even cathartically, because it is cathartic to no white audience that lives with
the fear of a black upheaval, and it is cathartic to no black audience that probably feels encouraged to
become firmer, stronger, more aggressive by these black people who try to impose their rule and justice onto
the whole society. It goes even further when the criminals themselves are black. Imagine a white audience:
“Black criminals are everywhere, and the police do nothing. Let them shoot them dead on the spot, and
what’s more the vigilante is a black man, then what do whites do here?”
That’s exactly why some people in the world start believing the West has been defeated or at best is
being defeated because inside the Western countries concerned in North America and Europe, the real
rotting layer is under the feet of all Westerners, Black, white, or any other color, even blue or red, like the
donkey and the elephant of American egotistic democracy.
Dr. Jacques COULARDEAU

3. VERSION FRANÇAISE
L'acteur est bon, et il est noir, ce qui est très important dans ce contexte. Le contexte est celui de la
criminalité et de la violence urbaines, sans réel effort de la part de la police pour faire quoi que ce soit. Le
seul changement d'un film à l'autre, c'est le type de criminalité, sinon c'est toujours le même schéma.
Criminalité – Police Passive – Robert McCall Prend En Main. Ce schéma est extrêmement dangereux
pour tout public. Cela justifie la passivité de la police qui ne peut rien faire parce que les criminels
d'aujourd'hui n’hésitent devant rien et n'ont aucune limite, donc ils ont un avenir formidable. Ensuite, la
deuxième ligne est simple : les citoyens doivent s’inquiéter et, s’ils sont inquiets, ils doivent prendre le relais
et se débarrasser purement et simplement de ces criminels. Si nous étions dans un western, un western
spaghetti si vous voulez, les criminels seraient blancs et ce serait une affaire de famille, et donc d'autres
Blancs pourraient prendre les choses en main. Ou bien les criminels seraient des Indiens, et alors dans la
bonne vieille tradition raciste occidentale : Tuez-les tous et ne posez pas de questions, surtout quand ils sont
tous morts.
Mais ici, le justicier populaire est noir, ce qui crée un sentiment de justice chez le public noir et un
sentiment de peur chez le public blanc. Dans les deux sens, ces films ont tout faux. Ils créent un problème
plus qu'ils n'en résolvent un, même pas de manière cathartique, car cela n'est cathartique pour aucun public
blanc qui vit dans la peur d'un soulèvement noir, et cela n'est cathartique pour aucun public noir qui se sent

4. probablement encouragé à devenir plus ferme, plus fort. plus agressif par ces noirs qui tentent d'imposer
leur pouvoir et leur justice à l'ensemble de la société. Cela va encore plus loin lorsque les criminels eux-
mêmes sont noirs. Imaginez un public blanc : « Les criminels noirs sont partout et la police ne fait rien. Qu’ils
les tuent sur-le-champ, et en plus le justicier est un homme noir, alors que font les Blancs dans ce bas
monde ?
C'est exactement pourquoi certaines personnes dans le monde commencent à croire que l'Occident a
été vaincu ou, au mieux, est en train d'être vaincu, car à l'intérieur des pays occidentaux concernés en
Amérique du Nord et en Europe, la véritable couche pourrie se trouve sous les pieds de tous les
Occidentaux, noirs, blancs ou toute autre couleur, même le bleu ou le rouge, comme l’âne et l’éléphant de la
démocratie américaine du chacun pour soi.
Dr Jacques COULARDEAU